Portret van Adolf Eberle

Schilderijen van Adolf Eberle: De 21 bekendste, door de ogen van een galerie

Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 21 werken van Adolf Eberle in onze catalogus

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In het oog van de galerie is het beroemdste schilderij van Adolf Eberle A futile attempt (1880). Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886) maken het trio compleet dat elk oog herkent. Van de 21 werken van Adolf Eberle in onze catalogus presenteert de galerie hieronder de 21 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1843 – 1914, Munich Realism Meeste werken: Petit Palais

De top 10 schilderijen van Adolf Eberle in de galerie

1
A futile attempt (1880) door Adolf Eberle

A futile attempt

1880 · Lithograph

The room is small, a tight frame of wood and stone that holds the weight of a single moment. In this lithograph, light enters from a single source, perhaps a doorway or a window, casting long, heavy shadows across the floorboards. An elderly man sits at the center, his presence anchored by the gravity of age. Around him, three figures—a young girl and two women—gather in a silent circle. They…

2
Return from the Hunt (1886) door Adolf Eberle

Return from the Hunt

1886 · Oil

A group of figures gathers within a rustic interior, marking the conclusion of a hunt. At the center, an older man in traditional hunting attire presents the day's catch upon a table. He holds a rifle, his presence anchoring the composition. Beside him, a woman and a young boy observe the bounty, while a young man to the right holds both a rifle and a fox. The room is filled…

3
Two Hunters with Girl in the Room and Gemsbok (1886) door Adolf Eberle

Two Hunters with Girl in the Room and Gemsbok

1886 · Oil On Canvas

The composition of this 1886 oil painting presents a rustic interior, likely a hunting lodge or cottage, defined by heavy wooden floorboards and structured furniture. On the right side of the frame, three figures occupy the space: two men are seated at a table, while a young woman stands nearby. To the left, the scene shifts toward the results of a hunt, featuring a dead gemsbok lying on the floor…

Schilderijen van Adolf Eberle, gerangschikt van 11 tot 21

De onderwerpen die de aandacht van Adolf Eberle troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Adolf Eberle worden bewaard

Het museum met de meeste schilderijen op deze pagina.

Museum Stad Werken van Adolf Eberle Schilderijen uit deze lijst
Petit Palais, ParijsPetit Palais Parijs 1 Whose Dinner is it

Adolf Eberle, de kenmerkende schilderijen van elk jaar

18 jaar aan kunst van Adolf Eberle, van 1869 tot 1886: de galerie volgt hen jaar voor jaar, via de meest beroemde originelen van elk jaar.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Schilderijen van Adolf Eberle: de galerie geeft antwoord

Welk schilderij van Adolf Eberle is het beroemdste van allemaal?Onthul het antwoord

A futile attempt (1880). Return from the Hunt (1886) en Two Hunters with Girl in the Room and Gemsbok (1886) volgen.

Hoe oud was Adolf Eberle bij de voltooiing van A futile attempt?Onthul het antwoord

37 jaar oud: A futile attempt dateert uit 1880, en Adolf Eberle werd geboren in 1843.

Wat zijn de top 10 schilderijen van Adolf Eberle?Onthul het antwoord

A futile attempt, Return from the Hunt, Two Hunters with Girl in the Room and Gemsbok, A bedtime story, Thatched barn, Breakfast Time, The natural history lesson, The successful letter, The Day's Bag en Happy family in a barn interior. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Adolf Eberle gemaakt?Onthul het antwoord

Onze catalogus bevat 21 werken van Adolf Eberle, daterend van 1869 tot 1886.

Waar hangen de beroemdste originele werken van Adolf Eberle?Onthul het antwoord

Voornamelijk in Petit Palais (Parijs). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Adolf Eberle de beroemdste schilderijen?Onthul het antwoord

In 1869: 2 van de 21 werken op deze pagina werden toen gemaakt, waaronder A bedtime story.

