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A Space Between 4

Naam Klas Datum

Keith Wilson, A Space Between 4 (2004), Arts Council of Northern Ireland. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Keith Wilson originaluniqueart.com/nl/artists/keith-wilson/
Geschilderd
2004
Afmetingen origineel werk
37 x 40 cm
Beweging
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.
Gehouden in
Arts Council of Northern Ireland originaluniqueart.com/nl/museums/arts-council-of-northern-ireland-belfast/

In context

A Space Between 4 — Keith Wilson

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 37 × 40 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 2000

▲ dit werk, 2004 elk gedateerd schilderij, decennium voor decennium

Vergelijkbare werken

  • From the Garden 3 originaluniqueart.com/nl/art/keith-wilson-from-the-garden-3-AR2EF2-en/
  • On the Way Home originaluniqueart.com/nl/art/keith-wilson-on-the-way-home-AR2EF4-en/
  • Time to Think, 2007 originaluniqueart.com/nl/art/keith-wilson-time-to-think-AR2EEW-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/keith-wilson-a-space-between-4-AR2EEU-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Khaki #eac393

    Gecatalogiseerd palet

    • #EAC393
    • #56291F
    • #884A2E
    • #B58D7C

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Khaki
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Keith Wilson over de afgelopen twaalf maanden — in totaal 1 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van Keith Wilson

    1. 1 Time to Think, 2007 50,0%
    2. 2 On the Way Home 50,0%
    3. — A Space Between 4, 2004 dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 7 werken van deze kunstenaar, waarvan 2 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Keith Wilson

    Keith Wilson: A Landscape Painter Rooted in Observation and Texture

    Keith Wilson (born 1971) is an Irish landscape painter whose distinctive style blends meticulous observation with expressive textural techniques, establishing him as a significant figure within the Arts & Crafts movement and contemporary British art. His artistic journey began at Methodist College, Belfast and continued at the University of Ulster, culminating in Honours Degrees in Visual Illustration and Postgraduate Diplomas in Illustration. These formative experiences instilled a deep appreciation for detail and informed his approach to capturing the essence of natural environments.

    Wilson’s breakthrough came with an award-winning solo exhibition at Oliver Sears Gallery in 2012, marking the beginning of a celebrated career characterized by consistent artistic excellence and recognition within prestigious collections. He was elected Academician of the Royal Ulster Academy in 2010, cementing his position as a respected voice in Irish art history. Throughout his prolific output, Wilson consistently prioritizes capturing subtle nuances of light and atmosphere—a hallmark of Impressionism—while simultaneously incorporating elements reminiscent of Northern European landscape painting traditions.

    His artistic influences extend beyond Impressionism; Wilson draws inspiration from the pioneering works of artists like Albert Bierstadt and Frederic Church, whose monumental canvases aimed to convey grandeur and sublime beauty. These masters championed panoramic vistas and dramatic lighting effects, mirroring Wilson’s own ambition to elevate landscape paintings into immersive experiences for viewers. Furthermore, Wilson's dedication to craftmanship—particularly his masterful use of impasto—reflects the ethos of the Arts & Crafts movement, which championed handmade artistry and a return to traditional techniques. This commitment is evident in his textured surfaces, where pigment is applied thickly onto canvas, creating palpable depth and conveying an immediacy that distinguishes his work from more polished styles.

    Notable achievements include securing prestigious scholarships at the Royal Hibernian Academy (RHA), Dublin—the Hennessy Craig Scholarship award in 2006—and receiving acclaim for his contributions to diverse collections across Ireland, Britain, Europe, America and Australia. His paintings reside in institutions such as the Office of Public Works, AIB, Wexford County Council, The Arts Council Northern Ireland, ESB Collection Carlow Town Council, Royal Ulster Academy Diploma Collection, University of Wisconsin, EPA Collection, Ireland, Bank of Montreal and private collections worldwide.

    Wilson’s artistic legacy resides not only in his captivating landscapes but also in his unwavering dedication to preserving and reimagining traditional painting methods—a testament to the enduring power of observation and textural expression within contemporary art.

    Museum

    Arts Council of Northern Ireland

    Te zien in Belfast, United Kingdom

    A Beacon of Creativity: Exploring the Arts Council of Northern Ireland

    Nestled in the heart of Belfast, the Arts Council of Northern Ireland stands as a vibrant testament to the region’s flourishing artistic spirit. More than just a funding body, it is a dynamic hub where creativity takes root, blossoms, and reaches outward, enriching both the local community and the broader cultural landscape. Established in 1964, evolving from the Committee for the Encouragement of Music and the Arts (CEMA), the Council has consistently championed artists and artistic endeavors throughout Northern Ireland’s complex history. Its very existence speaks to a commitment to fostering dialogue, understanding, and expression through the power of art.

