Portret van Eva Hesse

De 13 bekendste schilderijen van Eva Hesse, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Eva Hesse in onze catalogus

Kortom

Van alle originele werken die Eva Hesse heeft nagelaten, is Repetition Nineteen III (1968) het bekendst, in de collectie van het MoMA - Museum of Modern Art, New York City. Direct daarna volgen Tomorrow's Apples (5 in White) (1965) en Right After (1969). Onze catalogus bevat 13 werken van Eva Hesse; de galerie heeft de 13 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1936 – 1970, Hamburg Post-minimalism Meeste werken: Tate Modern

De top 10 schilderijen van Eva Hesse: de selectie van de galerie

1
Repetition Nineteen III (1968) door Eva Hesse

Repetition Nineteen III

1968 · Resin · MoMA - Museum of Modern Art, New York City

To stand before Repetition Nineteen III is to encounter not merely an arrangement of objects, but a meditation on persistence and the beautiful imperfection of being. Eva Hesse’s work from this period pulses with a quiet, almost visceral energy. The sculpture presents a constellation of roughly hewn, organic forms resting upon a grounding plane of warm wood. These pieces, cast in a muted, pale green material—perhaps resin or fiberglass—reject the…

2
Tomorrow's Apples (5 in White) (1965) door Eva Hesse

Tomorrow's Apples (5 in White)

1965 · Sculpture · Tate Modern, Londen

In the quiet, evocative realm of Eva Hesse, materiality speaks where words fail. Her 1965 masterpiece, Tomorrow's Apples (5 in White), stands as a profound testament to the beauty found in imperfection and the delicate balance between structure and decay. At first glance, the viewer is met with a minimalist landscape: five vibrant, rope-like forms—hues of blue, red, pink, yellow, and green—casually draped across a stark, textured white expanse. These…

5
Contingent (1968) door Eva Hesse

Contingent

1968 · Mixed Media · National Gallery of Australia, Canberra

Eva Hesse’s 1968 work, “Contingent,” isn't merely a sculpture; it’s an embodied meditation on vulnerability and the precarious nature of existence. Born from the tumultuous backdrop of post-war Germany and Hesse’s deeply personal experiences – displacement, loss, and the lingering shadow of her mother’s suicide – the piece speaks to a profound sense of uncertainty and reliance. Hesse, a pivotal figure in the emergence of Post-Minimalism, deliberately eschewed the rigid…

7
Hang Up (1966) door Eva Hesse

Hang Up

1966 · Art Institute of Chicago, Chicago

Eva Hesse’s “Hang Up,” created in 1966, isn't merely a sculpture; it’s an arresting meditation on the very nature of art and its relationship to space. Captured with remarkable clarity in this photograph, the work immediately commands attention with its stark simplicity – a rectangular frame, painted a subtly grayish-blue, suspended from a thick, black cord that descends dramatically to the floor. This seemingly austere composition belies a profound depth…

De selectie van Eva Hesse gaat verder, van 11 tot 13

De beroemde schilderijen van Eva Hesse, periode voor periode

De onderwerpen die de aandacht van Eva Hesse troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Eva Hesse worden bewaard

De 5 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Eva Hesse Schilderijen uit deze lijst
Tate Modern, LondenTate Modern Londen 2 Tomorrow's Apples (5 in White), Untitled
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 Accession II, Accession II
MoMA - Museum of Modern Art, New York CityMoMA - Museum of Modern Art New York City 1 Repetition Nineteen III
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 1 Contingent
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Hang Up

Eva Hesse jaar voor jaar: de originelen die elk jaar definiëren

Slechts een decennium lang, van 1960 tot 1969, gaf het de wereld elk gedateerd Eva Hesse origineel in deze selectie: hier is het, jaar voor jaar.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Vragen van verzamelaars over de schilderijen van Eva Hesse

Waar is Eva Hesse het meest bekend om?Onthul het antwoord

Repetition Nineteen III (1968), MoMA - Museum of Modern Art, New York City. Tomorrow's Apples (5 in White) (1965) en Right After (1969) volgen.

