Portret van Arpana Caur

De 9 bekendste schilderijen van Arpana Caur, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 9 werken van Arpana Caur in onze catalogus

Kortom

Van alle originele werken die Arpana Caur heeft nagelaten, is Sohni Mahiwal (2000) het bekendst, in de collectie van het The Sikh Foundation International, Montreal. Direct daarna volgen Wounds - Diptych (2000) en Guru Nanak - Immersion/Emergence (2001). Onze catalogus bevat 9 werken van Arpana Caur; de galerie heeft de 9 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

geboren in 1954, New Delhi Meeste werken: The Sikh Foundation International

De top 10 schilderijen van Arpana Caur: de selectie van de galerie

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Guru Nanak - Immersion/Emergence (2001) door Arpana Caur

Guru Nanak - Immersion/Emergence

2001 · Painting · The Sikh Foundation International, Montreal

In the profound masterpiece Guru Nanak - Immersion/Emergence, the renowned contemporary Indian artist Arpana Caur invites the viewer into a meditative space where the boundaries between the earthly and the divine begin to dissolve. Created in 2001, this evocative work serves as a visual hymn, capturing the essence of spiritual awakening through a triptych-like arrangement of figures. The painting does not merely depict scenes; it orchestrates a movement of the…

7
Untitled (1989) door Arpana Caur

Untitled

1989 · Kerala Museum, Kochi

Arpana Caur started painting in oil at a very early age, and she had her first exhibition at the age of nine. Indian miniature paintings influenced her brushstrokes and compositions, and she depicted her concerns on social issues and conflicts through her paintings inspired by the 1984 Sikh riots and Vrindavan widows. She drew her inspiration from her mother, well-known author Arjeet Caur and artist Amrita Shergil. Her works are…

8
Ascension (1989) door Arpana Caur

Ascension

1989 · Kerala Museum, Kochi

Arpana Caur started painting in oils at a very early age. Her family moved from West Pakistan to India in 1947. She drew her inspiration from her mother, Arjeet Caur, who was a well-known author. She was also inspired by the artist Amrita Shergil. She had her first exhibition at the age of nine.Caur

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Yogi and the River of Time (2011) door Arpana Caur

Yogi and the River of Time

2011 · Kerala Museum, Kochi

Arpana Caur started painting in oils at a young age. Her family moved from West Pakistan to India in 1947. She drew her inspiration from her mother, Arjeet Caur, who was a well-known author. She was also inspired by artist Amrita Shergil. She had her first exhibition at the age of nine.Caur

De musea waar de originele werken van Arpana Caur worden bewaard

De 2 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Arpana Caur Schilderijen uit deze lijst
The Sikh Foundation International, MontrealThe Sikh Foundation International Montreal 6 Sohni Mahiwal, Wounds - Diptych, Guru Nanak - Immersion/Emergence
Kerala Museum, KochiKerala Museum Kochi 3 Untitled, Ascension, Yogi and the River of Time

Arpana Caur decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Arpana Caur

Waar is Arpana Caur het meest bekend om?Onthul het antwoord

Sohni Mahiwal (2000), The Sikh Foundation International, Montreal. Wounds - Diptych (2000) en Guru Nanak - Immersion/Emergence (2001) volgen.

Hoe oud was Arpana Caur toen Sohni Mahiwal werd gemaakt?Onthul het antwoord

46 jaar oud: Sohni Mahiwal dateert uit 2000, en Arpana Caur werd geboren in 1954.

Hoeveel schilderijen heeft Arpana Caur nagelaten?Onthul het antwoord

Onze catalogus bevat 9 werken van Arpana Caur, daterend van 1989 tot 2011.

In welke musea hangen de meesterwerken van Arpana Caur?Onthul het antwoord

Voornamelijk in The Sikh Foundation International (Montreal) en Kerala Museum (Kochi). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Arpana Caur de beroemdste werken?Onthul het antwoord

In 2000s: 5 van de 9 werken op deze pagina werden toen gemaakt, waaronder Sohni Mahiwal.

Wat zijn de eerste en de laatste beroemde originelen van Arpana Caur?Onthul het antwoord

Op deze pagina is het vroegste Untitled (1989) en het laatste Yogi and the River of Time (2011).

Welke werken van Arpana Caur hangen in het The Sikh Foundation International?Onthul het antwoord

Sohni Mahiwal, Wounds - Diptych en Guru Nanak - Immersion/Emergence: het The Sikh Foundation International, Montreal herbergt 6 van de werken op deze pagina.

