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Gids voor studentenkunst

Wall phone

Naam Klas Datum

lars magnus ericsson, Wall phone (1911), National Railway Museum. Publiek domein

De feiten

Kunstenaar
lars magnus ericsson originaluniqueart.com/nl/artists/lars-magnus-ericsson/
Geboortedatum en -overlijden kunstenaar
1846 – 1926
Geschilderd
1911
Gehouden in
National Railway Museum originaluniqueart.com/nl/museums/national-railway-museum-braga/

In context

Wall phone — lars magnus ericsson

Wanneer is dit geschilderd?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Shaded: het leven van lars magnus ericsson (1846–1926) ▲ dit werk, 1911

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/lars-magnus-ericsson-wall-phone-DD3HAZ-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #3b2a20

    Gecatalogiseerd palet

    • #3B2A20
    • #FEFEFE
    • #A48E78
    • #735A48
    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    lars magnus ericsson

    Geboren in Nordenmässa, Sweden

    A Pioneer of Communication: Lars Magnus Ericsson

    Lars Magnus Ericsson (1846-1926) stands as a monumental figure in the annals of technological innovation, primarily recognized for establishing Ericsson—a global telecom powerhouse that continues to shape our interconnected world today. Born in Nordenmässa, Sweden, his early life was marked by hardship following his father’s untimely death and subsequent labor as a miner, experiences which instilled within him a resilience and determination that would define his entire career trajectory. Despite limited formal education beyond the village school for five years, Ericsson demonstrated an extraordinary aptitude for mechanics and instrumentation from a remarkably young age—constructing Sweden's inaugural telephone line at just seventeen years old. This formative achievement foreshadowed his lifelong fascination with harnessing scientific principles to improve human life.

    Early Influences & Apprenticeship: Ericsson’s intellectual curiosity blossomed during his apprenticeship under Öllers & Co., where he honed his skills in instrument making and collaborated closely with Alexander Graham Bell, refining Bell's telephone design—a pivotal step toward simplifying its cumbersome construction.

    Founding Ericsson & Innovation: Recognizing the transformative potential of telephony, Ericsson partnered with Carl Johan Andersson to establish a workshop in Stockholm in 1876, analyzing existing telephone technologies and crafting his own versions inspired by Siemens telephones. This visionary undertaking cemented Ericsson’s commitment to pushing boundaries and challenging conventional wisdom.

    The Birth of a Telecom Giant

    Ericsson's entrepreneurial spirit propelled him beyond mere tinkering; he established Telefonaktiebolaget LM Ericsson, capitalizing on Bell’s advancements and Siemens’ innovations. This strategic foresight resulted in the creation of a company that would rapidly ascend to prominence—a testament to his astute understanding of market dynamics and technological trends. Notably, Ericsson spearheaded the development of Bluetooth technology, solidifying its position as one of the foremost innovators in wireless communication.

    Notable Designs: Ericsson’s legacy extends beyond corporate success; he produced iconic telephone designs—the OB 2600 Manual Switchboard and the Wall Phone—which exemplify his commitment to both functionality and aesthetic elegance. These creations represent a significant contribution to industrial design history.

    A Legacy of Persistence & Vision

    Ericsson’s personal life was marked by profound loss—the premature deaths of his son Johan and grandson Lars Magnus Jr., tragedies that underscored the fragility of human existence yet fueled his unwavering dedication to his craft. Despite facing considerable challenges, he remained steadfast in his belief in technological progress and consistently championed innovation—a perspective reflected in his skepticism regarding patents and his admiration for Siemens’ approach to technological advancement.

    Recognition & Remembrance: Though Ericsson shunned public acclaim, he commanded immense respect from his employees—a testament to his integrity and leadership qualities. His final resting place at Hågelby gård serves as a poignant reminder of his enduring influence on Swedish history and culture.

