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Gids voor studentenkunst

Colonel W. C. Gerard

Naam Groep Datum

Samuel Lawson Booth, Colonel W. C. Gerard (1903), Duke of Lancaster's Own Yeomanry Museum. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Samuel Lawson Booth originaluniqueart.com/nl/artists/samuel-lawson-booth/
Levensdata kunstenaar
1836 – 1928
Geschilderd
1903
Afmetingen origineel werk
65 x 45 cm
Gehouden in
Duke of Lancaster's Own Yeomanry Museum originaluniqueart.com/nl/museums/duke-of-lancaster-s-own-yeomanry-museum-preston/

In context

Colonel W. C. Gerard — Samuel Lawson Booth

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 65 × 45 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 92 bij het overlijden.

Geschilderd toen de kunstenaar 67 jaar oud was. De kunstenaar werd 92 jaar oud. 2 van de 5 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Samuel Lawson Booth (1836–1928) ▲ dit werk, 1903 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #3a261e

    Gecatalogiseerd palet

    • #3A261E
    • #6A5B49
    • #A7957B
    • #1E1812

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Samuel Lawson Booth over de afgelopen twaalf maanden — in totaal 2 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 50,0%
    2. 2 Verenigd Koninkrijk 50,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van Samuel Lawson Booth

    1. 1 Ty Croes, near Holyhead, Anglesey, 1901 50,0%
    2. 2 Windermere, Cumbria, 1900 50,0%
    3. — Colonel W. C. Gerard, 1903 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 12 werken van deze kunstenaar, waarvan 2 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Samuel Lawson Booth

    Samuel Lawson Booth: A Master of Hudson River Light

    Samuel Lawson Booth (1836-1928) stands as a significant, yet often understated, figure in the landscape painting tradition of late 19th-century America. Born in Leeds, Yorkshire, and trained initially in England, Booth’s artistic journey ultimately led him to establish himself as a respected artist working primarily within the evocative style of the Hudson River School. His career spanned several decades, marked by a dedication to capturing the subtle nuances of light and atmosphere, particularly in scenes of rural New Jersey – a region he came to deeply admire and depict with remarkable fidelity.

    Booth’s early life provided a grounding in artistic principles, though not necessarily within the established academic framework. He began his career as an art teacher, first at the Leeds School of Art and later as an Art Master at Bradford Technical College. This role instilled in him a practical understanding of technique and a commitment to educating others about the visual arts. However, it was his travels and subsequent artistic pursuits that truly defined his legacy. A pivotal moment arrived in 1902 when he received a commission from King Edward VII to travel to Egypt and Israel, undertaking a series of expeditions dedicated to documenting the landscapes and light of those regions. These journeys profoundly influenced his style, introducing him to new color palettes and techniques for rendering atmospheric effects – skills he subsequently applied to his depictions of American scenery.

    The Influence of the Hudson River School

    Booth’s artistic development is inextricably linked to the broader context of the Hudson River School. This influential movement, which flourished throughout the mid-19th century, championed a romanticized vision of America's natural landscapes. Artists like Thomas Cole, Frederic Church, and Albert Bierstadt sought to capture the sublime beauty of the American wilderness, often imbuing their works with moral and spiritual significance. While Booth’s style diverged slightly from the grand scale and overtly didactic themes associated with some of his contemporaries, he shared a fundamental commitment to portraying nature with accuracy, sensitivity, and an appreciation for its inherent grandeur.

    Booth's paintings are characterized by a meticulous attention to detail—the way light filters through trees, the textures of rocks and foliage, the subtle shifts in color across the sky. He eschewed dramatic compositions and theatrical lighting effects, instead favoring a more restrained approach that allowed the natural beauty of his subjects to speak for themselves. His palette was generally muted, dominated by earthy tones and soft blues and greens—a deliberate choice designed to evoke a sense of tranquility and harmony.

    Key Works and Artistic Techniques

    Several of Booth’s paintings stand out as particularly noteworthy examples of his artistic skill and vision. “Windermere, Cumbria” (available for reproduction) exemplifies his mastery of capturing the atmospheric effects of a misty lake scene—the way light diffuses through the fog, creating an ethereal sense of depth and distance. Similarly, "Resurrection" showcases his ability to render the rugged beauty of the New Jersey countryside, with its rolling hills, dense forests, and dramatic skies. These works demonstrate Booth’s meticulous observation skills and his talent for translating visual impressions onto canvas.

    Booth's technique involved a layered approach, building up color gradually through multiple thin glazes. He employed a dry brush technique to create subtle variations in texture and tone, adding depth and realism to his landscapes. His use of light was particularly innovative—he sought not merely to depict the appearance of light but also its effect on the surrounding environment, capturing the way it transformed colors and shapes.

    Legacy and Historical Significance

    Despite often operating outside the mainstream spotlight, Samuel Lawson Booth’s contribution to American landscape painting is considerable. His work reflects a deep appreciation for the natural world and a commitment to portraying its beauty with honesty and sensitivity. He represents a quieter, more contemplative voice within the Hudson River School tradition—an artist who prioritized observation and craftsmanship over grand gestures and overt symbolism.

