Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Bernard Cohen Early Mutation Green No. II (1960), waarvan het origineel in het Tate Modern in Londen hangt. Floris (1964) en Second Image for J (1976) maken het trio compleet dat elk oog herkent. Van de 4 werken van Bernard Cohen in onze catalogus presenteert de galerie hieronder de 4 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
De top 10 schilderijen van Bernard Cohen in de galerie
Untitled (IV)
In this striking work on paper, part of a series of five related images, Cohen contrasts a limited range of different dynamic forms in a spare palette of red, black and grey, to suggest a sense of the process of change. He has said that through the combination of such shapes he hopes to create an overall image that is simultaneously both new and unique. In Untitled IV, Cohen explores…
De musea waar de originele werken van Bernard Cohen worden bewaard
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Bernard Cohen | Schilderijen uit deze lijst |
|---|---|---|---|
| Londen | 2 | Early Mutation Green No. II, Floris | |
| Londen | 1 | Second Image for J | |
| Londen | 1 | Untitled (IV) |
Bernard Cohen, de kenmerkende schilderijen van elk jaar
17 jaar aan kunst van Bernard Cohen, van 1960 tot 1976: de galerie volgt hen jaar voor jaar, via de meest beroemde originelen van elk jaar.
Werken per jaar
Selecteer een jaar om de originele werken te bekijken.
Schilderijen van Bernard Cohen: de galerie geeft antwoord
Welk schilderij van Bernard Cohen is het beroemdste van allemaal?Onthul het antwoord
Early Mutation Green No. II (1960), Tate Modern, Londen. Floris (1964) en Second Image for J (1976) volgen.
Hoe oud was Bernard Cohen bij de voltooiing van Early Mutation Green No. II?Onthul het antwoord
27 jaar oud: Early Mutation Green No. II dateert uit 1960, en Bernard Cohen werd geboren in 1933.
Hoeveel werken heeft Bernard Cohen gemaakt?Onthul het antwoord
Onze catalogus bevat 4 werken van Bernard Cohen, daterend van 1960 tot 1976.
Waar hangen de beroemdste originele werken van Bernard Cohen?Onthul het antwoord
Voornamelijk in Tate Modern (Londen), Tate Britain (Londen) en Ben Uri Gallery and Museum (Londen). De bovenstaande museumtabel bevat een volledig overzicht.
Wanneer creëerde Bernard Cohen de beroemdste schilderijen?Onthul het antwoord
In 1976: 2 van de 4 werken op deze pagina werden toen gemaakt, waaronder Second Image for J.
Wat zijn de vroegste en laatste beroemde werken van Bernard Cohen?Onthul het antwoord
Op deze pagina is het vroegste Early Mutation Green No. II (1960) en het laatste Second Image for J (1976).
Welke originelen van Bernard Cohen zijn in de collectie van het Tate Modern?Onthul het antwoord
Early Mutation Green No. II en Floris: het Tate Modern, Londen herbergt 2 van de werken op deze pagina.
Bernard Cohen: de kunstenaar
A Life in Abstraction: The World of Bernard Cohen
Bernard Cohen, born in London in 1933 to a family steeped in Russian and Polish Jewish heritage, stands as a pivotal figure in the landscape of British abstract art. His journey, spanning decades, is not merely a chronicle of artistic evolution but a testament to the power of storytelling through pure form and color. From his early studies at South West Essex Technical College, followed by formative years at St Martin’s School of Art (1950-51) and then the prestigious Slade School of Fine Art (1951-54), Cohen embarked on a path that would see him become one of Britain's most influential abstract painters. The seeds of his artistic exploration were sown during this period, nurtured by rigorous training and an emerging fascination with the possibilities beyond representational art. Crucially, scholarships awarded in 1954 by both the French Government and the Boise Trust propelled Cohen onto a European odyssey, allowing him to immerse himself in the vibrant artistic climates of France, Spain, and Italy – experiences that would indelibly shape his aesthetic vision.Early Influences and the Emergence of a Unique Voice
The post-war art world was undergoing seismic shifts, and Cohen found himself drawn into the currents of Abstract Expressionism and European Informel. However, he resisted direct imitation, forging instead a distinctly personal language. His early works, often characterized by energetic brushstrokes and bold color palettes, hinted at an underlying narrative impulse – a desire to convey emotion and experience through abstract means. The 1960s proved to be a defining decade for Cohen. He began experimenting with innovative techniques, most notably spray application of paint, resulting in compositions that appeared as complex arrangements of “highly coloured spaghetti,” as one critic famously described them. Paintings like *Generation* (1972), exhibited at the Hayward Gallery retrospective, exemplify this period – dynamic fields of interwoven lines and shapes suggesting internal forces and the ripple effects of consequence. This wasn’t merely about aesthetic experimentation; Cohen was grappling with fundamental questions about the nature of painting itself: its surface, its boundaries, and its capacity to embody multiple meanings simultaneously. He sought to create a “pictorial theatre,” as he himself put it, where color and form could act as protagonists in an unfolding drama.Teaching and Continued Exploration
Cohen’s commitment extended beyond his own studio practice; he became a dedicated educator, holding various teaching positions at Ealing School of Art, Wimbledon College of Art, and Chelsea College of Art & Design. In 1988, he reached the pinnacle of his academic career with his appointment as Professor and Director of the Slade School of Fine Art – a role he held until 2000. This period allowed him to nurture generations of young artists, fostering an environment of experimentation and critical thinking. Throughout the latter half of the 20th century and into the 21st, Cohen continued to refine his abstract vocabulary. His later works often feature galaxies of colored patches and spots floating against luminous backgrounds, creating a sense of depth and ethereal beauty. While the density of his earlier compositions diminished, the underlying tension and narrative complexity remained. He never settled into a single style, constantly pushing boundaries and exploring new possibilities within abstraction.Legacy and Historical Significance
Bernard Cohen’s influence on British art is undeniable. His work challenged conventional notions of painting, embracing ambiguity and prioritizing emotional resonance over literal representation. He occupies a unique position as a bridge between the post-war generation of abstract painters and contemporary artists seeking to explore new forms of expression. His paintings are held in numerous prestigious public collections, including the British Council, Tate, the Victoria & Albert Museum, and MoMA, attesting to his enduring legacy.- Key Characteristics: Vibrant color palettes, dynamic compositions, innovative use of spray application techniques.
- Influences: Abstract Expressionism, European Informel, a deep interest in storytelling and the human condition.
- Major Achievements: Hayward Gallery retrospective (1972), Spotlight display at Tate Britain (2017-18), Professor and Director of the Slade School of Fine Art (1988-2000).