    Ericsson’s Enduring Impact

    Lars Magnus Ericsson's contribution to the advancement of communication technology is undeniable. He fundamentally altered how people interact, fostering global connectivity and shaping the landscape of modern society. His pioneering spirit continues to inspire innovation and underscores the transformative power of scientific curiosity—a legacy that secures his place as one of Sweden’s most celebrated inventors and entrepreneurs.

    Museum

    National Railway Museum

    Te zien in Braga, Portugal

    A Symphony of Steel and Steam

    Stepping into the National Railway Museum is less like entering a traditional gallery and more like stepping into the beating heart of Portugal’s industrial soul. Here, the atmosphere feels heavy with the phantom scent of coal smoke and the rhythmic echoes of iron wheels against track. This is not merely a repository for locomotives; it is a curated chronicle of motion, where each engine stands as a monumental sculpture of a bygone era. From the pioneering steam engines that first carved paths through the rugged Portuguese landscape to the sleek, powerful silhouettes of contemporary diesel and electric models, the museum presents an aesthetic journey through the evolution of engineering prowess. For the discerning observer, these artifacts are morements of mechanical artistry, their polished brass and weathered iron telling silent stories of a nation’s relentless climb toward modernization.

    Architectural Grandeur and Historical Resonance

    The museum's architecture serves as a profound stage for these metallic titans, designed with a pragmatic elegance that honors the scale of its inhabitants. The layout prioritizes sweeping vistas and optimal viewing angles, creating an environment where the sheer mass of the rolling stock can command the space, inviting a sense of awe and contemplation. As one wanders through the halls, the history of the Lisbon-Carregado line, established in 1856, begins to unfold. The museum chronicles the Herculean efforts required to overcome mountainous terrains and geographical barriers, celebrating the pivotal moments that cemented Portugal's position as a European railway innovator. It is a place where the heavy weight of iron meets the lightness of historical memory, allowing visitors to witness the transformative power of the rail and the architectural intentionality required to house such greatness.

    An Inspiration for the Modern Eye

    For the art enthusiast, the collector, or the interior designer seeking evocative textures and historical depth, the museum offers an unparalleled reservoir of inspiration. The interplay of light on curved steel, the rhythmic patterns of freight wagons, and the rich, dark palettes of aged wood and metal provide a masterclass in industrial aesthetics. Beyond the mechanical, there is a profound human narrative woven into every rivet—a tribute to the laborers and technicians whose lives were inextricably linked to the tracks. Recent exhibitions, exploring themes from railway photography to the evolution of signaling technology, further bridge the gap between technical history and visual art. To visit this museum is to find beauty in the functional, discovering how the intersection of art and technology can create a lasting legacy that continues to shape our cultural identity.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Wall phone

    originaluniqueart.com/nl/art/download/lars-magnus-ericsson-wall-phone-DD3HAZ-en/

    Bronvermelding voor dit kunstwerk

    MLA
    ericsson, lars magnus. Wall phone. 1911, National Railway Museum. https://originaluniqueart.com/nl/art/lars-magnus-ericsson-wall-phone-DD3HAZ-en/
    APA
    ericsson, lars magnus (1911). Wall phone [Painting]. National Railway Museum. https://originaluniqueart.com/nl/art/lars-magnus-ericsson-wall-phone-DD3HAZ-en/
    Chicago
    lars magnus ericsson. Wall phone. 1911. National Railway Museum. https://originaluniqueart.com/nl/art/lars-magnus-ericsson-wall-phone-DD3HAZ-en/
    Harvard
    ericsson, lars magnus (1911) Wall phone. National Railway Museum. Available at: https://originaluniqueart.com/nl/art/lars-magnus-ericsson-wall-phone-DD3HAZ-en/

    Bekijk het van dichtbij

    Wall phone — lars magnus ericsson

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar L.M. Ericsson OB 2600 Manual Switchboard (1900), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. lars magnus ericsson was ongeveer 65 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.