Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 32 werken van Christopher Paudiß in onze catalogus
Kortom
Martyrdom of Saint Thiemo (1662) is het schilderij van Christopher Paudiß dat de meeste aandacht trekt; het origineel bevindt zich in het Kunsthistorisches Museum, Wenen. Daarna gaat de blik naar Peasants in a tavern (1664) en Portrait of a man with dark hair, probably Alphons Zeffiri (1660). Van de 32 werken van Christopher Paudiß in onze catalogus zijn dit de 32 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
The air in the room feels heavy, thick with the scent of iron and dust. On the ground, a pale, limp body lies prone, the stillness of death clashing violently with the chaos surrounding it. This is the end of Saint Thiemo, a man once of noble Bavarian blood and a high prelate of Salzburg, now reduced to a silent, broken form. The scene is a whirlwind of motion and…
A single, steady light spills from the upper right, cutting through the heavy gloom of a 17th-century tavern. It finds an elderly man seated in a chair, his white beard catching the glow against the deep umber of the room. Beside him, a younger boy sits on the floor, a quiet presence in the cramped, dim space. The air feels thick with the scent of wood and old dust. A…
A man stares directly from the canvas, his gaze meeting the viewer with a quiet, heavy intensity. He sits in a space defined by deep, umber shadows, where the darkness seems to press in from the edges of the frame. A strong light source from the upper left cuts through this gloom, washing over the pale skin of his face and catching the crisp, white folds of a voluminous collar.…
In The Head of a Girl by Christopher Paudiß, we find a quiet, intimate encounter with a single human figure. The composition is a close-up portrait, focusing our attention entirely on the subject's head and shoulders. By positioning the girl slightly off-center, Paudiß avoids a rigid symmetry, lending the work a natural, unforced presence. The background is composed of deep, moody blues that recede into shadow, allowing the subject to…
Old man with a slate1645 · Bayerische Staatsgemäldesammlungen
12
Christ at Emmaus1644 · Bayerische Staatsgemäldesammlungen
13
Diogenes1645 · Bayerische Staatsgemäldesammlungen
14
The kiss of Judas and the arrest of Christ1645 · Bayerische Staatsgemäldesammlungen
15
Tronie of an old man with beard and baret1643
16
Still Life with Beer, Herring and Pipe1660 · Museum Boijmans Van Beuningen
17
Self-Portrait?1661 · National Gallery Prague
18
Tronie of a man with a beret1653 · Augusteum
19
Portrait of a Hajduk with cap1663 · Gemäldegalerie Alte Meister
20
Self-portrait with hat1665 · Bayerische Staatsgemäldesammlungen
21
Peasant couple resting on the road1663 · Bayerische Staatsgemäldesammlungen
22
The court butcher of Freising1664 · Bayerische Staatsgemäldesammlungen
23
Der hl. Hieronymus1665 · Bayerische Staatsgemäldesammlungen
24
Portrait of a bearded old man with hat1663 · Kunsthistorisches Museum
25
Tronie of an old man with a fur cap1654 · Staatliche Kunstsammlungen Dresden
26
Self-portrait with a grey hat1659 · Staatliche Kunstsammlungen Dresden
27
still life with two fishes1643
28
Kitchen Still Life1661 · Szépművészeti Múzeum
29
Portrait of a lady1660 · Pushkin Staatsmuseum voor Schone Kunsten
30
Bust portrait of an old man with a gorget1653 · Gemäldegalerie
31
Still life with the heads of two calves1658 · Staatliche Kunstsammlungen Dresden
32
Woman with HeadscarfBayerische Staatsgemäldesammlungen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Christopher Paudiß | Schilderijen uit deze lijst |
|---|---|---|---|
 Bayerische Staatsgemäldesammlungen |
München | 15 | Tronie of an old man with beret, Peasant returning from the market, Girl lighting a candle |
 Kunsthistorisches Museum |
Wenen | 4 | Martyrdom of Saint Thiemo, Peasants in a tavern, Portrait of a man with dark hair, probably Alphons Zeffiri |
 Staatliche Kunstsammlungen Dresden |
Dresden | 3 | Tronie of an old man with a fur cap, Self-portrait with a grey hat, Still life with the heads of two calves |
 Hermitage Museum |
Sint-Petersburg | 1 | The Head of a Girl |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Still Life with Beer, Herring and Pipe |
 National Gallery Prague |
Praag | 1 | Self-Portrait? |
 Augusteum |
Oldenburg | 1 | Tronie of a man with a beret |
 Gemäldegalerie Alte Meister |
Dresden | 1 | Portrait of a Hajduk with cap |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
In The Head of a Girl by Christopher Paudiß, we find a quiet, intimate encounter with a single human figure. The composition is a close-up portrait, focusing our attention entirely on the subject's head and shoulders. By positioning the girl slightly off-center, Paudiß avoids a rigid symmetry, lending the work a natural, unforced presence. The background is composed of deep, moody blues that recede into shadow, allowing the subject to…
The air in the room feels heavy, thick with the scent of iron and dust. On the ground, a pale, limp body lies prone, the stillness of death clashing violently with the chaos surrounding it. This is the end of Saint Thiemo, a man once of noble Bavarian blood and a high prelate of Salzburg, now reduced to a silent, broken form. The scene is a whirlwind of motion and…
Martyrdom of Saint Thiemo (1662), Kunsthistorisches Museum, Wenen. Peasants in a tavern (1664) en Portrait of a man with dark hair, probably Alphons Zeffiri (1660) volgen.
