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A Poem That Doesn

Naam Groep Datum

Laila Muraywid, A Poem That Doesn (2018), Atassi Foundation for Art and Culture. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Laila Muraywid originaluniqueart.com/nl/artists/laila-muraywid/
Levensdata kunstenaar
1956 –
Geschilderd
2018
Gehouden in
Atassi Foundation for Art and Culture originaluniqueart.com/nl/museums/atassi-foundation-for-art-and-culture-dubai/

In context

A Poem That Doesn — Laila Muraywid

Wanneer is dit geschilderd?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode, waarbij het geboortejaar als jaar 0 wordt geteld.

Geschilderd toen de kunstenaar 62 jaar oud was. 1 van de 4 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

▲ dit werk, 2018 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/laila-muraywid-a-poem-that-doesn-DD2DSM-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #e4e5e2

    Gecatalogiseerd palet

    • #E4E5E2
    • #121212
    • #484A4B
    • #8E8F92

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Putty
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Laila Muraywid

    Geboren in Damascus, Syrian Arab Republic

    Laila Muraywid: Exploring Female Vulnerability Through Sculpture and Photography

    Laila Muraywid, born in Damascus, Syrian Arab Republic in 1956, stands as a compelling figure within contemporary Syrian art, recognized for her distinctive approach to sculptural forms and photographic explorations. Her artistic vision delves into profound themes of female marginality, desire, and societal constraints—subjects she confronts with sensitivity and intellectual rigor. Muraywid’s journey began with formal education at Damascus University's Faculty of Fine Arts, followed by advanced studies at the École Nationale Supérieure des Beaux-Arts in Paris, equipping her with a multifaceted skillset that informs her artistic practice.

    Early Influences: Muraywid’s formative years were marked by exposure to Syrian culture and intellectual discourse, fostering an appreciation for both tradition and experimentation.

    Sculptural Exploration: Muraywid's sculptural work is characterized by meticulous detail and a deliberate consideration of material—often utilizing bronze and ceramic—to convey emotional resonance. Her sculptures frequently depict figures in poses that suggest vulnerability and contemplation, mirroring the artist’s preoccupation with themes of fragility.

    Photographic Vision: Muraywid's photographic oeuvre distinguishes itself through its masterful manipulation of light and shadow, employing black and white or sepia tones to create images imbued with atmosphere. She favors a realist style, prioritizing textural detail and capturing fleeting moments that reveal hidden narratives—often portraying female subjects partially obscured, inviting viewers into an intimate dialogue.

    Muraywid’s artistic endeavors have garnered recognition internationally. Her exhibitions include notable venues such as the Kennedy Center in Washington D.C., the National Museum of Women in America, and Galerie Claude Lemand, demonstrating her commitment to sharing her vision with a global audience. These presentations underscore her ability to articulate complex ideas about gender roles and societal pressures through artistic mediums.

    Themes and Conceptual Framework

    Muraywid’s artistic explorations consistently grapple with weighty subjects—taboos, illusion versus reality, and the anxieties inherent in social conventions. She posits that “the sphere of intimacy is a starting point that allows the passage of the singular to the universal,” suggesting an ambition to transcend personal experience and communicate broader human concerns. Her work actively interrogates how cultural norms shape individual perceptions and behaviors, prompting viewers to confront uncomfortable truths about societal expectations.

    Technique and Artistic Style

    Muraywid’s sculptural technique prioritizes precision and careful consideration of material properties—particularly bronze and ceramic—to achieve expressive outcomes. Her photographic style emphasizes dramatic lighting contrasts and textural richness, utilizing black and white or sepia tones to evoke mood and enhance visual impact. Muraywid's meticulous attention to detail reflects her belief that artistic expression requires a profound understanding of both form and content.

    Historical Significance

    Muraywid’s contribution to Syrian art is notable for its willingness to engage with challenging social issues—specifically concerning the portrayal of women within religious, political, and societal contexts. Her work serves as a testament to the importance of artistic discourse in fostering critical reflection on cultural values and promoting empathy for marginalized voices. By confronting taboo subjects head-on, Muraywid elevates her art beyond mere aesthetic contemplation, inviting viewers to contemplate fundamental questions about human experience.

    Museum

    Atassi Foundation for Art and Culture

    Te zien in Dubai, United Arab Emirates

    A Beacon of Syrian Realism: Exploring the Atassi Foundation for Art and Culture in Dubai

    Nestled within the vibrant cultural landscape of Dubai, the Atassi Foundation for Art and Culture stands as a singular institution—a testament to both artistic resilience and the enduring power of realism. Established with a profound commitment to showcasing contemporary Syrian art, particularly through its roots in representational techniques, the foundation offers visitors an immersive experience that transcends mere observation, inviting contemplation on identity, history, and the human condition. More than just a museum, it’s a bridge connecting the echoes of Syria's artistic past with the dynamic present of the United Arab Emirates.

