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Number 3

Naam Klas Datum

Jackson Pollock, Number 3 (1949). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Jackson Pollock originaluniqueart.com/nl/artists/jackson-pollock_nl/
Geboortedatum en -overlijden kunstenaar
1912 – 1956
Geschilderd
1949
Techniek
Oil On Canvas
Afmetingen origineel werk
157 x 94 cm
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Influences
Willem de Kooning, Franz Kline
Style
All-over painting, drip technique
Subject
abstract

In context

Number 3 — Jackson Pollock

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 157 × 94 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 44 bij het overlijden.

Geschilderd toen de kunstenaar 37 jaar oud was. De kunstenaar werd 44 jaar oud. 39 van de 50 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Jackson Pollock (1912–1956) ▲ dit werk, 1949 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1941 Belangrijkste werkjaren: 1941–1948 Late werken: vanaf 1948

Deze drie periodes verdelen de werken in deze catalogus in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijkbare werken

  • Nummer 1, 1949, 1950 originaluniqueart.com/nl/art/jackson-pollock-nummer-1-1949-8EWJX6-nl/
  • Herfstritm No. 30 originaluniqueart.com/nl/art/jackson-pollock-herfstritm-no-30-8EWJW5-nl/
  • Convergentie originaluniqueart.com/nl/art/jackson-pollock-convergentie-8EWJWJ-nl/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/paul-jackson-pollock-number-3-7YKFZQ-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #c9ba9e

    Gecatalogiseerd palet

    • #C9BA9E
    • #332E24
    • #9C8B6D
    • #6F5E45

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Jackson Pollock over de afgelopen twaalf maanden — in totaal 69 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 19,1%
    2. 2 Frankrijk 8,2%
    3. 3 Verenigde Staten van Amerika 7,4%
    4. 4 Duitsland 7,1%
    5. 5 Japan 5,8%
    6. 6 Spanje 5,6%
    7. 7 Italië 5,3%
    8. 8 Brazilië 3,2%
    9. 9 Singapore 2,7%
    10. 10 Mexico 2,6%
    11. · 59 andere landen 33,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 35,8%
    2. 2 Herfstritm No. 30 7,3%
    3. 3 One. Number 31, 1950 5,8%
    4. 4 Convergentie 5,2%
    5. 5 Number 5, 1948 2,8%
    6. 6 Wit Licht, 1954 2,4%
    7. 7 Number 5, 1948 1,9%
    8. 8 Number 10, 1949 1,9%
    9. 9 Nummer 1A 1,7%
    10. 10 Number 3, 1948 1,5%
    11. 11 Number 1, 1948 1,4%
    12. 12 Number 3, 1949 dit schilderij 1,3%
    13. 13 Number 6, 1949 1,2%
    14. 14 Number 8 1,1%
    15. 15 Number 2, 1951 0,9%
    16. 16 Out of the Web. Number 7 0,8%
    17. 17 Saint 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Blue poles (Number 11), 1952 0,7%
    20. 20 Full Fathom Five 0,7%

    Samen maken deze werken 76,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 176 werken van deze kunstenaar, waarvan 122 minstens één keer zijn bekeken. Dit schilderij staat op de 12 plaats, met 1,3% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Number 3 — Jackson Pollock

    A Revolution in Paint: Exploring Jackson Pollock’s ‘Number 3’

    Jackson Pollock's 'Number 3', created in 1949, stands as a monumental achievement within the Abstract Expressionist movement. Measuring 157 x 94 cm, this work isn’t simply painted; it was constructed through an innovative process that redefined artistic creation and continues to captivate viewers today. It's a powerful example of how Pollock moved away from traditional easel painting towards a more performative and all-encompassing approach.

    Deconstructing the Composition: Style & Technique

    Number 3’ exemplifies Pollock’s signature “drip” technique, where enamel paint was poured, dripped, and flung onto an unstretched canvas laid directly on the floor. This radical departure from conventional methods allowed him to approach the canvas from all sides, creating a dynamic, non-hierarchical composition. The resulting surface is a complex web of interwoven lines and colors – a visual density that invites prolonged contemplation. The all-over painting style eliminates any single focal point; instead, the eye wanders across the entire expanse, discovering new details with each viewing. This technique wasn’t about depicting something real; it was about the act of painting itself—the energy, gesture, and emotion embedded within each mark. The use of enamel lends a unique sheen and textural depth not achievable with traditional oil paints.