32 jaar oud: Martyrdom of Saint Thiemo dateert uit 1662, en Christopher Paudiß werd geboren in 1630.
Martyrdom of Saint Thiemo, Peasants in a tavern, Portrait of a man with dark hair, probably Alphons Zeffiri, The Head of a Girl, Tronie of an old man with beret, Peasant returning from the market, Girl lighting a candle, Dancing peagant couple in a taproom, Old man singing and playing the lute en Portrait of a young man with hat. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 32 werken van Christopher Paudiß, daterend van 1643 tot 1665.
Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Kunsthistorisches Museum (Wenen) en Staatliche Kunstsammlungen Dresden (Dresden). De bovenstaande museumtabel bevat een volledig overzicht.
In 1660s: 13 van de 32 werken op deze pagina werden toen gemaakt, waaronder Martyrdom of Saint Thiemo.
Op deze pagina is het vroegste Tronie of an old man with beard and baret (1643) en het laatste Self-portrait with hat (1665).
Man (4), Earthy tones (3) en Shadows (2), verspreid over de 32 werken op deze pagina.
Oil On Canvas, voor 4 van de 32 werken op deze pagina.
Baroque, te oordelen aan de originelen op deze pagina.
Tronie of an old man with beret, Peasant returning from the market en Girl lighting a candle: het Bayerische Staatsgemäldesammlungen, München herbergt 15 van de werken op deze pagina.
The life of Christoph Paudiss moved with the restless energy of the seventeenth century, tracing a path from Lower Saxony to the final years spent in Freising. Born around 1630, his early years were shaped by the profound influence of Rembrandt van Rijn. In the studios of Amsterdam and Leiden, he learned the language of light and shadow, a technical foundation that would define his later work across Europe. His career was marked by constant movement through the great centers of the era, including Stuttgart, Prague, Dresden, Vienna, and Salzburg.
This peripatetic existence reflected the shifting political landscape of the Bavarian Baroque period. By 1656, he was working in Stuttgart, and later moved through the courts of Central Europe. His final years were anchored in Freising, where he served under Fürstbischof Albrecht Sigismund von Bayern. It was here, amidst the quietude of Upper Bavaria, that his life reached its premature end in 1666.
Paudiss possessed a particular talent for capturing the somber realities of daily existence. His paintings and frescoes often focused on dark, unadorned scenes of common life. He did not seek to idealize his subjects; instead, he utilized chiaroscuro to bring a sense of weight and psychological depth to the ordinary. Whether depicting a kitchen still life or a portrait of a young man in a fur hat, his brushwork emphasized texture and the heavy presence of light against deep umber and ochre tones.
His repertoire was varied, ranging from religious subjects to intimate genre scenes. Some of his notable works include:
In his still lifes, such as those featuring beer, herring, and a pipe, he used everyday objects to create a sense of presence. These compositions often functioned as quiet meditations on the passage of time. The technical precision with which he rendered ceramic glazes or the rough grain of a wall allowed him to communicate a sense of realism that resonated within the German Baroque tradition.
Though his life was short, the physical remnants of his work remain distributed across the continent. Much of his output is held within the Freisinger Diözesanmuseum, which contains the largest collection of his paintings. Other pieces reside in the Hermitage Museum in Saint Petersburg and the Gemäldegalerie Alte Meister in Dresden. His ability to translate the Dutch influence of Rembrandt into a specifically Bavarian context left a distinct mark on the regional art of his time.