Hoe oud was Eva Hesse toen Repetition Nineteen III werd gemaakt?Onthul het antwoord

32 jaar oud: Repetition Nineteen III dateert uit 1968, en Eva Hesse werd geboren in 1936.

Wat zijn de tien beroemdste schilderijen van Eva Hesse?Onthul het antwoord

Repetition Nineteen III, Tomorrow's Apples (5 in White), Right After, No Title (Spectres series), Contingent, Untitled, Hang Up, Untitled, Expanded Expansion en Addendum. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Eva Hesse nagelaten?Onthul het antwoord

Onze catalogus bevat 13 werken van Eva Hesse, daterend van 1960 tot 1969.

In welke musea hangen de meesterwerken van Eva Hesse?Onthul het antwoord

Voornamelijk in Tate Modern (Londen), Detroit Institute of Arts (Detroit) en MoMA - Museum of Modern Art (New York City). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Eva Hesse de beroemdste werken?Onthul het antwoord

In 1965: 3 van de 13 werken op deze pagina werden toen gemaakt, waaronder Tomorrow's Apples (5 in White).

Wat zijn de eerste en de laatste beroemde originelen van Eva Hesse?Onthul het antwoord

Op deze pagina is het vroegste No Title (Spectres series) (1960) en het laatste Right After (1969).

Welke onderwerpen koos Eva Hesse het vaakst?Onthul het antwoord

Materiality (4), Fragility (4) en Organic forms (2), verspreid over de 13 werken op deze pagina.

Welke techniek gebruikte Eva Hesse het meest?Onthul het antwoord

Sculpture, voor 2 van de 13 werken op deze pagina.

Bij welke kunststroming behoort Eva Hesse?Onthul het antwoord

Post-minimalism en Postminimalism, te oordelen aan de originelen op deze pagina.

Welke werken van Eva Hesse hangen in het Tate Modern?Onthul het antwoord

Tomorrow's Apples (5 in White) en Untitled: het Tate Modern, Londen herbergt 2 van de werken op deze pagina.

Eva Hesse: leven en werk

A Life Interrupted: The Poetic Vulnerability of Eva Hesse

Eva Hesse’s story is one of profound displacement and a relentless pursuit of artistic expression in the face of personal tragedy. Born in 1936 in Hamburg, Germany, her early life was irrevocably altered by the looming shadow of Nazism. Fleeing persecution, her family sought refuge in the United States in 1938, an act that would forever shape Hesse’s identity as a displaced person navigating two worlds. This sense of rootlessness, coupled with the emotional trauma of her parents' separation and her mother’s subsequent suicide when Hesse was just ten years old, became a subtle yet powerful undercurrent in her art—a haunting exploration of fragility, loss, and the ephemeral nature of existence. Her formal artistic training began at the Pratt Institute in Brooklyn, followed by studies at Cooper Union and Yale University School of Art and Architecture, where she encountered the rigorous material explorations championed by Josef Albers. However, it was not within the confines of traditional painting that Hesse found her true voice; rather, she embarked on a path of radical experimentation with materials and form, ultimately becoming a pivotal figure in the development of Postminimalism and Eccentric Abstraction.

Early Life: Displacement and Trauma

Eva Hesse’s formative years were marked by upheaval and loss. Born to an Orthodox Jewish family in Hamburg during the rise of Nazism, she experienced firsthand the terror of antisemitic persecution. In 1938, her parents bravely relocated their family to the United States, driven by a determination to protect their children from Nazi violence—a decision that profoundly impacted Hesse’s worldview and instilled within her a deep awareness of displacement. The separation of her parents created an emotional void that shaped her artistic sensibility, while her mother’s suicide at age ten left an indelible scar on Hesse’s psyche. These experiences fueled her desire to grapple with themes of vulnerability, trauma, and the complexities of human emotion—themes that would permeate throughout her oeuvre. Her childhood in New York City was characterized by loneliness and insecurity, as she struggled to adapt to a new culture while grappling with unresolved grief. Despite these challenges, Hesse possessed an unwavering passion for art, nurtured by her father’s encouragement and fueled by her own innate curiosity.

