Papier

Gids voor studentenkunst

Figures in a Landscape

Naam Groep Datum

June Redfern, Figures in a Landscape, Lewisham College. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
June Redfern originaluniqueart.com/nl/artists/june-redfern/
Levensdata kunstenaar
1951 –
Afmetingen origineel werk
47 x 62 cm
Gehouden in
Lewisham College originaluniqueart.com/nl/museums/lewisham-college-london/

In context

Figures in a Landscape — June Redfern

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 47 × 62 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode, waarbij het geboortejaar als jaar 0 wordt geteld.

elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/june-redfern-figures-in-a-landscape-AR2CYQ-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Bronze #c86f26

    Gecatalogiseerd palet

    • #C86F26
    • #E1AA5D
    • #88A390
    • #4A2C39

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Bronze
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van June Redfern over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 2 meest bekeken werken van June Redfern

    1. 1 From Two Paths, 1994 100,0%
    2. — Figures in a Landscape dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 11 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    June Redfern

    June Redfern: A Landscape of Emotion

    Born in Fife, Scotland, in 1951, June Redfern’s artistic journey is one deeply rooted in both traditional academic training and a fiercely expressive, almost visceral approach to landscape painting. Her early years at Edinburgh College of Art provided her with a solid foundation – an understanding of perspective, anatomy, and the technical mastery required for oil and watercolour. However, it was a deliberate rejection of rigid formalism that truly defined her artistic voice, leading her to explore the emotional resonance of place and subject matter rather than simply replicating visual reality.

    Redfern’s work is immediately recognizable by its scale – often monumental canvases that invite viewers into the heart of the scene. This ambition isn't merely about size; it’s a reflection of her desire to capture atmosphere, mood, and the intangible qualities of a landscape. Her early paintings frequently featured female figures, rendered with a striking intensity and vulnerability, suggesting a personal connection to themes of identity, memory, and the human condition. These figures weren’t simply portraits but embodiments of emotional states – longing, contemplation, and perhaps even a touch of melancholy.

    The Influence of Expressionism

    While her academic training provided a crucial starting point, Redfern's artistic development was profoundly shaped by the burgeoning movement of expressionism. Artists like Van Gogh, Gauguin, and particularly the German Expressionists – Kirchner, Heckel, Nolde – offered a model for conveying subjective experience through colour and form. Redfern embraced this approach wholeheartedly, utilizing bold, often clashing colours to evoke specific emotions and sensations. Her palette isn’t descriptive; it's deliberately charged with symbolic meaning, reflecting the inner landscape of her subjects.

    The influence is particularly evident in her later work, where she abandons more representational forms for a looser, more gestural style. She employs thick impasto – building up layers of paint to create texture and depth – and allows colour to bleed and mingle, creating a sense of movement and dynamism. This technique isn’t simply decorative; it's integral to her exploration of atmosphere and the fleeting nature of perception.

    A Shift Towards Landscape

    As Redfern’s career progressed, her focus gradually shifted towards landscape painting. However, this wasn’t a departure from her previous concerns but rather an evolution – a way of translating her emotional vocabulary onto a broader canvas. She began to explore the wilder, more remote corners of Scotland, capturing the rugged beauty of its coastline, moorlands, and forests. These landscapes aren't idyllic vistas; they are imbued with a sense of solitude, mystery, and even foreboding.

    Her approach is deeply observational, yet profoundly subjective. She’s not simply recording what she sees but interpreting it through the lens of her own emotional experience. The light in her paintings isn't neutral; it’s often dramatic and theatrical, casting long shadows and highlighting textures with a palpable intensity. Her use of colour becomes even more expressive, conveying mood and atmosphere with remarkable subtlety.

    Recognition and Legacy

    June Redfern’s work has been exhibited extensively throughout the UK and Europe, garnering critical acclaim for its emotional power and technical skill. She has held solo exhibitions at prestigious galleries such as The Royal Academy, Deson Herstein Fine Art in Chicago, and The Bohun Gallery in Henley-On-Thames. Her paintings are also included in several important public collections, including the National Galleries of Scotland.

    Beyond her artistic achievements, Redfern’s career represents a significant contribution to contemporary landscape painting. She demonstrated that landscape could be more than just a pretty picture; it could be a vehicle for exploring complex emotions and ideas. Her bold use of colour, expressive brushwork, and willingness to embrace subjective experience have inspired generations of artists. Her legacy lies not only in the beauty of her paintings but also in their profound emotional resonance – a testament to the power of art to connect us to ourselves and to the world around us.

