Portret van Charles de Steuben

De 19 bekendste schilderijen van Charles de Steuben, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 19 werken van Charles de Steuben in onze catalogus

Kortom

Van alle originele werken die Charles de Steuben heeft nagelaten, is Portrait of Anna Benardaki (1844) het bekendst, in de collectie van het Hermitage Museum, Sint-Petersburg. Direct daarna volgen Portrait of Baron Alexander Stieglitz (1844) en Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Onze catalogus bevat 19 werken van Charles de Steuben; de galerie heeft de 19 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1788 – 1856, Bauerbach Romanticism Meeste werken: Hermitage Museum

De top 10 schilderijen van Charles de Steuben: de selectie van de galerie

1
Portrait of Anna Benardaki (1844) door Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitage Museum, Sint-Petersburg

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) door Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

3
Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) door Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) door Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

5
Portrait of D.E. Benardaki (1844) door Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) door Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

De selectie van Charles de Steuben gaat verder, van 11 tot 19

De onderwerpen die de aandacht van Charles de Steuben troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Charles de Steuben worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Charles de Steuben Schilderijen uit deze lijst
Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Musée Carnavalet, ParijsMusée Carnavalet Parijs 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParijsMusée Victor Hugo Parijs 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersaillesOpera House Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Charles de Steuben

Waar is Charles de Steuben het meest bekend om?Onthul het antwoord

Portrait of Anna Benardaki (1844), Hermitage Museum, Sint-Petersburg. Portrait of Baron Alexander Stieglitz (1844) en Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) volgen.

Hoe oud was Charles de Steuben toen Portrait of Anna Benardaki werd gemaakt?Onthul het antwoord

56 jaar oud: Portrait of Anna Benardaki dateert uit 1844, en Charles de Steuben werd geboren in 1788.

Wat zijn de tien beroemdste schilderijen van Charles de Steuben?Onthul het antwoord

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" en Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Charles de Steuben nagelaten?Onthul het antwoord

Onze catalogus bevat 19 werken van Charles de Steuben, daterend van 1800 tot 1850.

In welke musea hangen de meesterwerken van Charles de Steuben?Onthul het antwoord

Voornamelijk in Hermitage Museum (Sint-Petersburg), Palais des Beaux-Arts de Lille (Lille) en Musée Carnavalet (Parijs). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Charles de Steuben de beroemdste werken?Onthul het antwoord

In 1830s: 9 van de 19 werken op deze pagina werden toen gemaakt, waaronder Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Wat zijn de eerste en de laatste beroemde originelen van Charles de Steuben?Onthul het antwoord

Op deze pagina is het vroegste The Death of Napoleon (1800) en het laatste Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Welke onderwerpen koos Charles de Steuben het vaakst?Onthul het antwoord

Woman (3), Man (3) en Lace (2), verspreid over de 19 werken op deze pagina.

Welke techniek gebruikte Charles de Steuben het meest?Onthul het antwoord

Oil On Canvas, voor 5 van de 19 werken op deze pagina.

Bij welke kunststroming behoort Charles de Steuben?Onthul het antwoord

Romanticism, te oordelen aan de originelen op deze pagina.

Welke werken van Charles de Steuben hangen in het Hermitage Museum?Onthul het antwoord

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz en Portrait of Alexander P. von Benckendorff (1819 – 1851): het Hermitage Museum, Sint-Petersburg herbergt 7 van de werken op deze pagina.

Charles de Steuben: leven en werk

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.