    Contemporary Voices: A Collection Reflecting Identity

    The Arts Council's collection is a compelling narrative of contemporary Irish art, boasting over 700 works that capture the essence of Northern Ireland’s evolving identity. It isn’t a static display of historical masterpieces, but rather a living, breathing reflection of the present moment—a space where artists grapple with social, cultural, and political realities. Visitors will encounter powerful pieces by renowned figures like Dermot Seymour, whose evocative landscapes often hint at the region's troubled past, Kenny McKendry, known for his bold explorations of form and color, and David Crone, a master of capturing the nuances of everyday life. The collection isn’t limited to painting; sculpture, photography, and mixed media works all contribute to a diverse and thought-provoking experience.

    Architecture & Accessibility: A Space for Engagement

    The Arts Council’s headquarters, Linen Hill House in Lisburn, isn’t merely a functional building; it’s designed to be an immersive experience. The architecture complements the innovative spirit of the art it houses, creating spaces that encourage contemplation and engagement. Light floods into airy galleries, illuminating canvases and sculptures alike—a deliberate choice reflecting the Council's dedication to fostering artistic inspiration. Beyond its physical location, the Council actively breaks down barriers to access through initiatives like the Art Lending Scheme. This remarkable program allows schools and community organizations to borrow artworks, bringing the transformative power of art directly into classrooms and public spaces. It’s a testament to the belief that art shouldn’t be confined within museum walls but should be an integral part of everyday life.

    A Catalyst for Cultural Growth

    The Arts Council of Northern Ireland isn’t simply a preserver of art; it's an active catalyst for cultural growth. Through strategic funding and development programs, it empowers artists at all stages of their careers—from emerging talents to established masters. Its influence extends beyond Northern Ireland’s borders, fostering collaborations with organizations across the UK and Ireland. The Council actively supports major festivals like the Belfast International Arts Festival, Féile an Phobail, and the Cathedral Quarter Arts Festival, events that draw international attention and showcase the region's creative vibrancy. It also works closely with its counterpart in the Republic of Ireland, the Arts Council, strengthening artistic ties across the island.

    Unique Initiatives & Lasting Impact

    What truly distinguishes the Arts Council of Northern Ireland is its innovative approach to arts development. The Art Lending Scheme stands out as a particularly impactful initiative, democratizing access to art and fostering appreciation among younger generations. Furthermore, the Council’s commitment to supporting diverse artistic disciplines—from traditional music to cutting-edge digital media—ensures a vibrant and inclusive cultural ecosystem. Whether you are an avid collector seeking fresh perspectives, an interior designer searching for statement pieces that tell a story, or simply someone curious about the creative heartbeat of Belfast, the Arts Council of Northern Ireland offers a compelling journey into the heart of Irish contemporary art. It’s a place where artistic expression thrives, and where the power of creativity shapes a brighter future.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van A Space Between 4

    originaluniqueart.com/nl/art/download/keith-wilson-a-space-between-4-AR2EEU-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Wilson, Keith. A Space Between 4. 2004, Arts Council of Northern Ireland. https://originaluniqueart.com/nl/art/keith-wilson-a-space-between-4-AR2EEU-en/
    APA
    Wilson, Keith (2004). A Space Between 4 [Painting]. Arts Council of Northern Ireland. https://originaluniqueart.com/nl/art/keith-wilson-a-space-between-4-AR2EEU-en/
    Chicago
    Keith Wilson. A Space Between 4. 2004. Arts Council of Northern Ireland. https://originaluniqueart.com/nl/art/keith-wilson-a-space-between-4-AR2EEU-en/
    Harvard
    Wilson, Keith (2004) A Space Between 4. Arts Council of Northern Ireland. Available at: https://originaluniqueart.com/nl/art/keith-wilson-a-space-between-4-AR2EEU-en/

    Bekijk het van dichtbij

    A Space Between 4 — Keith Wilson

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: landscape painting, nature scene, earthy tones. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar From the Garden 3, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Is "A Space Between 4" in zijn geheel eerder licht of donker?

    De helderheid van "A Space Between 4" door Keith Wilson is vastgelegd op shadow, met een luminantie van Soft Shadow.

    Wat zijn de datum en de stijl van "A Space Between 4" door Keith Wilson?

    "A Space Between 4" werd gemaakt in 2004, binnen de Post-Impressionism-stroming.

    Welke kleur valt het meest op in "A Space Between 4"?

    Khaki (#eac393) is de dominante kleur van "A Space Between 4" door Keith Wilson.