Portret van Anna Airy

De 19 bekendste schilderijen van Anna Airy, een selectie uit de galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 20 werken van Anna Airy in onze catalogus

Kortom

Van alle originele werken die Anna Airy heeft nagelaten, is Morning Sunlight (1926) het bekendst, in de collectie van het Doncaster Museum And Art Gallery, Doncaster. Direct daarna volgen The 'L' Press Forging the Jacket of an 18 Inch Gun, Armstrong Whitworth Works, Openshaw (1918) en Mrs Monica Burnand (1916). Onze catalogus bevat 20 werken van Anna Airy; de galerie heeft de 19 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1882 – 1964, Greenwich Meeste werken: Usher Gallery

De top 10 schilderijen van Anna Airy: de selectie van de galerie

1
Morning Sunlight (1926) door Anna Airy

Morning Sunlight

1926 · Oil · Doncaster Museum And Art Gallery, Doncaster

In Morning Sunlight, Anna Airy invites us into the quiet, rustic interior of a barn. The composition is defined by a deliberate interplay of light and shadow that moves across the wooden structure. Sunlight streams through narrow gaps in the roof, cutting through the dimness to create a warm atmosphere within the space. These beams of light fall upon a floor covered in straw and hay, adding a tactile quality…

3
Mrs Monica Burnand (1916) door Anna Airy

Mrs Monica Burnand

1916 · Oil

The portrait depicts a woman positioned in a three-quarter view, looking directly toward the viewer. She has brown hair that frames a pale face. A necklace rests against her neck, and her attire includes a garment accented by a blue ribbon tied around the waist. The background consists of a plain wall, which provides a sense of spatial depth behind the subject. The composition focuses on the sitter's steady gaze…

4
Interior with Mrs Charles Burnand (1919) door Anna Airy

Interior with Mrs Charles Burnand

1919 · Oil

In this quiet domestic scene, titled Interior with Mrs Charles Burnand, we encounter the work of Anna Airy. Painted about 1919, the piece reflects the artist's particular interest in capturing the nuances of everyday life. Airy was an English painter who possessed a remarkable ability to translate the stillness of a private moment into a tangible, lived-in reality.

7
Soldiers in the Fields in South Africa (1902) door Anna Airy

Soldiers in the Fields in South Africa

1902 · Oil On Canvas · Het Koninklijk Hospitaal Chelsea, Londen

Anna Airy's "Soldiers in the Fields in South Africa," painted in 1902, is more than just a depiction of men resting amidst a pastoral landscape; it’s a poignant meditation on duty, camaraderie, and the quiet dignity found within moments of respite. Created during a period of significant social upheaval and military engagement, this oil-on-canvas work offers a rare glimpse into the lives of soldiers stationed in South Africa, capturing not…

De selectie van Anna Airy gaat verder, van 11 tot 19

De musea waar de originele werken van Anna Airy worden bewaard

De 7 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Anna Airy Schilderijen uit deze lijst
Usher Gallery, LincolnUsher Gallery Lincoln 2 Children Blackberrying, Roses Triumphant
Doncaster Museum And Art Gallery, DoncasterDoncaster Museum And Art Gallery Doncaster 1 Morning Sunlight
Het Koninklijk Hospitaal Chelsea, LondenHet Koninklijk Hospitaal Chelsea Londen 1 Soldiers in the Fields in South Africa
Canadian War Museum, OttawaCanadian War Museum Ottawa 1 Cookhouse, Witley Camp, 1918
Armley Mills, LeedsArmley Mills Leeds 1 Fred Grover
Touchstones Rochdale, RochdaleTouchstones Rochdale Rochdale 1 July Piece
Peterhouse, CambridgePeterhouse Cambridge 1 Sir John Gorell Barnes (1848–1913), Hon. Fellow

Anna Airy decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Anna Airy

Waar is Anna Airy het meest bekend om?Onthul het antwoord

Morning Sunlight (1926), Doncaster Museum And Art Gallery, Doncaster. The 'L' Press Forging the Jacket of an 18 Inch Gun, Armstrong Whitworth Works, Openshaw (1918) en Mrs Monica Burnand (1916) volgen.

Hoe oud was Anna Airy toen Morning Sunlight werd gemaakt?Onthul het antwoord

44 jaar oud: Morning Sunlight dateert uit 1926, en Anna Airy werd geboren in 1882.

Wat zijn de tien beroemdste schilderijen van Anna Airy?Onthul het antwoord

Morning Sunlight, The 'L' Press Forging the Jacket of an 18 Inch Gun, Armstrong Whitworth Works, Openshaw, Mrs Monica Burnand, Interior with Mrs Charles Burnand, Women Working in a Gas Retort House South Metropolitan Gas Company, London, Gay Glitter in June, Soldiers in the Fields in South Africa, The Kitchen's Queen, Mrs Telford Simpson en Cookhouse, Witley Camp, 1918. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Anna Airy nagelaten?Onthul het antwoord

Onze catalogus bevat 20 werken van Anna Airy, daterend van 1902 tot 1951.

