Kortom
Anno 1648. The Peace of Munster (1850) is het schilderij van Barend Wijnveld dat de meeste aandacht trekt; het origineel bevindt zich in het Amsterdam Museum, Amsterdam. Daarna gaat de blik naar Anno 1584. The Murder of Willem van Oranje (1850) en Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850). Van de 56 werken van Barend Wijnveld in onze catalogus zijn dit de 56 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Top 10 schilderijen van Barend Wijnveld, door de ogen van de galerie
De beroemde schilderijen van Barend Wijnveld, nummer 11 tot 56
De musea waar de originele werken van Barend Wijnveld worden bewaard
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Barend Wijnveld | Schilderijen uit deze lijst |
|---|---|---|---|
| Amsterdam | 55 | Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten |
Barend Wijnveld door de decennia heen: elk een uniek origineel
Werken per decennium
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Count Jan II grants the first Privilege to Amsterdam, 1300
Schilderijen van Barend Wijnveld: vragen voor de galerie
Wat is het bekendste werk van Barend Wijnveld?Onthul het antwoord
Anno 1648. The Peace of Munster (1850), Amsterdam Museum, Amsterdam. Anno 1584. The Murder of Willem van Oranje (1850) en Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850) volgen.
Op welke leeftijd creëerde Barend Wijnveld Anno 1648. The Peace of Munster?Onthul het antwoord
30 jaar oud: Anno 1648. The Peace of Munster dateert uit 1850, en Barend Wijnveld werd geboren in 1820.
Welke tien schilderijen van Barend Wijnveld zijn het meest bekend?Onthul het antwoord
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people en Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Hoeveel werken van Barend Wijnveld zijn er bekend?Onthul het antwoord
Onze catalogus bevat 56 werken van Barend Wijnveld, daterend van 1850 tot 1885.
Waar kunnen de beroemdste originelen van Barend Wijnveld worden bekeken?Onthul het antwoord
Voornamelijk in Amsterdam Museum (Amsterdam). De bovenstaande museumtabel bevat een volledig overzicht.
In welke periode creëerde Barend Wijnveld de bekendste schilderijen?Onthul het antwoord
In 1860s: 44 van de 56 werken op deze pagina werden toen gemaakt, waaronder Count Jan II grants the first Privilege to Amsterdam, 1300.
Welk beroemd schilderij van Barend Wijnveld is de vroegste, en welke de laatste?Onthul het antwoord
Op deze pagina is het vroegste Anno 1648. The Peace of Munster (1850) en het laatste Anno 1573. The Battle on the Zuiderzee (1885).
Welke originele werken van Barend Wijnveld kan ik zien in het Amsterdam Museum?Onthul het antwoord
Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje en Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: het Amsterdam Museum, Amsterdam herbergt 55 van de werken op deze pagina.
Barend Wijnveld: een portret van de kunstenaar
The Life of a Dutch Painter
Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.
His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.
A Legacy of Instruction and Residence
Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:
- Professor at the Rijksakademie van Beeldende Kunsten
- Member of the society Arti et Amicitiae
- Artist-in-residence at Natura Artis Magistra
His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.
The Final Years in Haarlem
As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.








