Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 10 werken van Anthon van Rappard in onze catalogus
Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Anthon van Rappard Weaver (1884), waarvan het origineel in het Van Gogh Museum in Amsterdam hangt. Portrait of a Girl (1884) en Woman at the Spinning Wheel (1891) maken het trio compleet dat elk oog herkent. Van de 10 werken van Anthon van Rappard in onze catalogus presenteert de galerie hieronder de 10 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Anthon van Rappard | Schilderijen uit deze lijst |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh Museum |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Ongeveer tien jaar, van 1882 tot 1891, waren genoeg voor Anthon van Rappard: de galerie loopt er jaar voor jaar doorheen, een beroemd origineel na het andere.
Selecteer een jaar om de originele werken te bekijken.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Meer van 1884
Weaver (1884), Van Gogh Museum, Amsterdam. Portrait of a Girl (1884) en Woman at the Spinning Wheel (1891) volgen.
26 jaar oud: Weaver dateert uit 1884, en Anthon van Rappard werd geboren in 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine en Washing strands of Cotton. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 10 werken van Anthon van Rappard, daterend van 1882 tot 1891.
Voornamelijk in Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) en Van Gogh Museum (Amsterdam). De bovenstaande museumtabel bevat een volledig overzicht.
In 1884: 3 van de 10 werken op deze pagina werden toen gemaakt, waaronder Weaver.
Op deze pagina is het vroegste Tile Painters (1882) en het laatste Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel en Landing-stage with boats: het Museum Boijmans Van Beuningen, Rotterdam herbergt 5 van de werken op deze pagina.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
