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Number 3, 1950

Naam Klas Datum

Jackson Pollock, Number 3, 1950. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Jackson Pollock originaluniqueart.com/nl/artists/jackson-pollock_nl/
Geboortedatum en -overlijden kunstenaar
1912 – 1956
Techniek
Oil On Canvas
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Influences
Wassily Kandinsky
Notable elements
drip painting technique, complex web of colors and patterns
Style
Abstract Expressionism

In context

Number 3, 1950 — Jackson Pollock

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 44 bij het overlijden.

Shaded: het leven van Jackson Pollock (1912–1956) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1941 Belangrijkste werkjaren: 1941–1948 Late werken: vanaf 1948

Deze drie periodes verdelen de werken in deze catalogus in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Nummer 1, 1949, 1950 originaluniqueart.com/nl/art/jackson-pollock-nummer-1-1949-8EWJX6-nl/
  • Herfstritm No. 30 originaluniqueart.com/nl/art/jackson-pollock-herfstritm-no-30-8EWJW5-nl/
  • Convergentie originaluniqueart.com/nl/art/jackson-pollock-convergentie-8EWJWJ-nl/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/paul-jackson-pollock-number-3-1950-8EWJXG-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #321c14

    Gecatalogiseerd palet

    • #321C14
    • #D4C8C1
    • #9F8776
    • #6A4D3D

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Balanced Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Jackson Pollock over de afgelopen twaalf maanden — in totaal 69 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 19,1%
    2. 2 Frankrijk 8,2%
    3. 3 Verenigde Staten van Amerika 7,4%
    4. 4 Duitsland 7,1%
    5. 5 Japan 5,8%
    6. 6 Spanje 5,6%
    7. 7 Italië 5,3%
    8. 8 Brazilië 3,2%
    9. 9 Singapore 2,7%
    10. 10 Mexico 2,6%
    11. · 59 andere landen 33,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Jackson Pollock

    1. 1 Nummer 1, 1949, 1950 35,5%
    2. 2 Herfstritm No. 30 7,1%
    3. 3 One. Number 31, 1950 5,7%
    4. 4 Convergentie 5,4%
    5. 5 Number 5, 1948 3,2%
    6. 6 Wit Licht, 1954 2,3%
    7. 7 Number 5, 1948 2,0%
    8. 8 Nummer 1A 1,9%
    9. 9 Number 10, 1949 1,9%
    10. 10 Number 3, 1948 1,6%
    11. 11 Number 1, 1948 1,3%
    12. 12 Number 6, 1949 1,2%
    13. 13 Number 3, 1949 1,2%
    14. 14 Number 8 1,1%
    15. 15 Number 2, 1951 0,9%
    16. 16 Saint 0,9%
    17. 17 Out of the Web. Number 7 0,8%
    18. 18 Cathedral 0,8%
    19. 19 Blue poles (Number 11), 1952 0,7%
    20. 95 Number 3, 1950 dit schilderij 0,1%

    Samen maken deze werken 75,6% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 176 werken van deze kunstenaar, waarvan 122 minstens één keer zijn bekeken. Dit schilderij staat op de 95 plaats, met 0,1% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Number 3, 1950 — Jackson Pollock

    A Universe of Color: Exploring Jackson Pollock’s Number 3, 1950

    Jackson Pollock's *Number 3, 1950* is arguably one of the most iconic and significant works of Abstract Expressionism. This monumental canvas isn’t about depicting a scene; it is the scene – an immersive field of energy, color, and gesture that redefined painting in the mid-20th century. It currently resides at the Museum of Modern Art (MoMA) in New York City, a testament to its enduring importance.

    Deconstructing the Technique: Drip Painting Revolutionized

    Pollock’s revolutionary technique is immediately apparent. He abandoned traditional easel painting, instead working on an unprimed canvas laid horizontally on the floor. Using household enamel paints – often thinned and poured directly from cans or applied with sticks, hardened brushes, and knives – he dripped, splashed, and flung paint onto the surface. This wasn’t random chaos; it was a carefully orchestrated process of movement and control. The resulting web of lines and colors creates an all-over composition, devoid of a central focal point, inviting the viewer to explore the entire surface equally. This “action painting”, as it came to be known, emphasized the process of creation as much as the final product.

    Historical Context: The Rise of Abstract Expressionism

    Emerging in post-World War II America, Abstract Expressionism was a radical departure from representational art. Artists sought to express subjective emotions and psychological states through abstract forms. Influenced by Surrealist automatism – the idea of accessing the subconscious mind – Pollock aimed to tap into universal archetypes and primal energies. He wasn’t trying to paint something; he was attempting to convey feeling directly onto the canvas. Artists like Wassily Kandinsky, a pioneer of abstract art, laid some groundwork for this movement, but Pollock took abstraction to an entirely new level of scale and physicality.