The Influence of Surrealism and Abstract Expressionism

Hesse’s artistic sensibilities were profoundly influenced by the avant-garde movements of her time—particularly Surrealism and Abstract Expressionism. She was captivated by Surrealist artists like René Magritte and Joan Miró, who explored dreamlike imagery and subconscious associations to challenge rational thought and reveal hidden truths. Hesse admired the gestural energy and emotional intensity of Abstract Expressionists such as Jackson Pollock and Willem de Kooning, recognizing in their work a liberation from formal constraints and an embrace of spontaneous expression. These influences instilled within her a belief that art could transcend literal representation and communicate profound feelings—a conviction that would guide her artistic explorations for decades to come. Hesse’s fascination with the biomorphic sculptures of Hans Arp and Jean Dubuffet further broadened her understanding of sculptural form and technique, exposing her to innovative approaches to material manipulation and spatial arrangement.

A Sculptural Revolution: Embracing Materiality

Initially drawn to abstract painting, Hesse quickly felt stifled by its conventional limitations—the need for precise lines and balanced compositions seemed to contradict her desire to express raw emotion and explore the unpredictable nature of existence. She yearned for a more direct engagement with materiality—a way to imbue her sculptures with the visceral immediacy of feeling and experience. This yearning led her to abandon painting altogether, embarking on a path of radical experimentation with unconventional materials such as latex rubber, plastic sheeting, fiberglass, resin, and wire mesh. Hesse deliberately rejected traditional sculptural techniques, favoring methods that allowed for chance encounters and unpredictable transformations—a strategy that reflected her belief in the importance of embracing imperfection and accepting the limitations inherent in any artistic endeavor. She meticulously studied the properties of these materials, observing how they responded to gravity, temperature, and humidity—transforming them into instruments of exploration and expression.

Postminimalism and Eccentric Abstraction: Defining a Unique Aesthetic

Hesse’s sculptural innovations cemented her position as a pioneer in Postminimalism and Eccentric Abstraction—movements that emerged in the wake of Minimalism’s dominance in the 1960s, rejecting its austere aesthetic and embracing subjectivity, emotion, and organic form. Like other artists of her generation—Robert Morris, Bruce Nauman, Richard Serra, and Robert Smithson—Hesse challenged formalism by introducing elements of chance and spontaneity into her work, disrupting established conventions and pushing boundaries of sculptural practice. Her sculptures are characterized by a distinctive aesthetic—one that embraces fragility, vulnerability, and organic irregularity. Often featuring repetitive forms arranged in grid structures or clustered arrangements, Hesse’s work evokes a sense of both order and chaos, control and surrender. “Hang Up” (1966), for example, is a striking early exploration of these themes—a seemingly simple arrangement of painted circles suspended from cords that Hesse herself described as expressing “absurdity or extreme feeling.” The Repetition Nineteen III series (1968) further exemplifies her fascination with repetition and material properties, showcasing translucent fiberglass buckets arranged in a grid, each containing subtly different forms. Hesse’s willingness to embrace imperfection and explore deeply personal themes resonated with feminist art critics and artists, who saw in her work a powerful expression of female experience and a rejection of patriarchal norms. Her sculptures are imbued with psychological intensity—a testament to her ability to convey complex emotions through minimalist forms and unconventional materials. Hesse’s legacy lies not only in the beauty and originality of her work but also in her courage to confront difficult emotions and explore the complexities of human existence with honesty and vulnerability.
  • Useful Links:
  • Addendum: A minimalist wire & wood sculpture embodying Postminimalism.
  • Hang Up: Showcasing Hesse’s mastery of space and form.