Wat zijn de vroegste en laatste beroemde werken van Adolf Eberle?Onthul het antwoord

Op deze pagina is het vroegste A bedtime story (1869) en het laatste Return from the Hunt (1886).

Welke onderwerpen keerde Adolf Eberle het vaakst naar terug?Onthul het antwoord

Woman (3), Table (3) en Man (2), verspreid over de 21 werken op deze pagina.

Bij welke stroming wordt Adolf Eberle gerekend?Onthul het antwoord

Realism, te oordelen aan de originelen op deze pagina.

Adolf Eberle: de kunstenaar

Early Life and Artistic Training

Adolf Eberle was born in Munich, Germany, on January 11, 1843, into a family deeply rooted in the artistic tradition of Bavaria. His father, Robert Eberle, himself a painter, instilled in young Adolf a passion for visual art from an early age—a formative influence that would shape his entire career trajectory. Recognizing his son’s talent, Robert ensured he received a comprehensive education encompassing both academic pursuits and practical artistic training. Notably, Eberle enrolled at the Academy of Fine Arts in Munich in 1860, where he studied under Karl von Piloty, a respected instructor known for fostering realism and meticulous observation within the landscape genre. This mentorship proved invaluable, equipping Eberle with the foundational skills necessary to excel as a painter.

Emergence as Genre Painter

Eberle’s artistic focus quickly crystallized around genre painting—a tradition particularly prominent in Bavaria during the latter half of the 19th century. Unlike historical or mythological subjects, genre painters sought to depict everyday life, capturing scenes from rural communities and portraying the customs, traditions, and occupations of ordinary people. Eberle skillfully captured the essence of Bavarian and Tyrolean society, depicting farmers tending their fields, huntsmen pursuing game in mountainous terrain, and families engaging in domestic activities—subjects that resonated deeply with audiences of his time. His early works demonstrated a remarkable ability to convey atmosphere and emotion through precise detail and nuanced color palettes. The engraving of *Pfändung der letzten Kuh* (Mortgaging the Last Cow), created by William Unger in 1861, established him as a rising talent within the artistic landscape and garnered critical acclaim for its realism and evocative portrayal of rural life.

Notable Paintings and Artistic Style

Eberle’s oeuvre comprises numerous paintings that exemplify his distinctive artistic style—characterized by meticulous observation, tonal harmony, and an unwavering commitment to portraying authentic human experience. Among his most celebrated pieces are *Erster Rehbock* (First Stag), completed in 1879, which vividly captures the thrill of the hunt amidst the Bavarian Alps; *Feldschule in Wallensteins Lager*(Field School in Wallenstein’s Camp), depicting a classroom setting within a military encampment—a testament to his versatility as an artist; and *Die verunglückte Musikprobe*(Music Test Gone Wrong)—a poignant depiction of youthful ambition thwarted by circumstance. His paintings are imbued with warmth and luminosity, achieved through masterful use of color and light—techniques honed during his studies under Piloty. Furthermore, Eberle’s meticulous attention to detail—evident in the rendering of textures, costumes, and facial expressions—elevated his work beyond mere representation, transforming it into emotionally resonant narratives that convey a profound understanding of human psychology.

Recognition and Legacy

Adolf Eberle achieved considerable recognition during his lifetime for his contributions to Bavarian art history. His paintings were exhibited extensively in Munich and internationally, attracting critical acclaim from prominent art critics and collectors alike. The sale of *Childhood Fun* at Bonhams in 2007—fetching $16,800—demonstrated the enduring appeal of his work and underscored its significance within the broader context of Impressionist aesthetics. Similarly, the auction of *The Day's Bag* at Christie’s in London in 2012 garnered £7,500, affirming Eberle’s reputation as a master of genre painting. Beyond his artistic achievements, Eberle’s legacy extends to the naming of Solln’s Eberlestraße after him—a symbolic tribute to his enduring influence on Bavarian culture and artistic heritage. His paintings continue to inspire admiration for their ability to capture the spirit of a bygone era and convey timeless themes of rural life, family values, and human emotion.