    Booth’s paintings continue to be appreciated today for their technical skill, atmospheric effects, and evocative sense of place. They offer a valuable glimpse into the artistic sensibilities of late 19th-century America and serve as a reminder of the enduring power of landscape painting to inspire awe and wonder.

    Museum

    Duke of Lancaster's Own Yeomanry Museum

    Te zien in Preston, United Kingdom

    A Legacy Forged in Lancashire’s Military Spirit

    Nestled within the historic heart of Preston, the

    Duke of Lancaster's Own Yeomanry Museum

    serves as a profound testament to Britain’s enduring military heritage and a singular celebration of regional identity. It is far more than a mere repository for relics; it is an immersive journey through time, tracing the remarkable evolution of the DLOY from its humble origins as a rural defense force to its modern incarnation within the Royal Armoured Corps. To step into this collection is to encounter the very soul of Lancashire, where the echoes of cavalry charges meet the mechanical precision of the twentieth century. The museum offers a rare opportunity for historians and enthusiasts alike to witness how a single regiment’s story mirrors the broader, sweeping shifts in global military strategy and technological progress.

    The collection itself is a captivating panorama of nineteenth-century artistry and martial prowess. For the discerning eye, the museum’s core treasures reveal a breathtaking dedication to craftsmanship that transcends the battlefield. One might find themselves mesmerized by the intricate embroidery adorning ceremonial jackets or the gleaming, meticulous polish of period rifles, where every detail speaks to a profound respect for tradition and aesthetic excellence. These meticulously preserved uniforms and weaponry do not merely represent tools of war; they are artifacts of social custom and personal identity, offering tangible connections to the lives of soldiers who served with unwavering commitment. For collectors and lovers of historical texture, the sheer tactile history present in these displays provides an unparalleled sensory experience.

    A Narrative of Resilience and Transformation

    Beyond the elegance of its regimental attire, the museum delves into the raw, transformative power of conflict, illuminating pivotal moments such as the Boer War and the harrowing experiences of World War II. Through a poignant blend of photographic documentation and detailed logistical accounts, the exhibits portray battles not just as strategic maneuvers, but as formative events that forged the regiment’s very

    esprit de corps

    . Visitors are guided through the evolution of warfare itself—from the sweeping mounted duties in Egypt and Palestine to the gritty reality of the Western Front and the eventual transition into the age of armored vehicles and cyclists.

    The institution benefits from a rich collaborative synergy with the Lancashire County Council Museums Service, ensuring that the regimental narrative is presented in an engaging, accessible format. Whether you are an interior designer seeking inspiration from the storied textures of military history or an art lover drawn to the preserved beauty of nineteenth-century craftsmanship, the Duke of Lancaster's Own Yeomanry Museum offers a sanctuary of remembrance. It stands as a powerful illustration of a region steadfastly committed to preserving its past while embracing the complexities of the present, inviting all who enter to become part of its ongoing legacy.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Colonel W. C. Gerard

    originaluniqueart.com/nl/art/download/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/

    Citeer dit kunstwerk

    MLA
    Booth, Samuel Lawson. Colonel W. C. Gerard. 1903, Duke of Lancaster's Own Yeomanry Museum. https://originaluniqueart.com/nl/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/
    APA
    Booth, Samuel Lawson (1903). Colonel W. C. Gerard [Painting]. Duke of Lancaster's Own Yeomanry Museum. https://originaluniqueart.com/nl/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/
    Chicago
    Samuel Lawson Booth. Colonel W. C. Gerard. 1903. Duke of Lancaster's Own Yeomanry Museum. https://originaluniqueart.com/nl/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/
    Harvard
    Booth, Samuel Lawson (1903) Colonel W. C. Gerard. Duke of Lancaster's Own Yeomanry Museum. Available at: https://originaluniqueart.com/nl/art/samuel-lawson-booth-colonel-w-c-gerard-AQUBLS-en/

    Bekijk het van dichtbij

    Colonel W. C. Gerard — Samuel Lawson Booth

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Portrait of an Unknown Man (1904), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Samuel Lawson Booth was ongeveer 67 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Waar kan ik een digitale afbeelding van "Colonel W. C. Gerard" door Samuel Lawson Booth kopen?

    Om een digitale afbeelding van "Colonel W. C. Gerard" door Samuel Lawson Booth te verkrijgen, kunt u een digitale afbeelding in hoge resolutie om te downloaden bestellen op de Digitale afbeelding pagina.

    Hoe kan ik de afbeelding van "Colonel W. C. Gerard" door Samuel Lawson Booth downloaden?

    Er is een download beschikbaar voor "Colonel W. C. Gerard": de Downloaden pagina van het kunstwerk biedt de mogelijkheid om een digitale afbeelding in hoge resolutie om te downloaden.

    Wat is de reden voor de auteursrechtelijke status van "Colonel W. C. Gerard" door Samuel Lawson Booth?

    "Colonel W. C. Gerard" door Samuel Lawson Booth is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De auteursrechtelijke bescherming loopt vanaf het overlijden van de kunstenaar, dat plaatsvond in 1928.