Portret van Barnett Samuel Marks

De 23 beroemdste schilderijen van Barnett Samuel Marks, elk uniek

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 23 werken van Barnett Samuel Marks in onze catalogus

Kortom

John Hemingway (1795–1872) (1860) is het schilderij van Barnett Samuel Marks dat de meeste aandacht trekt. Daarna gaat de blik naar The Dock, a Reminiscence of the Court (1871) en Board School Children (1874). Van de 23 werken van Barnett Samuel Marks in onze catalogus zijn dit de 23 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1827 – 1916 Meeste werken: The Library And Museum of Freemasonry

Top 10 schilderijen van Barnett Samuel Marks, door de ogen van de galerie

De beroemde schilderijen van Barnett Samuel Marks, nummer 11 tot 23

De musea waar de originele werken van Barnett Samuel Marks worden bewaard

De 6 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Barnett Samuel Marks Schilderijen uit deze lijst
The Library And Museum of Freemasonry, LondonThe Library And Museum of Freemasonry London 6 Sir John Braddick Monckton (1832–1902), HRH George (1762–1830), Prince of Wales, KG, HRH Augustus Frederick (1773–1843), Duke of Sussex
Llyfrgell Genedlaethol Cymru / The National Library of Wales, AberystwythLlyfrgell Genedlaethol Cymru / The National Library of Wales Aberystwyth 2 Reverend Edward Matthews (1813–1892), David Duncan
Ealing Central Library, LondonEaling Central Library London 2 John Allen Brown (1833–1903), FRGS, First Chairman of the Ealing Free Library, Self Portrait
National Maritime Museum, LondenNational Maritime Museum Londen 2 Saved from the Streets, Portraits of Boys on Board the 'Chichester' Training Ship In Deep Mire Where There is No Standing, Saved from the Streets, Portraits of Boys on Board the 'Chichester' Training Ship Escape as a Bird out of the Snare of the Fowler
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 The Dock, a Reminiscence of the Court
Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Mrs Mary Frost at the Age of 80

Barnett Samuel Marks door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Barnett Samuel Marks: vragen voor de galerie

Wat is het bekendste werk van Barnett Samuel Marks?Onthul het antwoord

John Hemingway (1795–1872) (1860). The Dock, a Reminiscence of the Court (1871) en Board School Children (1874) volgen.

Op welke leeftijd creëerde Barnett Samuel Marks John Hemingway (1795–1872)?Onthul het antwoord

33 jaar oud: John Hemingway (1795–1872) dateert uit 1860, en Barnett Samuel Marks werd geboren in 1827.

Welke tien schilderijen van Barnett Samuel Marks zijn het meest bekend?Onthul het antwoord

John Hemingway (1795–1872), The Dock, a Reminiscence of the Court, Board School Children, Sir John Braddick Monckton (1832–1902), HRH George (1762–1830), Prince of Wales, KG, HRH Augustus Frederick (1773–1843), Duke of Sussex, Frederic Davison (c.1815–1889), Thomas Fenn (1820–1901), Reverend Dr Thomas Davies en Reverend Edward Matthews (1813–1892). De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Barnett Samuel Marks zijn er bekend?Onthul het antwoord

Onze catalogus bevat 23 werken van Barnett Samuel Marks, daterend van 1860 tot 1899.

Waar kunnen de beroemdste originelen van Barnett Samuel Marks worden bekeken?Onthul het antwoord

Voornamelijk in The Library And Museum of Freemasonry (London), Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth) en Ealing Central Library (London). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Barnett Samuel Marks de bekendste schilderijen?Onthul het antwoord

In 1880s: 7 van de 23 werken op deze pagina werden toen gemaakt, waaronder Sir John Braddick Monckton (1832–1902).

Welk beroemd schilderij van Barnett Samuel Marks is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste John Hemingway (1795–1872) (1860) en het laatste David Duncan (1899).

Welke originele werken van Barnett Samuel Marks kan ik zien in het The Library And Museum of Freemasonry?Onthul het antwoord

Sir John Braddick Monckton (1832–1902), HRH George (1762–1830), Prince of Wales, KG en HRH Augustus Frederick (1773–1843), Duke of Sussex: het The Library And Museum of Freemasonry, London herbergt 6 van de werken op deze pagina.