    Influences & Historical Context

    Pollock didn’t emerge in a vacuum. He built upon the foundations laid by earlier abstract artists like Wassily Kandinsky, but he pushed abstraction to new limits. He was also influenced by contemporaries such as Willem de Kooning, whose own explorations of abstract expressionism helped shape the New York School. ‘Number 3’ arose during a period of profound social and political change following World War II. The anxieties and uncertainties of the era found expression in the raw emotionality of Abstract Expressionist art. This was a time when artists sought to break free from established norms and explore new ways of representing the human condition.

    Symbolism & Emotional Resonance

    While Pollock vehemently rejected any attempts to assign specific meanings to his work, ‘Number 3’ evokes powerful emotional responses. The chaotic energy of the composition can be interpreted as a reflection of inner turmoil or the complexities of modern life. The layering and interweaving of lines suggest a sense of interconnectedness, while the absence of recognizable forms encourages viewers to project their own feelings and experiences onto the canvas. It’s a painting that doesn't tell you what to think; it invites you to feel. The earthy tones punctuated by stark blacks and whites create a dramatic contrast, adding to the work’s intensity.

    Legacy & Impact

    Pollock’s influence on subsequent generations of artists is undeniable. His innovative techniques paved the way for new forms of abstract art, including Color Field painting and Minimalism. Artists like Frank Stella, while pursuing a different aesthetic, acknowledged Pollock's impact in liberating painting from traditional constraints. ‘Number 3’ remains a cornerstone of modern art history, exhibited in prestigious collections worldwide and inspiring countless artists and designers.

    Considerations for Collectors & Designers

    A reproduction of ‘Number 3’ can be a striking focal point in any interior space. Its dynamic composition and rich textures add depth and visual interest to both contemporary and traditional settings. The painting's neutral color palette allows it to complement a wide range of décor styles. When selecting a reproduction, prioritize quality materials and printing techniques to accurately capture the nuances of Pollock’s original work. Its abstract nature makes it versatile – suitable for living rooms, offices, or even bedrooms, offering a constant source of inspiration and contemplation.

    Abstract Expressionism: A post–World War II art movement characterized by spontaneous, gestural brushstrokes and non-representational imagery.

    Drip Technique: Pollock’s innovative method of applying paint directly to the canvas through pouring, dripping, and flinging.

    All-Over Composition: A style where the entire canvas is covered with equal emphasis, lacking a single focal point.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Number 3

    originaluniqueart.com/nl/art/download/paul-jackson-pollock-number-3-7YKFZQ-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Pollock, Jackson. Number 3. 1949, https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-7YKFZQ-en/
    APA
    Pollock, Jackson (1949). Number 3 [Painting]. https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-7YKFZQ-en/
    Chicago
    Jackson Pollock. Number 3. 1949. https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-7YKFZQ-en/
    Harvard
    Pollock, Jackson (1949) Number 3. Available at: https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-7YKFZQ-en/

    Bekijk het van dichtbij

    Number 3 — Jackson Pollock

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract, drip painting, pollock. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Number 3 — Jackson Pollock

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is Jackson Pollock's 'Number 3' most closely associated with?

      • A Impressionism
      • B Abstract Expressionism
      • C Cubism
    2. 2. Which technique is central to the creation of 'Number 3'?

      • A Precise brushstrokes and blending
      • B Dripping and splashing paint onto canvas
      • C Traditional oil painting methods with a palette knife
    3. 3. What is notable about the way Pollock physically interacted with his canvases when creating works like 'Number 3'?

      • A He always worked on an easel.
      • B He laid the canvas flat on the floor and painted from all sides.
      • C He primarily used brushes to apply paint.
    4. 4. 'Number 3' utilizes what type of painting style, where the entire surface is covered?

      • A Focal Point Painting
      • B All-over Painting
      • C Linear Perspective
    5. 5. Which artist significantly influenced Jackson Pollock and the Abstract Expressionist movement?

      • A Leonardo da Vinci
      • B Willem de Kooning
      • C Vincent van Gogh

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1B · 2B · 3B · 4B · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Vragen & Antwoorden

    Zijn de kleuren van "Number 3" krachtig of juist zacht?

    "Number 3" door Jackson Pollock vertoont een Balanced kleurintensiteit.

    Waar staat "Number 3" binnen de terugkerende thema's van Jackson Pollock?

    De terugkerende thema's van Jackson Pollock omvatten de kooning, new york school, gestural, post-war anxiety, key pollock drip painting, action painting exemplar; "Number 3" richt zich op abstract, drip painting, pollock, chaos, energy, color field, texture, modern art.

    Is "Number 3" door Jackson Pollock een licht of een donker kunstwerk?

    Over het algemeen wordt "Number 3" geregistreerd als bright. De waargenomen helderheid beschrijft hoe licht of donker het werk oogt.