Portret van August von der Embde

De 7 bekendste schilderijen van August von der Embde, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 7 werken van August von der Embde in onze catalogus

Kortom

Van alle originele werken die August von der Embde heeft nagelaten, is Portrait of Wilhelmine Caroline von Hessen-Kassel (1818) het bekendst, in de collectie van het New Gallery, Kassel. Direct daarna volgen Portrait of Countess Louise Bose as a Child (1820) en Self-portrait (1819). Onze catalogus bevat 7 werken van August von der Embde; de galerie heeft de 7 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1780 – 1862, Kassel Meeste werken: New Gallery

De top 10 schilderijen van August von der Embde: de selectie van de galerie

De musea waar de originele werken van August von der Embde worden bewaard

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van August von der Embde Schilderijen uit deze lijst
New Gallery, KasselNew Gallery Kassel 6 Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child, Self-portrait

August von der Embde decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van August von der Embde

Waar is August von der Embde het meest bekend om?Onthul het antwoord

Portrait of Wilhelmine Caroline von Hessen-Kassel (1818), New Gallery, Kassel. Portrait of Countess Louise Bose as a Child (1820) en Self-portrait (1819) volgen.

Hoe oud was August von der Embde toen Portrait of Wilhelmine Caroline von Hessen-Kassel werd gemaakt?Onthul het antwoord

38 jaar oud: Portrait of Wilhelmine Caroline von Hessen-Kassel dateert uit 1818, en August von der Embde werd geboren in 1780.

Hoeveel schilderijen heeft August von der Embde nagelaten?Onthul het antwoord

Onze catalogus bevat 7 werken van August von der Embde, daterend van 1818 tot 1839.

In welke musea hangen de meesterwerken van August von der Embde?Onthul het antwoord

Voornamelijk in New Gallery (Kassel). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde August von der Embde de beroemdste werken?Onthul het antwoord

In 1830s: 4 van de 7 werken op deze pagina werden toen gemaakt, waaronder Portrait of Heinrich Ferdinand Graf zu Isenburg-Philippseich.

Wat zijn de eerste en de laatste beroemde originelen van August von der Embde?Onthul het antwoord

Op deze pagina is het vroegste Portrait of Wilhelmine Caroline von Hessen-Kassel (1818) en het laatste Portr. of three brothers playing with flowers (1839).

Welke werken van August von der Embde hangen in het New Gallery?Onthul het antwoord

Portrait of Wilhelmine Caroline von Hessen-Kassel, Portrait of Countess Louise Bose as a Child en Self-portrait: het New Gallery, Kassel herbergt 6 van de werken op deze pagina.

August von der Embde: leven en werk

The Journey of a Master: The Life of August von der Embde

In the heart of the German landscape, during an era defined by the transition from classical traditions to the burgeoning romantic spirit, the life of August von der Embde unfolded with the quiet determination of a true craftsman. Born on December 2, 1780, in Kassel, his early years were rooted in the tactile reality of manual labor; as the son of a master carpenter, he initially learned the precision of the woodworking trade. Yet, the call of the brush proved more resonant than the chisel. This foundational discipline of craftsmanship would later manifest in the meticulous detail and structural integrity of his painted works, bridging the gap between the physical world of form and the ethereal realm of fine art.

His formal artistic odyssey began at the Kassel Academy, where from 1799 to 1804, he honed the technical foundations that would support a lifetime of exploration. This period was not merely one of academic study but of profound observation. As he traveled through the vibrant cultural hubs of Germany—visiting Dresden, Düsseldorf, and Munich—he did more than just witness the art of his era; he engaged in a deep, transformative dialogue with the masters of the past. His travels were punctuated by periods of intense study, where he sought to capture the essence of greatness through the act of copying, a practice that allowed him to internalize the brushwork and light of the Old Masters.

A Legacy of Mimicry and Mastery

One of the most remarkable chapters in Embde’s career was his ability to inhabit the styles of those who came before him. He possessed a rare, almost scholarly devotion to the lineage of European painting. In 1803, he achieved a significant milestone by becoming one of the first artists to independently reproduce the Angel from Raphael's legendary Sixtine Madonna. This feat was not merely an exercise in imitation but a profound way of reclaiming and reinterpreting classical beauty for his own generation. Through such works, he bridged the gap between the Renaissance ideal and the nineteenth-century aesthetic.

As his horizons expanded, so did his influences. His time in Vienna brought him into the orbit of the Füger school, particularly under the influence of the historical and portrait painter Josef Abel. This exposure to the refined, academic style of Vienna added a layer of sophistication to his repertoire, blending the rigorous structure of German training with the graceful, narrative elegance found in Austrian portraiture. His development was a continuous loop of learning, traveling, and absorbing the diverse artistic languages of the various German-speaking residencies he inhabited.

The Enduring Impression

Though history often remembers the innovators who broke entirely from tradition, the significance of an artist like August von der Embde lies in his role as a custodian of excellence. He served as a vital link in the chain of artistic continuity, ensuring that the techniques and spiritual weight of the masters were preserved through his careful hands. His life, which concluded in Kassel on August 10, 1862, represents a period of profound cultural synthesis.

To look upon the works associated with his name is to witness a lifetime of devotion to the craft. His legacy remains etched in the meticulous way he approached every canvas, treating each subject with the reverence of a historian and the precision of a master builder. Through his eyes, we see the echoes of Raphael and the structured elegance of the Viennese academy, all unified by the singular, dedicated spirit of a man who found his true calling far beyond the carpenter's workshop.