Portret van Basil Blackshaw

De 13 beroemdste schilderijen van Basil Blackshaw, elk uniek

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Basil Blackshaw in onze catalogus

Kortom

Seated Man (CD) (Portrait of Cecil Dunbar) (1990) is het schilderij van Basil Blackshaw dat de meeste aandacht trekt; het origineel bevindt zich in het Royal Ulster Academy, Belfast. Daarna gaat de blik naar The Patient's Flower en Professor John Henry McKnight Pinkerton (b.1920). Van de 13 werken van Basil Blackshaw in onze catalogus zijn dit de 13 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1932 – 2016 Meeste werken: Queen's University Belfast

Top 10 schilderijen van Basil Blackshaw, door de ogen van de galerie

De beroemde schilderijen van Basil Blackshaw, nummer 11 tot 13

De onderwerpen die de aandacht van Basil Blackshaw troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Basil Blackshaw worden bewaard

De 4 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Basil Blackshaw Schilderijen uit deze lijst
Queen's University Belfast, BelfastQueen's University Belfast Belfast 3 The Patient's Flower, Professor John Henry McKnight Pinkerton (b.1920), Professor Sir David Bates (1916–1994)
Royal Ulster Academy, BelfastRoyal Ulster Academy Belfast 1 Seated Man (CD) (Portrait of Cecil Dunbar)
Northern Ireland Civil Service, BelfastNorthern Ireland Civil Service Belfast 1 Lough Neagh, Winter
Irish Linen Centre - Lisburn Museum, Lisburn CityIrish Linen Centre - Lisburn Museum Lisburn City 1 Divis Mountain

Basil Blackshaw door de jaren heen: de unieke originelen van elk werk

12 jaar scheidt de eerste en laatste gedateerde originele werken van Basil Blackshaw die hier worden getoond, 1990 en 2001: elk jaar heeft zijn eigen plek hieronder.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Schilderijen van Basil Blackshaw: vragen voor de galerie

Wat is het bekendste werk van Basil Blackshaw?Onthul het antwoord

Seated Man (CD) (Portrait of Cecil Dunbar) (1990), Royal Ulster Academy, Belfast. The Patient's Flower en Professor John Henry McKnight Pinkerton (b.1920) volgen.

Op welke leeftijd creëerde Basil Blackshaw Seated Man (CD) (Portrait of Cecil Dunbar)?Onthul het antwoord

58 jaar oud: Seated Man (CD) (Portrait of Cecil Dunbar) dateert uit 1990, en Basil Blackshaw werd geboren in 1932.

Welke tien schilderijen van Basil Blackshaw zijn het meest bekend?Onthul het antwoord

Seated Man (CD) (Portrait of Cecil Dunbar), The Patient's Flower, Professor John Henry McKnight Pinkerton (b.1920), The Barn (Blue II), First Tractor in Randalstown, Lough Neagh, Winter, Two Trees, Black Mountain, Road to Clough en Two Horses Exercising. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Basil Blackshaw zijn er bekend?Onthul het antwoord

Onze catalogus bevat 13 werken van Basil Blackshaw, daterend van 1990 tot 2001.

Waar kunnen de beroemdste originelen van Basil Blackshaw worden bekeken?Onthul het antwoord

Voornamelijk in Queen's University Belfast (Belfast), Royal Ulster Academy (Belfast) en Northern Ireland Civil Service (Belfast). De bovenstaande museumtabel bevat een volledig overzicht.

Welk beroemd schilderij van Basil Blackshaw is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste Seated Man (CD) (Portrait of Cecil Dunbar) (1990) en het laatste First Tractor in Randalstown (2001).

Welke originele werken van Basil Blackshaw kan ik zien in het Queen's University Belfast?Onthul het antwoord

The Patient's Flower, Professor John Henry McKnight Pinkerton (b.1920) en Professor Sir David Bates (1916–1994): het Queen's University Belfast, Belfast herbergt 3 van de werken op deze pagina.

