Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Dominik Weber Portrait of Two Children (1840), waarvan het origineel in het Augustiner Museum in Freiburg hangt. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) en Portrait of a Young Woman with Two Children (1854) maken het trio compleet dat elk oog herkent. Van de 9 werken van Dominik Weber in onze catalogus presenteert de galerie hieronder de 9 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
De top 10 schilderijen van Dominik Weber in de galerie
De musea waar de originele werken van Dominik Weber worden bewaard
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Dominik Weber | Schilderijen uit deze lijst |
|---|---|---|---|
| Freiburg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children | |
| Karlsruhe | 1 | Two Girls with Dove |
Dominik Weber, één iconisch schilderij per decennium
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Schilderijen van Dominik Weber: de galerie geeft antwoord
Welk schilderij van Dominik Weber is het beroemdste van allemaal?Onthul het antwoord
Portrait of Two Children (1840), Augustiner Museum, Freiburg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) en Portrait of a Young Woman with Two Children (1854) volgen.
Hoe oud was Dominik Weber bij de voltooiing van Portrait of Two Children?Onthul het antwoord
21 jaar oud: Portrait of Two Children dateert uit 1840, en Dominik Weber werd geboren in 1819.
Hoeveel werken heeft Dominik Weber gemaakt?Onthul het antwoord
Onze catalogus bevat 9 werken van Dominik Weber, daterend van 1840 tot 1869.
Waar hangen de beroemdste originele werken van Dominik Weber?Onthul het antwoord
Voornamelijk in Augustiner Museum (Freiburg) en Staatliche Kunsthalle Karlsruhe (Karlsruhe). De bovenstaande museumtabel bevat een volledig overzicht.
Wanneer creëerde Dominik Weber de beroemdste schilderijen?Onthul het antwoord
In 1860s: 5 van de 9 werken op deze pagina werden toen gemaakt, waaronder Artist’s Daughter Wearing a Grey Dress.
Wat zijn de vroegste en laatste beroemde werken van Dominik Weber?Onthul het antwoord
Op deze pagina is het vroegste Portrait of Two Children (1840) en het laatste Two Girls with Dove (1869).
Welke originelen van Dominik Weber zijn in de collectie van het Augustiner Museum?Onthul het antwoord
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt en Portrait of a Young Woman with Two Children: het Augustiner Museum, Freiburg herbergt 8 van de werken op deze pagina.
Dominik Weber: de kunstenaar
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.