Barnett Samuel Marks: een portret van de kunstenaar

Barnett Samuel Marks: A Welsh Painter Bridging Tradition and Social Realism

Barnett Samuel Marks (1827-1916) stands as a compelling figure in 19th and early 20th century British art, a painter whose career unfolded across Cardiff and London, marked by both the refinement of classical portraiture and a growing engagement with social issues. Born into a prominent Jewish family deeply rooted in Welsh commerce and culture, Marks’ life was one of artistic ambition tempered by familial obligations and a keen awareness of his community's evolving role within British society. His legacy lies not just in the elegant portraits he created – many commissioned by wealthy patrons – but also in the poignant depictions of poverty and childhood that emerged later in his career, revealing a sensitive artist grappling with the complexities of his time.

Marks’ early life in Cardiff was one of privilege and cultural immersion. The Marks family were significant figures in the city's burgeoning Jewish community, involved in trade, finance, and social affairs. Barnett received a private education, supplemented by artistic instruction, demonstrating an early aptitude for both music and painting. He quickly established himself as a portrait artist, catering to a clientele that included members of Cardiff’s elite – the Marchioness of Bute being particularly influential in his career. His style during this period leaned heavily towards the neoclassical tradition, characterized by meticulous detail, balanced compositions, and an emphasis on capturing the dignity and character of his subjects. These early portraits, often depicting nobility and prominent figures, showcase a mastery of technique and a keen eye for likeness – qualities that secured him recognition at the Royal Academy in London.

  • Early Influences: While Marks’ formal training remains somewhat undocumented, it's clear he was influenced by the prevailing artistic currents of his time. The classical ideals championed by artists like Ingres and David undoubtedly shaped his early work.
  • Cardiff Connections: His strong ties to Cardiff – both professionally and personally – remained a constant throughout his life. He continued to exhibit in the city, support local initiatives, and maintain connections with fellow artists and cultural figures.

The Transition to Social Realism

A pivotal moment in Marks’ artistic development occurred during the 1860s, coinciding with his move to London. The experience of urban poverty – particularly the plight of children – profoundly impacted him. Witnessing the stark realities of Victorian society fueled a desire to depict these issues through his art. This shift is most dramatically illustrated by his series of diptychs depicting young boys before and after their rescue by Dr. Barnardo’s Homes. These works, characterized by their emotional intensity and unflinching portrayal of hardship, marked a significant departure from the idealized portraits that had defined much of his earlier career.

The reception to these social realist paintings was notably positive, with critics praising Marks' ability to convey empathy and compassion. Ruskin himself offered encouragement, recognizing the power of his work to raise awareness about the plight of vulnerable children. This period demonstrated a willingness to engage with contemporary social concerns – a characteristic that distinguished him from many of his contemporaries.

  • Dr. Barnardo’s Homes Series: These paintings are arguably Marks' most significant contribution to social commentary, offering a stark contrast to the formal portraits he had previously produced.
  • Ruskin’s Endorsement: The praise from John Ruskin highlighted the artistic merit and social impact of these works.

A Royal Cambrian Academician and Continued Artistic Activity

Barnett Samuel Marks' career continued to flourish throughout the late 19th and early 20th centuries. In 1887, he was elected a full member of the Royal Cambrian Academy, a prestigious honor that recognized his contributions to Welsh art. This affiliation solidified his position within the artistic community and provided him with further opportunities for exhibition and recognition. He remained active in Cardiff, supporting local initiatives and continuing to paint portraits on commission.

Beyond portraiture, Marks also engaged in landscape painting, often depicting scenes of the Welsh countryside – a reflection of his strong ties to his birthplace. His later works demonstrate a growing interest in capturing the atmospheric qualities of light and shadow, suggesting an evolving artistic sensibility. He was a member of Freemasonry for over 50 years, serving as Master of the Buckingham and Chandos Lodge, further cementing his place within London’s social and cultural elite.

  • Royal Cambrian Academician: This honor reflected Marks' standing as a respected artist in Wales.
  • Landscape Painting: His later works reveal an exploration of landscape themes alongside portraiture.

Legacy and Historical Significance

Barnett Samuel Marks’ artistic legacy is complex and multifaceted. He was a skilled portraitist who successfully navigated the conventions of Victorian society, capturing the likenesses of prominent figures with technical precision and elegance. However, he was also an artist willing to confront social issues and express his compassion for those less fortunate. His shift towards social realism represents a significant moment in his career – a testament to his artistic integrity and his commitment to using art as a means of engaging with the world around him.

Marks’ work offers valuable insights into Victorian society, reflecting both its wealth and its poverty, its formality and its compassion. His paintings serve as reminders of a time when artists were increasingly expected to engage with social concerns – a tradition that continues to resonate today. Barnett Samuel Marks remains an important figure in British art history, a painter whose career spanned decades and whose work continues to be studied and appreciated for its technical skill, emotional depth, and historical significance.

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