    The Foundation’s core mission is deeply rooted in preserving and promoting modern and contemporary art and archives from Syria. This focus isn’t simply aesthetic; it’s driven by a vital need to safeguard cultural heritage against displacement and conflict. Founded in 2016, the institution carries forward the legacy of the Atassi Gallery, which began as a private art space in Homs in 1986, serving as a crucial hub for Syrian artists and intellectuals before the tumultuous events of recent years. This lineage imbues the Foundation with a powerful sense of continuity and purpose – a dedication to nurturing artistic talent and fostering critical dialogue within the region.

    A Collection Defined by Depth and Perspective

    The collection at the Atassi Foundation is remarkably focused, prioritizing works that exemplify Syrian contemporary art and, crucially, demonstrate mastery in realism. Visitors will encounter a diverse range of paintings, sculptures, and installations, each offering a unique window into the perspectives and experiences of Syrian artists. Monif Ajaj’s evocative landscapes, Mohamad Khayata's poignant portraits, Elias Ayoub’s explorations of memory, and Edward Shahda’s intricate still lifes are just a few examples of the caliber of work on display. These artists aren’t merely replicating reality; they’re distilling it – capturing not just what is seen but also the emotional weight, cultural significance, and inherent complexities of their subjects.

    The emphasis on realism isn't about technical perfection alone, though skill undoubtedly plays a role. It speaks to a deliberate choice—a conscious return to a tradition that provides a grounding force amidst uncertainty. These artists utilize meticulous detail, masterful use of light and shadow, and an acute awareness of texture to create works that resonate deeply with the viewer, prompting reflection on themes of displacement, memory, identity, and resilience. Current exhibitions like “New Perspectives,” featuring these four prominent Syrian voices, further demonstrate this commitment.

    Architecture and Atmosphere: A Space for Engagement

    While specific architectural details remain somewhat understated in publicly available information, the design of the Atassi Foundation is clearly conceived to be both modern and inviting—a space that facilitates genuine engagement with art. The intention seems to be creating an immersive environment that complements the collection’s contemplative nature. The layout likely prioritizes open spaces, natural light, and a sense of quiet reverence, allowing visitors to fully absorb the emotional impact of each artwork.

    A Foundation Built on Collaboration and Legacy

    Beyond its artistic focus, the Atassi Foundation operates as a vital cultural exchange point. It actively collaborates with organizations like Al Jumhuriya.net, producing a series of articles that delve deeper into the stories behind the art and artists featured within its collection. This commitment to outreach extends beyond exhibitions, encompassing online archives, talks, panels, and publications—all designed to broaden international awareness and support the Syrian artistic community. The Foundation’s dedication to fostering capacity building through these initiatives underscores its long-term vision for nurturing talent and preserving cultural heritage.

    What Sets the Atassi Foundation Apart?

    The Atassi Foundation's unique position within the art world lies in its singular combination of a focused collection centered on contemporary Syrian artists and an unwavering commitment to realism as an artistic style. This deliberate pairing creates a distinct curatorial vision—one that honors tradition while embracing innovation, offering a powerful counterpoint to prevailing trends. It’s a space where viewers can not only appreciate the beauty of representational art but also engage with profound narratives rooted in Syrian history and experience. For those seeking an enriching and thought-provoking cultural encounter, the Atassi Foundation offers a truly exceptional destination.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van A Poem That Doesn

    originaluniqueart.com/nl/art/download/laila-muraywid-a-poem-that-doesn-DD2DSM-en/

    Citeer dit kunstwerk

    MLA
    Muraywid, Laila. A Poem That Doesn. 2018, Atassi Foundation for Art and Culture. https://originaluniqueart.com/nl/art/laila-muraywid-a-poem-that-doesn-DD2DSM-en/
    APA
    Muraywid, Laila (2018). A Poem That Doesn [Painting]. Atassi Foundation for Art and Culture. https://originaluniqueart.com/nl/art/laila-muraywid-a-poem-that-doesn-DD2DSM-en/
    Chicago
    Laila Muraywid. A Poem That Doesn. 2018. Atassi Foundation for Art and Culture. https://originaluniqueart.com/nl/art/laila-muraywid-a-poem-that-doesn-DD2DSM-en/
    Harvard
    Muraywid, Laila (2018) A Poem That Doesn. Atassi Foundation for Art and Culture. Available at: https://originaluniqueart.com/nl/art/laila-muraywid-a-poem-that-doesn-DD2DSM-en/

    Bekijk het van dichtbij

    A Poem That Doesn — Laila Muraywid

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 2 — ben je het ermee eens?)
    4. Kijk nog eens naar A Poem That Doesn (2018), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Laila Muraywid was ongeveer 62 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    In welk jaar werd "A Poem That Doesn" door Laila Muraywid gemaakt?

    "A Poem That Doesn" dateert uit 2018. Deze datum plaatst het werk binnen de carrière van Laila Muraywid en het betreffende tijdperk.

    Zijn de kleuren van "A Poem That Doesn" levendig of gedempt?

    De kleur van "A Poem That Doesn" heeft een verzadiging van Muted en een intensiteit van Monochromatic.

    Is er een diavoorstelling beschikbaar voor "A Poem That Doesn" door Laila Muraywid?

    Er is een diavoorstelling beschikbaar op de Diavoorstelling-pagina van "A Poem That Doesn" door Laila Muraywid.