Portret van Gary Hume

De 4 bekendste schilderijen van Gary Hume, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 4 werken van Gary Hume in onze catalogus

Kortom

Van alle originele werken die Gary Hume heeft nagelaten, is Four Feet in the Garden (1995) het bekendst, in de collectie van het Arts Council Collection, Londen. Direct daarna volgen Little Whistler en Spring Angel C from Spring Angels. Onze catalogus bevat 4 werken van Gary Hume; de galerie heeft de 4 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

geboren in 1962, Tenterden Meeste werken: Bonnefanten Museum

De top 10 schilderijen van Gary Hume: de selectie van de galerie

1
Four Feet in the Garden (1995) door Gary Hume

Four Feet in the Garden

1995 · Painting · Arts Council Collection, Londen

Two pairs of bare feet meet on an aluminum panel. A stark lilac silhouette maps out the shape of these limbs, their toenails outlined with raised paint that catches the light. The surface is smooth, finished with a high-gloss industrial paint that creates a lustrous, impersonal sheen. This gloss reflects the viewer, pulling a ghost of the room into the work. Beneath this slick exterior, the underpainting suggests the warmth…

2
Little Whistler door Gary Hume

Little Whistler

Painting · Bonnefanten Museum, Maastricht

In the vibrant and often startling world of contemporary figurative art, few works capture the whimsical tension between pop culture and fine art as effectively as Gary Hume’s Little Whistler. At first glance, the viewer is met with a striking, almost cartoonish visage—a face defined by vivid, saturated greens that demand immediate attention. The subject, caught in a moment of playful irreverence, appears to be sticking out their tongue, a…

4
Earth Angel door Gary Hume

Earth Angel

· Bonnefanten Museum, Maastricht

Since 1992, the English painter Gary Hume has been producing mainly figurative work that embraces a whole range of subjects. Hume mainly uses photos from the mass media as a source of inspiration, but his work can also be based on famous paintings from art history and religious and symbolic religious images. Through this surprisingly varied number of motifs, Hume explores the entire spectrum of emotions from surprise and joy…

De musea waar de originele werken van Gary Hume worden bewaard

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Gary Hume Schilderijen uit deze lijst
Bonnefanten Museum, MaastrichtBonnefanten Museum Maastricht 2 Little Whistler, Earth Angel
Arts Council Collection, LondenArts Council Collection Londen 1 Four Feet in the Garden

Gary Hume jaar voor jaar: de originelen die elk jaar definiëren

1995 is het jaar van elk gedateerd werk van Gary Hume in deze selectie: hier zijn ze, gerangschikt op bekendheid.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Vragen van verzamelaars over de schilderijen van Gary Hume

Waar is Gary Hume het meest bekend om?Onthul het antwoord

Four Feet in the Garden (1995), Arts Council Collection, Londen. Little Whistler en Spring Angel C from Spring Angels volgen.

Hoe oud was Gary Hume toen Four Feet in the Garden werd gemaakt?Onthul het antwoord

33 jaar oud: Four Feet in the Garden dateert uit 1995, en Gary Hume werd geboren in 1962.

Hoeveel schilderijen heeft Gary Hume nagelaten?Onthul het antwoord

Onze catalogus bevat 4 werken van Gary Hume.

In welke musea hangen de meesterwerken van Gary Hume?Onthul het antwoord

Voornamelijk in Bonnefanten Museum (Maastricht) en Arts Council Collection (Londen). De bovenstaande museumtabel bevat een volledig overzicht.

Welke techniek gebruikte Gary Hume het meest?Onthul het antwoord

Painting, voor 2 van de 4 werken op deze pagina.

Welke werken van Gary Hume hangen in het Bonnefanten Museum?Onthul het antwoord

Little Whistler en Earth Angel: het Bonnefanten Museum, Maastricht herbergt 2 van de werken op deze pagina.

