Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 22 werken van Charles Herbert Moore in onze catalogus
Kortom
In het oog van de galerie is het beroemdste schilderij van Charles Herbert Moore San Barnaba, Venice (1876). Seated Man (1861) en Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence (1877) maken het trio compleet dat elk oog herkent. Van de 22 werken van Charles Herbert Moore in onze catalogus presenteert de galerie hieronder de 22 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
This watercolor depicts a canal in Venice, Italy, framed by tall, vertical buildings on both sides. The structures appear to be constructed from brick or stone, their facades rising to meet the upper edges of the frame. A single boat floats upon the water, positioned within the canal, while a second, smaller boat is visible in the distance on the left side. Figures are placed throughout the scene, some standing…
In Seated Man, Charles Herbert Moore centers the composition on a single middle-aged male figure. The subject sits upon a simple stool, positioned against a neutral and textured background. He is rendered with a beard and dressed in a white shirt, a dark vest, and dark trousers. The arrangement creates a direct, intimate encounter through a straight-on, eye-level perspective.
Rocks by the Water1865
12
Landscape: Rocks and Water1865
13
Winter Landscape, Valley of the Catskills1866
14
The Catskill Mountains1872 · Harvard Art Museums
15
Mount Kearsarge1872
16
Old Doorway, Venice1877
17
Peacock Feather1879
18
Street near Simplon Village1881
19
Mullen and Rocks1883
20
Lincoln Cathedral1886
21
Hudson River, Above Catskill1865 · Amon Carter Museum of American Art
22
San Giorgio Maggiore, Venice, from the Lagoon.1876
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 4 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Charles Herbert Moore | Schilderijen uit deze lijst |
|---|---|---|---|
 Harvard Art Museums |
Cambridge | 5 | Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice |
 Fogg Art Museum |
Cambridge | 1 | John Ruskin |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Landscape |
 Amon Carter Museum of American Art |
Fort Worth | 1 | Hudson River, Above Catskill |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
In Seated Man, Charles Herbert Moore centers the composition on a single middle-aged male figure. The subject sits upon a simple stool, positioned against a neutral and textured background. He is rendered with a beard and dressed in a white shirt, a dark vest, and dark trousers. The arrangement creates a direct, intimate encounter through a straight-on, eye-level perspective.
This watercolor depicts a canal in Venice, Italy, framed by tall, vertical buildings on both sides. The structures appear to be constructed from brick or stone, their facades rising to meet the upper edges of the frame. A single boat floats upon the water, positioned within the canal, while a second, smaller boat is visible in the distance on the left side. Figures are placed throughout the scene, some standing…
San Barnaba, Venice (1876). Seated Man (1861) en Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence (1877) volgen.
36 jaar oud: San Barnaba, Venice dateert uit 1876, en Charles Herbert Moore werd geboren in 1840.
San Barnaba, Venice, Seated Man, Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice, Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice, Reduced Study of a Portion of the Lower Part of Titian's Picture of "The Assumption of the Virgin," in the Academy of Venice, John Ruskin, Landscape, River View with Cattle en Leeds Bridge. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 22 werken van Charles Herbert Moore, daterend van 1859 tot 1886.
Voornamelijk in Harvard Art Museums (Cambridge), Fogg Art Museum (Cambridge) en Smithsonian American Art Museum (Washington, D.C.). De bovenstaande museumtabel bevat een volledig overzicht.
In 1870s: 11 van de 22 werken op deze pagina werden toen gemaakt, waaronder San Barnaba, Venice.
Op deze pagina is het vroegste Landscape (1859) en het laatste Lincoln Cathedral (1886).
Water (3), Rocks (3) en People (2), verspreid over de 22 werken op deze pagina.
Oil, voor 2 van de 22 werken op deze pagina.
Hudson river school, te oordelen aan de originelen op deze pagina.
Study, Reduced to One-Quarter Size, of the Angel in Veronese's Annunciation, in the Uffizi Gallery at Florence, Study of the Head of the Sleeping Saint Ursula, after Carpaccio, in the Academy of Venice en Reduced Study of Tintoret's "Madonna of the Faithful," in the Academy of Venice: het Harvard Art Museums, Cambridge herbergt 5 van de werken op deze pagina.
