1
Schilderijen van Felice Riccio: De 5 bekendste, door de ogen van een galerie
Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 6 werken van Felice Riccio in onze catalogus
Kortom
In het oog van de galerie is het beroemdste schilderij van Felice Riccio The Holy Family with a Saint (1560). Assumption of Mary (1572) en Venus at the Forge of Vulcan (1600) maken het trio compleet dat elk oog herkent. Van de 6 werken van Felice Riccio in onze catalogus presenteert de galerie hieronder de 5 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
1542 – 1605, Verona
Meeste werken: Bayerische Staatsgemäldesammlungen
De top 10 schilderijen van Felice Riccio in de galerie
2
3
4
Burial of Christ
Felice Riccio presents the Burial of Christ, a somber composition centered on the pale, limp body of Christ. The scene captures a moment of profound grief, conveyed through the slumped postures and sorrowful facial expressions of the mourning group. This religious and tragic subject matter is rendered with an intense emotional weight, focusing the viewer's attention on the immediate space of the figures.
5
De musea waar de originele werken van Felice Riccio worden bewaard
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Felice Riccio | Schilderijen uit deze lijst |
|---|---|---|---|
 Bayerische Staatsgemäldesammlungen |
München | 1 | Assumption of Mary |
 Kunsthistorisches Museum |
Wenen | 1 | Burial of Christ |
 Museum of Fine Arts |
Boston | 1 | Dead Christ Mourned by Angels |
Felice Riccio, één iconisch schilderij per decennium
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Schilderijen van Felice Riccio: de galerie geeft antwoord
Welk schilderij van Felice Riccio is het beroemdste van allemaal?Onthul het antwoord
The Holy Family with a Saint (1560). Assumption of Mary (1572) en Venus at the Forge of Vulcan (1600) volgen.
Hoe oud was Felice Riccio bij de voltooiing van The Holy Family with a Saint?Onthul het antwoord
18 jaar oud: The Holy Family with a Saint dateert uit 1560, en Felice Riccio werd geboren in 1542.
Hoeveel werken heeft Felice Riccio gemaakt?Onthul het antwoord
Onze catalogus bevat 6 werken van Felice Riccio, daterend van 1560 tot 1600.
Waar hangen de beroemdste originele werken van Felice Riccio?Onthul het antwoord
Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Kunsthistorisches Museum (Wenen) en Museum of Fine Arts (Boston). De bovenstaande museumtabel bevat een volledig overzicht.
Wat zijn de vroegste en laatste beroemde werken van Felice Riccio?Onthul het antwoord
Op deze pagina is het vroegste The Holy Family with a Saint (1560) en het laatste Venus at the Forge of Vulcan (1600).
Felice Riccio: de kunstenaar
A Veronese Hand
Born in Verona in 1542, Felice Riccio entered a world defined by the heavy traditions of his father, Domenico Riccio. Known to many by the pseudonym Il Brusasorci, he did not merely inherit a profession but a specific way of seeing. His early years were spent absorbing the Mannerist language of his lineage, yet there was a distinct softness in his approach that set him apart from the sharper edges of his contemporaries. He moved through the late-Renaissance period with a quiet technical authority, eventually finding his way to Florence, where his presence was noted as late as 1597.
His work often sought a delicate balance between light and form. In pieces such as the Annunciation on the organ shutters of the church of the Madonna di Campagna, one finds a painterly, gentle version of Mannerism. He possessed a particular skill for working on touchstone, using slate to catch the light in ways that traditional canvas could not. This preference for texture and subtle luminism allowed him to create figures that felt less like statues and more like living presences within the shadows.
Evolution of Style
As the decades progressed, Riccio’s brushwork began to shed its rigid Mannerist constraints. The later years of his life, particularly from 1598 toward his death in 1605, saw a shift toward a style that anticipated the Baroque. This transition was marked by an increase in emotional weight and a more intense religious feeling. In works like the Giusti Altarpiece, he experimented with agitated gestures, even as he maintained a sense of normal proportion.
The movement of his art can be traced through specific subjects:
- The Finding of Moses (1584), which remains in Verona at Castelvecchio.
- The Flagellation of Christ, where he utilized a delicate luminism to transform familiar gestures.
- Religious compositions for the church of San Michele Extra, including the Four Saints on the organ shutters.
A Lasting Influence
While his own life ended in 1605, the technical foundations he laid continued through his students. He was a teacher to several painters who would go on to define the Veronese Baroque, including Alessandro Turchi and Pasquale Ottini. These pupils carried forward his sensitivity to color and his meticulous approach to composition. His legacy is found not in grand declarations, but in the quiet, refined tones that populated the churches of Verona and the collections of Bolzano.