Kortom
An Evening in the City, April 1941 (1941) is het schilderij van Bernard Hailstone dat de meeste aandacht trekt. Daarna gaat de blik naar Captain Augustus Banning (b.c.1894), DSO, Merchant Navy (1945) en A Merchantman at Catania (1943). Van de 53 werken van Bernard Hailstone in onze catalogus zijn dit de 53 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Bernard Hailstone, door de ogen van de galerie
De beroemde schilderijen van Bernard Hailstone, nummer 11 tot 53
De onderwerpen die de aandacht van Bernard Hailstone troffen
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
Wwii 5 werken
1940s 3 werken
Maritime 3 werken
De musea waar de originele werken van Bernard Hailstone worden bewaard
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Bernard Hailstone | Schilderijen uit deze lijst |
|---|---|---|---|
| Londen | 12 | Captain Augustus Banning (b.c.1894), DSO, Merchant Navy, A Merchantman at Catania, War Equipment on Algiers Quayside | |
| Londen | 6 | Frank E Mattocks, Chief Engineer (1889-1965), W. M. Ladbrooke (active 1939–1945), Able Seaman, Merchant Navy, Big Ben the Bargee | |
| London | 1 | Mulgrave Place School, after Bombing, Woolwich | |
| London | 1 | Gunnar Nilsson | |
| London | 1 | Merchant Ships at Anchor, Grand Harbour, Malta | |
| Grimsby | 1 | Councillor C. H. Wilkinson, MBE, JP | |
| Greater Manchester | 1 | Loading Aeroplane Parts for Overseas | |
| Londen | 1 | Damaged Tanks Being Lowered into the Hold of a Merchant Ship |
Bernard Hailstone door de jaren heen: de unieke originelen van elk werk
Een lange carrière van 26 jaar, van 1940 tot 1965: de beroemdste originele werken van Bernard Hailstone, jaar voor jaar getoond.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
District Officer F. G. Keen of Chelmsford, OBE, Auxiliary Fire Service
Captain Augustus Banning (b.c.1894), DSO, Merchant Navy
Meer van 1945
Air Chief Marshal Sir Keith Park (1892–1975), KCB, KBE, MC, DFC
Meer van 1946
Schilderijen van Bernard Hailstone: vragen voor de galerie
Wat is het bekendste werk van Bernard Hailstone?Onthul het antwoord
An Evening in the City, April 1941 (1941). Captain Augustus Banning (b.c.1894), DSO, Merchant Navy (1945) en A Merchantman at Catania (1943) volgen.
Op welke leeftijd creëerde Bernard Hailstone An Evening in the City, April 1941?Onthul het antwoord
31 jaar oud: An Evening in the City, April 1941 dateert uit 1941, en Bernard Hailstone werd geboren in 1910.
Welke tien schilderijen van Bernard Hailstone zijn het meest bekend?Onthul het antwoord
An Evening in the City, April 1941, Captain Augustus Banning (b.c.1894), DSO, Merchant Navy, A Merchantman at Catania, Lawrence Gammon, Warrant Officer, Calypso, Barbara Mary Rendell, BEM, Auxiliary Fire Service, War Equipment on Algiers Quayside, Activity at a Hull Dock, Mulgrave Place School, after Bombing, Woolwich, Frank E Mattocks, Chief Engineer (1889-1965) en Brigadier C. P. Jones, CBE, MC, Malaya Command. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken van Bernard Hailstone zijn er bekend?Onthul het antwoord
Onze catalogus bevat 53 werken van Bernard Hailstone, daterend van 1940 tot 1965.
Waar kunnen de beroemdste originelen van Bernard Hailstone worden bekeken?Onthul het antwoord
Voornamelijk in Government Art Collection (Londen), National Maritime Museum (Londen) en Greenwich Heritage Centre (London). De bovenstaande museumtabel bevat een volledig overzicht.
In welke periode creëerde Bernard Hailstone de bekendste schilderijen?Onthul het antwoord
In 1943: 15 van de 53 werken op deze pagina werden toen gemaakt, waaronder A Merchantman at Catania.
