Kortom
Van alle originele werken die Frederick Varley heeft nagelaten, is Lieutenant G.B. McKean, The Victoria Cross (1918) het bekendst, in de collectie van het Canadian War Museum, Ottawa. Direct daarna volgen Captain C.P.J. O'Kelly, The Victoria Cross (1918) en The Sunken Road (1919). Onze catalogus bevat 31 werken van Frederick Varley; de galerie heeft de 27 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
De top 10 schilderijen van Frederick Varley: de selectie van de galerie
The Nascopie
In this 1938 work, Frederick Horsman Varley turns his attention toward the heavy, purposeful presence of a large ship, The Nascopie. The composition is anchored by this central vessel, which dominates the frame, yet it is the surrounding activity that truly defines the scene. Smaller boats cluster around the main ship, some drifting near the center while others are scattered toward the periphery, creating a sense of depth and a…
De selectie van Frederick Varley gaat verder, van 11 tot 27
De musea waar de originele werken van Frederick Varley worden bewaard
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Frederick Varley | Schilderijen uit deze lijst |
|---|---|---|---|
| Ottawa | 18 | Sir George Parkin, Burnt-out Tank, Alice Massey | |
| Ottawa | 8 | Lieutenant G.B. McKean, The Victoria Cross, Captain C.P.J. O'Kelly, The Victoria Cross, The Sunken Road | |
| Oshawa | 1 | The Nascopie |
Frederick Varley decennium voor decennium: het origineel dat elk tijdperk definieert
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
The Nascopie
In this 1938 work, Frederick Horsman Varley turns his attention toward the heavy, purposeful presence of a large ship, The Nascopie. The composition is anchored by this central vessel, which dominates the frame, yet it is the surrounding activity that truly defines the scene. Smaller boats cluster around the main ship, some drifting near the center while others are scattered toward the periphery, creating a sense of depth and a…
Vragen van verzamelaars over de schilderijen van Frederick Varley
Waar is Frederick Varley het meest bekend om?Onthul het antwoord
Lieutenant G.B. McKean, The Victoria Cross (1918), Canadian War Museum, Ottawa. Captain C.P.J. O'Kelly, The Victoria Cross (1918) en The Sunken Road (1919) volgen.
Hoe oud was Frederick Varley toen Lieutenant G.B. McKean, The Victoria Cross werd gemaakt?Onthul het antwoord
37 jaar oud: Lieutenant G.B. McKean, The Victoria Cross dateert uit 1918, en Frederick Varley werd geboren in 1881.
Wat zijn de tien beroemdste schilderijen van Frederick Varley?Onthul het antwoord
Lieutenant G.B. McKean, The Victoria Cross, Captain C.P.J. O'Kelly, The Victoria Cross, The Sunken Road, German Prisoners, For What?, Sir George Parkin, Burnt-out Tank, Alice Massey, Vera en The Nascopie. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel schilderijen heeft Frederick Varley nagelaten?Onthul het antwoord
Onze catalogus bevat 31 werken van Frederick Varley, daterend van 1918 tot 1949.
In welke musea hangen de meesterwerken van Frederick Varley?Onthul het antwoord
Voornamelijk in National Gallery of Canada (Ottawa), Canadian War Museum (Ottawa) en The Robert McLaughlin Gallery (Oshawa). De bovenstaande museumtabel bevat een volledig overzicht.
In welke jaren schilderde Frederick Varley de beroemdste werken?Onthul het antwoord
In 1910s: 11 van de 27 werken op deze pagina werden toen gemaakt, waaronder Lieutenant G.B. McKean, The Victoria Cross.
Wat zijn de eerste en de laatste beroemde originelen van Frederick Varley?Onthul het antwoord
Op deze pagina is het vroegste Lieutenant G.B. McKean, The Victoria Cross (1918) en het laatste Autumn Landscape (1949).
Welke techniek gebruikte Frederick Varley het meest?Onthul het antwoord
Oil, voor 2 van de 27 werken op deze pagina.
Welke werken van Frederick Varley hangen in het National Gallery of Canada?Onthul het antwoord
Sir George Parkin, Burnt-out Tank en Alice Massey: het National Gallery of Canada, Ottawa herbergt 18 van de werken op deze pagina.
Frederick Varley: leven en werk
Frederick Horsman Varley: A Life in Art
Frederick Horsman Varley (January 2, 1881 – September 8, 1969) was a prominent Canadian painter and a key member of the Group of Seven. His work encompassed landscapes, portraits, and poignant depictions of war, establishing him as one of Canada’s most significant artists.
Early Life and Artistic Beginnings
Born in Sheffield, England, Varley demonstrated an early aptitude for art. He began his formal studies at the age of eleven, attending art classes in Sheffield from 1892 to 1899. He continued his education at the Académie Royale des Beaux-Arts in Antwerp, Belgium (1900-1902), where he also worked on the docks to support himself. This period exposed him to European artistic traditions and laid the foundation for his future development.
War Artist and Shaping Perspective
Varley’s experience as a war artist during World War I profoundly influenced his artistic vision. From 1918, he accompanied Canadian troops during the Hundred Days Offensive, documenting the brutal realities of trench warfare. His painting “For What?” (1918) stands out as a particularly powerful and unflinching portrayal of death on the battlefield – one of the few official Canadian First World War paintings to do so directly.
The Group of Seven and Artistic Development
In 1920, Varley became a founding member of the Group of Seven, a collective of Canadian landscape painters who sought to develop a distinctly Canadian artistic style. While known for landscapes within the group, Varley specialized in portraiture, bringing a unique intensity and psychological depth to his subjects. He moved to Vancouver, British Columbia, in 1926, where he headed the Department of Drawing and Painting at the School of Decorative and Applied Arts until 1933.
Key Contributions and Artistic Style
Varley’s contributions to Canadian art are substantial. His portraits are characterized by bold brushwork, expressive lines, and a focus on capturing the inner life of his sitters. His landscapes, while less numerous than those of some other Group of Seven members, demonstrate a similar commitment to portraying the rugged beauty and spirit of the Canadian wilderness. He often employed a palette knife technique, creating textured surfaces and dynamic compositions.
Later Life and Legacy
Varley continued to paint throughout his life, exploring various styles and subjects. He was an associate member of the Royal Canadian Academy of Arts. The Varley Art Gallery of Markham, Ontario, is dedicated to preserving and showcasing his work, housing a significant collection of his paintings. He is buried at the grounds of the McMichael Canadian Art Collection in Kleinburg, Ontario, alongside other members of the original Group of Seven.
Historical Significance
- Varley’s war art provided a starkly realistic depiction of the horrors of World War I, challenging conventional representations of conflict.
- As a member of the Group of Seven, he played a crucial role in establishing a uniquely Canadian artistic identity.
- His portraits are considered among the finest examples of 20th-century Canadian portraiture.
- He helped shape generations of artists through his teaching at the Vancouver School of Decorative and Applied Arts.
Frederick Horsman Varley’s legacy endures as a testament to his artistic talent, his commitment to portraying the human condition, and his contribution to the development of Canadian art.