Portret van Carlo Bononi

Schilderijen van Carlo Bononi: De 7 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 7 werken van Carlo Bononi in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Carlo Bononi Adoration of the Shepherds (1615), waarvan het origineel in het Detroit Institute of Arts in Detroit hangt. Christ Adored by Angels, St. Sebastian and St. Bernard (1610) en Saint Louis Prays for the Aversion of the Plague (1632) maken het trio compleet dat elk oog herkent. Van de 7 werken van Carlo Bononi in onze catalogus presenteert de galerie hieronder de 7 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1569 – 1632, Ferrara Meeste werken: Kunsthistorisches Museum

De top 10 schilderijen van Carlo Bononi in de galerie

3
Saint Louis Prays for the Aversion of the Plague (1632) door Carlo Bononi

Saint Louis Prays for the Aversion of the Plague

1632 · Oil On Canvas · Kunsthistorisches Museum, Wenen

The composition is divided into two distinct zones that establish a vertical hierarchy between the celestial and the earthly. In the upper left, an angelic figure with wings emerges from dark, heavy clouds. This figure holds a sword and a skull, objects that signify mortality and divine judgment. Below this celestial presence, the lower section of the canvas depicts a scene of physical distress. A pale, muscular male figure reclines…

5
A Saint (1500) door Carlo Bononi

A Saint

1500 · Pinacoteca Stuard, Parma

The painting in question and the one depicting God Father traveled as companions, as it can be deduced from the same period frame decorated with imitation marble. The painting in question depicts a saint

6
Mary with the Child and Saints Maurelius and George door Carlo Bononi

Mary with the Child and Saints Maurelius and George

Oil On Canvas · Kunsthistorisches Museum, Wenen

The composition is structured around a pyramidal arrangement, placing the Virgin Mary at the apex. She holds the infant Jesus, whose gesture creates a subtle diagonal thrust that directs the viewer's eye through the sacred hierarchy. Flanking the central figures are Saint Maurelius and Saint George, identifiable by the armor and spear of the latter. To the left, a cherubic figure holds a model of a city or cathedral, grounding…

De musea waar de originele werken van Carlo Bononi worden bewaard

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Carlo Bononi Schilderijen uit deze lijst
Kunsthistorisches Museum, WenenKunsthistorisches Museum Wenen 2 Saint Louis Prays for the Aversion of the Plague, Mary with the Child and Saints Maurelius and George
Pinacoteca Stuard, ParmaPinacoteca Stuard Parma 2 God Father, A Saint
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Adoration of the Shepherds
Musée des Beaux-Arts, StrasbourgMusée des Beaux-Arts Strasbourg 1 Saint Sebastian and the Angel

Carlo Bononi, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Carlo Bononi: de galerie geeft antwoord

Welk schilderij van Carlo Bononi is het beroemdste van allemaal?Onthul het antwoord

Adoration of the Shepherds (1615), Detroit Institute of Arts, Detroit. Christ Adored by Angels, St. Sebastian and St. Bernard (1610) en Saint Louis Prays for the Aversion of the Plague (1632) volgen.

Hoe oud was Carlo Bononi bij de voltooiing van Adoration of the Shepherds?Onthul het antwoord

46 jaar oud: Adoration of the Shepherds dateert uit 1615, en Carlo Bononi werd geboren in 1569.

Hoeveel werken heeft Carlo Bononi gemaakt?Onthul het antwoord

Onze catalogus bevat 7 werken van Carlo Bononi, daterend van 1610 tot 1632.

Waar hangen de beroemdste originele werken van Carlo Bononi?Onthul het antwoord

Voornamelijk in Kunsthistorisches Museum (Wenen), Pinacoteca Stuard (Parma) en Detroit Institute of Arts (Detroit). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Carlo Bononi de beroemdste schilderijen?Onthul het antwoord

In 1610s: 2 van de 7 werken op deze pagina werden toen gemaakt, waaronder Adoration of the Shepherds.