Welk beroemd schilderij van Bernard Hailstone is de vroegste, en welke de laatste?Onthul het antwoord
Op deze pagina is het vroegste Lawrence Gammon, Warrant Officer, Calypso (1940) en het laatste John Walker (1965).
Welke onderwerpen had Bernard Hailstone de voorkeur?Onthul het antwoord
Wwii (5), 1940s (3) en Maritime (3), verspreid over de 53 werken op deze pagina.
Bij welke stroming behoort het werk van Bernard Hailstone?Onthul het antwoord
Contemporary realism, te oordelen aan de originelen op deze pagina.
Welke originele werken van Bernard Hailstone kan ik zien in het Government Art Collection?Onthul het antwoord
Captain Augustus Banning (b.c.1894), DSO, Merchant Navy, A Merchantman at Catania en War Equipment on Algiers Quayside: het Government Art Collection, Londen herbergt 12 van de werken op deze pagina.
Bernard Hailstone: een portret van de kunstenaar
The Chronicler of Conflict and Character
In the turbulent landscape of the twentieth century, few artists captured the raw, human pulse of wartime Britain with as much intimacy and grit as Bernard Hailstone. Born in 1910, Hailstone emerged not merely as a painter of scenes, but as a visual historian of the ordinary and extraordinary lives caught in the gears of global upheaval. His artistic journey, rooted in the rigorous traditions of the Royal Academy Schools under the guidance of masters like Walter Westley Russell, was profoundly shaped by the very conflict he sought to document. Unlike those who observed war from a distance, Hailstone lived it; his service in the Auxiliary Fire Service during the London Blitz provided him with a front-row seat to the destruction and resilience of the city, an experience that would infuse his brushwork with a unique, visceral empathy.
The early years of his career were defined by a remarkable duality. While he possessed the technical finesse required for formal portraiture, his heart was often drawn to the industrial and maritime rhythms of a nation at war. As an official war artist commissioned by the War Artists' Advisory Committee (WAAC), Hailstone turned his gaze toward the unsung heroes of the era: the transport workers, the civil defence volunteers, and the brave mariners of the Merchant Navy. His paintings from this period, such as his evocative depictions of Algiers Quayside or the tranquil yet heavy atmosphere of Merchant Ships at Anchor in Malta, transcend mere reportage. Through a blend of realism and impressionistic texture, he captured the weight of duty and the quiet moments of endurance amidst the chaos of the Mediterranean and European theaters.
From the Front Lines to the Royal Court
As the smoke of World War II cleared, Hailstone’s artistic trajectory underwent a fascinating evolution. The man who had once painted the soot-stained faces of firemen and the rugged features of Able Seamen transitioned into the refined world of post-war portraiture. This period saw him applying his mastery of character to some of the most prominent figures of British society. His ability to capture a likeness was not merely about anatomical accuracy, but about conveying the psychological depth of his subjects. From the commanding presence of Sir Winston Churchill to the elegant dignity of members of the Royal Family, such as Princess Anne and Prince Andrew, Hailstone’s work bridged the gap between the gritty reality of the trenches and the polished splendor of the court.
His later repertoire expanded to include the cultural luminaries of his time, capturing musicians like conductor Sir John Barbirolli and various stage and film actors. This versatility speaks to a profound technical range; whether navigating the vibrant, textured oils of a bustling dockyard or the subtle, nuanced light required for a royal commission, Hailstone remained a painter of people. His legacy is found in this remarkable breadth—a career that began in the embers of the Blitz and culminated in the halls of institutional greatness, always anchored by a deep respect for the human spirit.
The enduring significance of Bernard Hailstone’s oeuvre lies in its role as a bridge between eras. His work serves as a vital archive of:
- The Civilian Experience: Documenting the bravery of the Auxiliary Fire Service and the resilience of Londoners during the Blitz.
- Maritime History: Preserving the atmosphere of the Merchant Navy and the strategic importance of Mediterranean ports.
- Social Evolution: Tracing the shift from the collective struggle of wartime Britain to the individual prominence of the post-war era.
- Technical Mastery: Demonstrating a seamless transition between the rugged realism of war reportage and the sophisticated elegance of formal portraiture.