Basil Blackshaw: een portret van de kunstenaar

Basil Blackshaw: A Northern Irish Visionary of Rural Life and Animal Soul

Born in Glengormley, County Antrim, in 1932, Basil Joseph Blackshaw emerged as a distinctive voice within the landscape of Northern Irish art. His life was inextricably linked to the rugged beauty of his homeland – the rolling hills, the evocative grey skies, and the enduring spirit of its people and animals. Raised on a farm near Boardmills in Lisburn, County Down, Blackshaw’s early years instilled in him a profound connection to the land and a deep appreciation for the rhythms of rural life. This formative experience would profoundly shape his artistic vision, informing his paintings with an honesty and intimacy rarely found in contemporary art.

Blackshaw's formal training began at Methodist College Belfast, where he demonstrated early talent, leading to a scholarship at the Belfast College of Art in 1948. Under the guidance of Romeo Toogood, a respected landscape artist, Blackshaw honed his skills and developed a distinctive style characterized by loose brushwork, vibrant color palettes, and a palpable sense of atmosphere. Crucially, he also benefited from exposure to the work of European masters like Paul Cézanne, whose emphasis on structure and observation profoundly influenced Blackshaw’s approach to composition and form. His time in Paris further solidified these influences, shaping his artistic sensibilities and providing him with a broader perspective on art history.

The Palette of Place: Themes and Techniques

Blackshaw's oeuvre is dominated by three primary subjects: landscapes, portraits, and depictions of animals – particularly horses and greyhounds. These recurring motifs are not merely decorative; they represent a deep engagement with the essence of Northern Ireland. His landscapes aren’t simply representations of scenery; they are imbued with emotion, capturing the mood and character of the region's wild beauty. The muted tones of his early works—often dominated by blues and greys—reflect the often-dramatic weather conditions prevalent in Ulster, while later paintings embraced bolder colors, reflecting a growing confidence and experimentation.

Blackshaw’s technique is instantly recognizable. He employed a distinctive gestural approach, applying paint with rapid, expressive strokes that conveyed movement and energy. His use of impasto—thickly applied paint—created a tactile surface, inviting the viewer to engage physically with the artwork. He was particularly adept at capturing the texture of fur, feathers, and skin, imbuing his animal subjects with a remarkable sense of life. Portraits, too, were rendered with a similar sensitivity, revealing not just physical likeness but also the inner character of his sitters.

Influences and Artistic Evolution

Blackshaw’s artistic development was shaped by a diverse range of influences. Beyond Cézanne, he admired the work of J.M.W. Turner, whose atmospheric landscapes served as a model for Blackshaw's own approach to capturing light and mood. The expressive brushwork of Oskar Kokoschka also resonated with him, contributing to his willingness to embrace spontaneity and emotional intensity in his paintings. Furthermore, his exposure to the work of Irish artists like Alan Reynolds provided him with a deeper understanding of the landscape of Ireland.

Throughout his career, Blackshaw’s style evolved organically. Initially influenced by traditional academic techniques, he gradually developed a more personal and expressive approach. His later works are characterized by looser brushwork, bolder colors, and a greater emphasis on capturing the emotional essence of his subjects. This evolution reflects not only his artistic growth but also his deepening engagement with the complexities of Northern Irish identity.

Recognition and Legacy

Basil Blackshaw’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Ireland and abroad. He was elected an Academician of the Royal Ulster Academy (RUA) and a member of Aosdána, Ireland's highest artistic honor. His paintings are held in prominent collections, including those of the Irish Museum of Modern Art, the Ulster Museum, and Trinity College Dublin.

Blackshaw’s legacy extends beyond his individual achievements. He is remembered as a pioneering artist who captured the spirit of Northern Ireland with honesty, sensitivity, and profound insight. His paintings offer a powerful testament to the beauty and resilience of the region's landscape and its people, solidifying his place as one of the most important figures in contemporary Irish art. His work continues to resonate with viewers today, inviting them to contemplate the enduring power of place and the timeless appeal of the natural world.