Wat zijn de vroegste en laatste beroemde werken van Carlo Bononi?Onthul het antwoord

Op deze pagina is het vroegste Christ Adored by Angels, St. Sebastian and St. Bernard (1610) en het laatste Saint Louis Prays for the Aversion of the Plague (1632).

In welk medium werkte Carlo Bononi het meest?Onthul het antwoord

Oil On Canvas, voor 2 van de 7 werken op deze pagina.

Welke originelen van Carlo Bononi zijn in de collectie van het Kunsthistorisches Museum?Onthul het antwoord

Saint Louis Prays for the Aversion of the Plague en Mary with the Child and Saints Maurelius and George: het Kunsthistorisches Museum, Wenen herbergt 2 van de werken op deze pagina.

Carlo Bononi: de kunstenaar

Carlo Bononi (1569 – 1632): Bridging Classicism and Naturalism in Ferrara

Carlo Bononi, born in Ferrara around 1569, stands as a significant figure within the illustrious Scuola Ferrarese—a movement that championed a distinctive blend of classical ideals and humanist observation. His formative years were steeped in artistic tradition, nurtured under the tutelage of Giuseppe Mazzuoli, affectionately known as “Il Bastarolo,” who instilled in him a profound understanding of disegno (drawing) and perspective – foundational principles for capturing the beauty and complexity of the natural world.

  • Early Influences: Mazzuoli’s teachings emphasized meticulous anatomical study and careful rendering of drapery, shaping Bononi's artistic sensibilities from an early age.
  • The Scuola Ferrarese Aesthetic: Bononi embraced the core tenets of the Scuola Ferrarese – prioritizing clarity of form, harmonious color palettes, and a restrained emotional expression. This approach contrasted sharply with the dramatic fervor prevalent in Rome during his time.

A Synthesis of Style: Classicism Meets Naturalism

Bononi’s artistic output exemplifies this masterful fusion. Unlike many contemporaries who sought to emulate Michelangelo's monumental grandeur, Bononi favored a more subtle elegance—a characteristic that distinguishes him from the flamboyant Baroque style emerging elsewhere in Italy. His paintings frequently depict religious subjects with remarkable realism, capturing human emotion and physicality with sensitivity and precision.

  • Detailed Observation: Bononi’s meticulous attention to detail is evident in his depictions of figures and landscapes alike—a hallmark of the Scuola Ferrarese's commitment to naturalistic representation.
  • Color Palette: He skillfully employed muted hues—often dominated by earthy tones—creating a serene atmosphere that conveyed spiritual contemplation rather than theatrical spectacle.

Notable Works and Artistic Recognition

Bononi’s artistic reputation solidified through commissions for prominent churches in Ferrara and Genoa, notably the Chiesa dei Santi Biagio e Carlo ai Catinari and Chiesa di SS. Vittore e Carlo. His frescoes within these spaces—particularly “God Father” and “A Saint”—demonstrate his mastery of composition and color, securing him a place among the foremost artists of his era.

  • Chiesa dei Santi Biagio e Carlo ai Catinari: Bononi’s frescoes in this church showcase his ability to convey profound emotion through carefully crafted imagery.
  • Chiesa di SS. Vittore e Carlo: The sculptures by Algardi and paintings by Carlone & Parodi contribute to the church's artistic grandeur, reflecting Bononi’s influence on the broader artistic landscape of Genoa.

Legacy and Influence

Carlo Bononi’s contribution to Renaissance art extends beyond his individual masterpieces. He served as a mentor to younger artists—including Lionello Bononi—who carried forward the Scuola Ferrarese tradition, ensuring its enduring legacy. His unwavering dedication to classical principles combined with astute observation of nature established him as a pivotal voice in shaping artistic sensibilities during a transformative period.

  • Mentorship: Bononi’s influence permeated Ferrara's artistic milieu, fostering the development of subsequent generations of painters.
  • The Scuola Ferrarese Enduring Impact: Bononi’s stylistic innovations solidified the Scuola Ferrarese’s position as a beacon of humanist art—a testament to his enduring contribution to Italian cultural heritage.