In welke musea hangen de meesterwerken van Anna Airy?Onthul het antwoord

Voornamelijk in Usher Gallery (Lincoln), Doncaster Museum And Art Gallery (Doncaster) en Het Koninklijk Hospitaal Chelsea (Londen). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Anna Airy de beroemdste werken?Onthul het antwoord

In 1910s: 9 van de 19 werken op deze pagina werden toen gemaakt, waaronder The 'L' Press Forging the Jacket of an 18 Inch Gun, Armstrong Whitworth Works, Openshaw.

Wat zijn de eerste en de laatste beroemde originelen van Anna Airy?Onthul het antwoord

Op deze pagina is het vroegste Soldiers in the Fields in South Africa (1902) en het laatste Alderman Cyril Catchpole (1951).

Welke techniek gebruikte Anna Airy het meest?Onthul het antwoord

Oil, voor 3 van de 19 werken op deze pagina.

Welke werken van Anna Airy hangen in het Usher Gallery?Onthul het antwoord

Children Blackberrying en Roses Triumphant: het Usher Gallery, Lincoln herbergt 2 van de werken op deze pagina.

Anna Airy: leven en werk

A Pioneer’s Palette: The Life and Art of Anna Airy

Anna Airy, born in Greenwich in 1882, emerged as a significant figure in early 20th-century British art—a time of immense social and artistic change. Her lineage was steeped in intellectual pursuit; the granddaughter of Sir George Biddell Airy, Astronomer Royal, and Johann Benedict Listing, a professor at the University of Göttingen, she inherited a legacy of rigorous observation and scientific curiosity that would subtly inform her artistic vision. The early loss of her mother and upbringing by her artist aunts fostered an environment where creativity flourished, and her father’s encouragement solidified her path toward a life dedicated to art. Airy's formal training began at the Slade School of Fine Art in London from 1899 to 1903, where she honed her skills under the tutelage of influential figures like Fred Brown, Henry Tonks, and Philip Wilson Steer. It was here that she developed a versatile approach, mastering oil painting, pastel, etching, and watercolor—a testament to her dedication and natural talent. Her success at the Slade was immediate, earning her numerous prizes including the Melville Nettleship Prize for three consecutive years and a Slade School Scholarship in 1902.

Early Life and Artistic Influences

Anna Airy’s formative years were marked by intellectual stimulation and artistic encouragement. Born to Anna Listing and Wilfrid Airy—a father who was himself an astronomer—she benefited from a family steeped in scientific curiosity, mirroring the spirit of her paternal grandparents, Sir George Biddell Airy and Johann Benedict Listing. The early bereavement of her mother profoundly impacted her life, yet she found solace and inspiration in the nurturing environment created by her artist aunts, fostering a lifelong passion for visual arts. Her father’s unwavering belief in her artistic potential—a promise to provide “the finest art education either in this country or on the Continent”—served as a guiding force throughout her academic pursuits. Airy's training at the Slade School of Fine Art proved pivotal, immersing her in the vibrant artistic landscape of London and establishing connections with luminaries like William Orpen and Augustus John. These mentors instilled in her a profound appreciation for realism alongside Impressionistic techniques—influences that would permeate her oeuvre.

From Idyllic Landscapes to Factories of War

Airy’s artistic explorations began with captivating landscapes imbued with atmospheric nuance, reflecting the serene beauty of the English countryside. Simultaneously, she investigated the gritty realities of industrial life during World War I, documenting scenes at munitions factories—a daring undertaking for a woman artist of her time. Unlike many male artists who focused on battlefield panoramas, Airy’s commission centered on portraying the vital yet often overlooked world of wartime industry. Her assignment to paint at facilities like Chilwell and Hendon demanded meticulous observation and technical skill—qualities she possessed in abundance. Notably, Airy bravely ventured into the hazardous conditions of the Hackney Marshes factory, enduring extreme heat while capturing the essence of labor amidst the backdrop of war effort. This commitment to portraying authenticity—even under challenging circumstances—underscored her artistic ethos and demonstrated her unwavering dedication to documenting history through art.

Style and Technique: Impressionism Meets Realism

Airy’s artistic style defied easy categorization, blending elements of Impressionism with a keen eye for realism. Her pastel works often shimmered with luminosity, capturing fleeting moments of beauty—particularly in botanical studies rendered with exquisite detail. Conversely, her oil paintings exhibited boldness in brushwork and color, conveying emotion and dynamism. She mastered etching, producing precise lines that complemented her other mediums. Recurring themes throughout her artwork included depictions of flowers, ferns, and fruits—subjects she approached with both scientific accuracy and artistic sensitivity—suggesting a deep connection to the natural world. Her distinctive style—characterized by subtle tonal gradations and masterful use of light—established her as a singular voice within British art during her era.

Legacy and Recognition

Anna Airy’s contribution to British art extended beyond her individual achievements. As one of the first women officially commissioned as a war artist, she shattered societal expectations and paved the way for future generations of female artists seeking recognition in a traditionally male-dominated field. Her paintings—particularly those documenting wartime industry—offer invaluable visual records of a transformative period in British history. Airy’s enduring legacy resides not only in her captivating artwork but also in her unwavering belief in artistic exploration and her courageous pursuit of excellence—inspiring countless aspiring artists to embrace creativity and challenge conventions. Her works are now housed in prominent collections worldwide, including the British Museum, the Victoria & Albert Museum, and the Imperial War Museum—a testament to her enduring influence on art history and a celebration of her remarkable life’s work.