    Museum

    Lewisham College

    Te zien in London, United Kingdom

    A Secret Sanctuary in South East London

    Tucked away within the vibrant, bustling landscape of London’s SE4 and SE8 districts, Lewisham College holds a secret that defies the conventional expectations of an educational institution. While many view a college campus merely as a site of academic rigor and technical training, this corner of the city offers something far more profound: a curated sanctuary of visual beauty. The collection is not merely a series of decorative adornments but a deliberate, soulful effort to weave the threads of creativity into the very fabric of student life. It is an unexpected legacy, where the pursuit of knowledge is inextricably linked to the appreciation of the aesthetic, creating an environment where intellectual curiosity is constantly fed by the silent, evocative power of the painted image.

    A Chronological Odyssey of Light and Form

    To wander through the halls of Lewisham College is to embark on a breathtaking journey through the evolution of human perception. The collection serves as a bridge between eras, guiding the observer from the soft, dappled light of

    Impressionism

    into the bold, transformative energy of

    Modern Art

    . One cannot help but feel a sense of profound serenity when encountering pieces such as Camille Pissarro’s

    ‘Dulwich College, London,’

    which captures a moment of quietude and architectural grace with masterful precision. This chronological progression allows for a deep meditation on how artists have historically interpreted the world, offering collectors and enthusiasts alike a rare glimpse into the shifting tides of style and technique. Each canvas acts as a window, inviting the viewer to witness the transition from the delicate textures of the past to the striking, emotive abstractions of the contemporary age.

    Where Architecture Meets Artistic Contemplation

    The setting for this collection is as much a part of the experience as the art itself. The college’s campuses are masterfully designed, blending contemporary architectural facilities with spaces specifically curated for quiet contemplation and artistic exploration. These buildings do not merely house the art; they serve as a living backdrop that encourages a dialogue between the modern world and historical mastery. For the interior designer or the lover of fine spaces, the way these artworks interact with the thoughtfully designed learning environments provides endless inspiration. It is a place where the structural lines of modern education meet the fluid, emotive strokes of the masters, creating an atmosphere conducive to both scholarly engagement and deep, personal reflection.

    The Living Dialogue of Creativity

    What truly distinguishes Lewisham College from the grand, often imposing museums of London is its intimate scale and its profound connection to the future of art. Here, the distinction between the established master and the emerging talent is beautifully blurred through periodic exhibitions that feature student works alongside the permanent collection. This creates a vibrant, living dialogue—a way for the next generation of creators to stand in the shadow of greatness while contributing their own unique voices to the ongoing narrative of art history. It is this commitment to fostering a lifelong appreciation for visual culture, rather than simply preserving historical monuments, that makes the collection a singular treasure. To visit by appointment is to step into a private world where art is not just observed, but lived and breathed as an essential component of the human experience.

    Waar u meer kunt lezen

    • De kunstenaar June Redfern originaluniqueart.com/nl/artists/june-redfern/
    • Het museum Lewisham College originaluniqueart.com/nl/museums/lewisham-college-london/
    • Vergelijkbare werken Meer werken om te vergelijken originaluniqueart.com/nl/art/similar/june-redfern-figures-in-a-landscape-AR2CYQ-en/

    Online te vinden

    QR-code die linkt naar de downloadpagina van Figures in a Landscape

    originaluniqueart.com/nl/art/download/june-redfern-figures-in-a-landscape-AR2CYQ-en/

    Citeer dit kunstwerk

    MLA
    Redfern, June. Figures in a Landscape. n.d., Lewisham College. https://originaluniqueart.com/nl/art/june-redfern-figures-in-a-landscape-AR2CYQ-en/
    APA
    Redfern, June (n.d.). Figures in a Landscape [Painting]. Lewisham College. https://originaluniqueart.com/nl/art/june-redfern-figures-in-a-landscape-AR2CYQ-en/
    Chicago
    June Redfern. Figures in a Landscape. n.d. Lewisham College. https://originaluniqueart.com/nl/art/june-redfern-figures-in-a-landscape-AR2CYQ-en/
    Harvard
    Redfern, June (n.d.) Figures in a Landscape. Lewisham College. Available at: https://originaluniqueart.com/nl/art/june-redfern-figures-in-a-landscape-AR2CYQ-en/

    Bekijk het van dichtbij

    Figures in a Landscape — June Redfern

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar Composition of People, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Hoe harmonieus zijn de kleuren van "Figures in a Landscape" door June Redfern?

    De kleuren van "Figures in a Landscape" door June Redfern vertonen een Balanced Harmony harmonie. Harmonie beschrijft de onderlinge relatie tussen de kleuren.

    Is "Figures in a Landscape" in zijn geheel eerder licht of donker?

    "Figures in a Landscape" heeft een algehele helderheid van bright en een luminantie van Gentle Luminance.

    Hoe groot is het contrast in "Figures in a Landscape" door June Redfern?

    Het contrastniveau van "Figures in a Landscape" door June Redfern is Statement.