Arpana Caur: leven en werk

A Life Woven in Resilience: The Art of Arpana Caur

Arpana Caur, born in New Delhi in 1954, is a pivotal figure in contemporary Indian art—a painter whose canvases resonate with the echoes of history, the strength of women, and a profound spiritual inquiry. Her artistic journey isn’t merely one of aesthetic exploration; it's deeply intertwined with her family’s experience of displacement during the Partition of British India in 1947, an event that indelibly shaped her worldview and informs much of her work. The daughter of Ajeet Cour, a celebrated Punjabi writer and Padma Shri recipient, Caur grew up immersed in a world of literature, music, and storytelling—a fertile ground for the blossoming of her artistic sensibility. Even as a child, she demonstrated an exceptional talent, creating her first oil painting, “Mother & Daughter,” at the tender age of nine, inspired by the groundbreaking work of Amrita Sher-Gil. This early fascination with portraying female figures would become a defining characteristic of her oeuvre. While formally educated with a Master of Arts degree in literature from Delhi University, Caur largely remained self-taught as a painter, later honing her skills in etching at Garhi Studios in New Delhi.

A Tapestry of Influences and Evolving Style

Caur’s artistic style is remarkably eclectic, a vibrant synthesis of diverse influences that reflects the rich cultural heritage of India and beyond. She doesn't adhere to any single school of thought but rather draws inspiration from an astonishing range of sources—from the intricate detail of Gond and Madhubani folk art to the delicate refinement of Pahari miniatures and the opulent grandeur of Mughal painting. Contemporary global artistic currents also find their way into her work, creating a unique visual language that is both deeply rooted in tradition and strikingly modern. Her compositions are often characterized by layered spaces, flattened perspectives, and elongated figures, imbuing them with a sense of timelessness and symbolic weight. A recurring motif in Caur’s paintings is the use of Indian ink, which adds depth, richness, and an almost calligraphic quality to her work. However, it's not merely technical skill that sets her apart; it’s her ability to imbue her art with a powerful feminist perspective. She depicts women not as passive objects of beauty or victims of circumstance but as resilient symbols of strength, solidarity, and enduring spirit—challenging conventional representations and offering a nuanced portrayal of their lived experiences.

Themes of Life, Loss, and the Sacred

The thematic concerns that drive Caur’s art are both universal and deeply personal. She grapples with profound questions about life and death, violence and peace, spirituality and materiality, and the delicate balance between humanity and the environment. Her work often serves as a poignant commentary on social issues—from the plight of women in modern India to the enduring trauma of partition and the urgent need for environmental protection. Clothing frequently appears as a significant element in her paintings, functioning not merely as adornment but as a complex symbol that both reinforces and subverts established images of femininity. Beyond these socio-political concerns, Caur’s art is also deeply imbued with spiritual undertones, drawing inspiration from Sikhism, Sufism, and the mystical traditions of India. Works like “Guru Gobind Singh – The Poet” and “The Golden Saint” demonstrate her fascination with exploring themes of faith, devotion, and transcendence. Her artistic evolution reflects this deepening engagement with spirituality; in the 1990s, she began to move towards more abstract and symbolic representations, seeking to capture the essence of these profound concepts through form and color.

Recognition and a Lasting Legacy

Throughout her career, Arpana Caur has received widespread recognition for her artistic achievements and her commitment to social activism. Her work has been exhibited extensively both in India and internationally—in cities such as London, Glasgow, Berlin, Amsterdam, Singapore, Munich, New York, Stockholm, and Copenhagen—bringing her unique vision to audiences around the globe. Her paintings are now held in prestigious museum collections including the National Gallery of Modern Art (Delhi), the Hiroshima Museum of Modern Art, the Victoria & Albert Museum (London), Peabody Essex Boston, MOCA L.A, and many others, solidifying her place within the canon of contemporary Indian art. She was awarded a gold medal at the VIth International Triennale in 1986, and in 1995, she received a commission from the Hiroshima Museum of Modern Art to create a large-scale work for its permanent collection—a testament to her ability to address universal themes of suffering and resilience. Beyond her artistic practice, Caur has dedicated herself to promoting arts and culture through the Academy of Fine Arts and Literature, supporting underprivileged communities and fostering dialogue across cultures. Her commitment extends to environmental advocacy as well, demonstrating a holistic approach to art-making that seamlessly blends creative expression with social responsibility. Arpana Caur’s legacy lies not only in her captivating paintings but also in her unwavering dedication to using art as a force for positive change—a beacon of hope and resilience in a world often marked by conflict and injustice.