Gary Hume: leven en werk

Deborah Roberts: Unveiling the Layers of Identity

Deborah Roberts, born in Austin, Texas in November 1962, is a profoundly influential visual artist whose work has consistently challenged conventional notions of beauty and representation within American art history. Her journey, marked by rigorous academic training at the University of North Texas and Syracuse University, reflects a deliberate engagement with both formal artistic techniques and deeply personal explorations of identity, particularly as it relates to race and gender. Roberts’s career trajectory is not simply one of creating images; it's a sustained interrogation of how we see ourselves and others, utilizing collage—a technique she masterfully employs—to build complex narratives that resist easy categorization. Early influences included the work of Paul Klee, whose playful experimentation with form and color laid a foundation for Roberts’s own distinctive style, while later engagements with the Situationist International movement informed her critical approach to social structures and power dynamics. Her art isn't merely decorative; it’s a potent commentary on the historical and ongoing complexities of American culture.

The Early Years and Artistic Foundations

Roberts’s formative years in Austin provided a rich context for her artistic development. Growing up amidst a burgeoning arts scene, she was exposed to diverse cultural influences that would later permeate her work. Her education at the University of North Texas instilled in her a strong grounding in traditional painting techniques, while her subsequent studies at Syracuse University honed her skills in collage and mixed media. Crucially, Roberts’s time with Hoyt Sherman, a pivotal figure in her artistic development, shaped her approach to composition and visual storytelling—a method emphasizing intuitive organization and the unification of disparate elements into cohesive narratives. This emphasis on process and observation is evident throughout her oeuvre, demonstrating a deliberate rejection of purely representational approaches in favor of a more conceptual engagement with the subject matter. The influence of Sherman’s teachings can be seen as a key element in Roberts's ability to create works that are both visually arresting and intellectually stimulating.

Exploring Identity Through Collage

Roberts’s signature technique—collage—is not simply a method of assembling disparate images; it is a deliberate strategy for dismantling established visual hierarchies and constructing new meanings. She meticulously selects and manipulates photographs, magazine clippings, and other found materials, layering them to create complex compositions that simultaneously reference and subvert dominant cultural narratives. Her work frequently features the faces of young Black boys and girls, often depicted in ambiguous or fragmented forms—a deliberate act of reclaiming agency and challenging stereotypical representations within mainstream art. The use of speech balloons and comic book imagery further complicates these portraits, inviting viewers to question the language used to describe and define identity. Roberts’s collages are not simply visual statements; they are invitations to engage in critical dialogue about race, gender, and representation.

Exhibitions and Recognition

Roberts's work has garnered significant recognition throughout her career, culminating in numerous prestigious exhibitions both nationally and internationally. Her solo shows have been presented at institutions such as the Whitney Museum of American Art, the Brooklyn Museum, the Studio Museum in Harlem, and LACMA, demonstrating a consistent commitment to showcasing her innovative approach to collage and portraiture. She has also participated in group exhibitions at major museums and galleries around the world, including those in Belgium, Canada, Denmark, France, Germany, Japan, New Zealand, Spain, Taiwan, United Kingdom, and the United States. Her work has been included in numerous museum catalogs and publications, solidifying her position as a leading figure in contemporary American art. Notably, she was named Texas Medal of Arts Award Honoree for the Visual Arts in 2023, a testament to her enduring impact on the artistic landscape.

Legacy and Continuing Influence

Deborah Roberts’s legacy extends far beyond her individual artworks; she has profoundly influenced a generation of artists working across diverse media. Her pioneering use of collage as a tool for social critique and identity exploration continues to inspire artists seeking to challenge conventional representations and engage in meaningful dialogue about the complexities of contemporary society. Roberts's work serves as a powerful reminder that art can be both aesthetically compelling and politically engaged, prompting viewers to confront uncomfortable truths and reconsider their own assumptions about beauty, representation, and power. Her ongoing commitment to exploring themes of race, gender, and identity ensures that her artistic voice will continue to resonate for years to come.