    Decoding the Symbolism: Beyond Representation

    While *Number 3, 1950* lacks traditional symbolism, its power lies in its evocative qualities. The swirling patterns can be interpreted as representing cosmic forces, psychological landscapes, or simply the raw energy of life itself. The dominant hues of orange and white, punctuated by subtle undertones of other colors, create a dynamic tension. Some art historians suggest that Pollock’s work reflects his engagement with Jungian psychology, seeing the layers of paint as representing different levels of the unconscious mind. The painting's sheer scale envelops the viewer, creating an almost meditative experience.

    Emotional Impact and Lasting Legacy

    *Number 3, 1950* is a deeply emotive work. It evokes feelings of exhilaration, anxiety, and awe. Its complexity invites prolonged contemplation, revealing new details with each viewing. Pollock’s influence on subsequent generations of artists is immeasurable. He paved the way for Minimalism, Pop Art, and countless other movements that challenged traditional artistic conventions.

    Bringing Pollock Home: High-Quality Reproductions

    This painting exemplifies the core tenets of Abstract Expressionism, making it a cornerstone piece for any art collection.

    The use of oil on canvas in the original allows for rich texture and vibrant color, qualities faithfully reproduced in our high-quality reproductions.

    Its large scale makes it a striking statement piece, ideal for modern interiors seeking an impactful focal point.

    The dynamic composition and energetic brushwork bring a sense of movement and vitality to any space.

    Owning a reproduction of *Number 3, 1950* is not merely acquiring a decorative object; it’s inviting a piece of art history – a testament to human creativity and emotional expression – into your home.

    Kunstenaar en museum

    Kunstenaar

    Jackson Pollock

    Geboren in Cody, Verenigde Staten van Amerika

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the fifth and youngest son in a struggling farming family, and his mother fostered artistic potential in each of her children.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    Pollock’s marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work. She became a crucial collaborator, not just as a wife but as an intellectual partner who understood and championed his vision.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the dreamlike quality of many of his works, while simultaneously rejecting traditional representational forms. Pollock sought to capture not just what he saw, but what he felt – the underlying currents of emotion and subconscious experience that shaped his perception of the world. His work can be seen as a visual embodiment of the anxieties and uncertainties of the post-war era.

    His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.

    Historical Significance

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was initially met with skepticism and criticism, but his influence grew steadily after his untimely death in 1956 at the age of 44. Today, he is universally recognized as one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring legacy for generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Number 3, 1950

    originaluniqueart.com/nl/art/download/paul-jackson-pollock-number-3-1950-8EWJXG-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Pollock, Jackson. Number 3, 1950. n.d., https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-1950-8EWJXG-en/
    APA
    Pollock, Jackson (n.d.). Number 3, 1950 [Painting]. https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-1950-8EWJXG-en/
    Chicago
    Jackson Pollock. Number 3, 1950. n.d. https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-1950-8EWJXG-en/
    Harvard
    Pollock, Jackson (n.d.) Number 3, 1950. Available at: https://originaluniqueart.com/nl/art/paul-jackson-pollock-number-3-1950-8EWJXG-en/

    Bekijk het van dichtbij

    Number 3, 1950 — Jackson Pollock

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract, drip painting, pollock. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Nummer 1, 1949 (1950), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Number 3, 1950 — Jackson Pollock

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. Which art movement is 'Number 3, 1950' most closely associated with?

      • A Impressionism
      • B Abstract Expressionism
      • C Cubism
    2. 2. What is a defining characteristic of Jackson Pollock’s technique in this painting?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and splashing paint onto the canvas
      • C Use of traditional oil glazing techniques
    3. 3. What colors dominate the composition of 'Number 3, 1950'?

      • A Blues and Greens
      • B Orange and White
      • C Reds and Blacks
    4. 4. Which artist is mentioned as an influence on Jackson Pollock?

      • A Leonardo da Vinci
      • B Wassily Kandinsky
      • C Vincent van Gogh
    5. 5. Where can 'Number 3, 1950' be found today?

      • A The Louvre Museum, Paris
      • B Museum of Modern Art (MoMA), New York City
      • C The Uffizi Gallery, Florence

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1B · 2B · 3B · 4B · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Vragen & Antwoorden

    Kan ik "Number 3, 1950" door Jackson Pollock onder ander licht bekijken?

    "Number 3, 1950" kan laag voor laag worden onderzocht op de Röntgenanalyse pagina van het kunstwerk, een viewer geïnspireerd op de lichttafel van een restaurator met elf optische weergaven van de afbeelding.

    Welke emotie straalt het Abstract Expressionism-werk "Number 3, 1950" uit?

    De Energetic emotie van "Number 3, 1950" gaat samen met de Abstract Expressionism stijl.

    Zijn er werken die lijken op "Number 3, 1950"?

    Kunstwerken die lijken op "Number 3, 1950" door Jackson Pollock zijn verzameld op de Vergelijkbare werken-pagina van het kunstwerk.