Kortom
Die Schere (1968) is het schilderij van Bruno Goller dat de meeste aandacht trekt; het origineel bevindt zich in het Städel Museum, Frankfurt. Van de 3 werken van Bruno Goller in onze catalogus zijn dit de 1 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Bruno Goller, door de ogen van de galerie
De musea waar de originele werken van Bruno Goller worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Bruno Goller | Schilderijen uit deze lijst |
|---|---|---|---|
| Frankfurt | 1 | Die Schere |
Bruno Goller door de jaren heen: de unieke originelen van elk werk
Alle getoonde originele werken van Bruno Goller uit 1968 behoren tot één enkel jaar: ze staan op volgorde van bekendheid.
Schilderijen van Bruno Goller: vragen voor de galerie
Wat is het bekendste werk van Bruno Goller?Onthul het antwoord
Die Schere (1968)
Op welke leeftijd creëerde Bruno Goller Die Schere?Onthul het antwoord
67 jaar oud: Die Schere dateert uit 1968, en Bruno Goller werd geboren in 1901.
Hoeveel werken van Bruno Goller zijn er bekend?Onthul het antwoord
Onze catalogus bevat 3 werken van Bruno Goller.
Waar kunnen de beroemdste originelen van Bruno Goller worden bekeken?Onthul het antwoord
Voornamelijk in Städel Museum (Frankfurt). De bovenstaande museumtabel bevat een volledig overzicht.
Bruno Goller: een portret van de kunstenaar
The Life and Artistic Journey of Bruno Goller
Born in Gummersbach, Germany, Bruno Goller began his journey into painting as a youth. He received instruction from the landscape painter Julius Jungheim between 1919 and 1921 in Düsseldorf. Following a journey to Italy in 1924, he settled in Düsseldorf in 1927, a city he rarely left. During his career, he was a member of several artistic groups, including Das Junge Rheinland, the Rheinische Sezession, and the Rheingruppe. He also belonged to the Neue Rheinische Sezession.
Goller's life was marked by significant historical shifts. During the period of National Socialism, he lived largely in "inner emigration," and he was drafted into service during the Second World War from 1940 to 1945. In 1943, a significant portion of his early work was destroyed when incendiary bombs struck his studio. Later, he held a professorship for painting at the Staatliche Kunstakademie Düsseldorf from 1953 to 1964, teaching students such as Blinky Palermo and Konrad Fischer.
Style and Subject Matter
The thematic essence of Goller's work was deeply influenced by his mother's hat shop. This connection led him to favor subjects such as shop windows, decorations, and similar interior arrangements. His artistic style is often described as a form of "magical realism" that remained steadfast even as abstraction became a dominant trend in the post-war era. While his work is frequently situated between Jugendstil, Expressionism, and Surrealism, some art historians suggest his style is unique and defies easy classification.
Throughout his life, Goller received numerous honors, including: