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The Snow 'Rosetta' off Spurn Head

Naam Groep Datum

John Ward, The Snow 'Rosetta' off Spurn Head, Ferens Art Gallery. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
John Ward originaluniqueart.com/nl/artists/john-ward/
Levensdata kunstenaar
1912 – 1981
Afmetingen origineel werk
52 x 69 cm
Beweging
Academic Realism Highly polished, carefully finished realism taught by the official art schools of the 1800s.
Gehouden in
Ferens Art Gallery originaluniqueart.com/nl/museums/ferens-art-gallery-hull_nl/

In context

The Snow 'Rosetta' off Spurn Head — John Ward

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 52 × 69 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 69 bij het overlijden.

Shaded: het leven van John Ward (1912–1981) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/john-ward-the-snow-rosetta-off-spurn-head-AQS4QL-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #d5d9be

    Gecatalogiseerd palet

    • #D5D9BE
    • #7D7E51
    • #393D21
    • #ACAD89

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van John Ward over de afgelopen twaalf maanden — in totaal 2 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 87,5%700 visits
    2. 2 Verenigde Staten van Amerika 12,5%100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 9 meest bekeken werken van John Ward

    1. 1 The Wreck of the Ship 'Thomas' off the Stony Binks, 8 June 1821, 1821 12,5%100 visits
    2. 2 Hull from the Humber (The Buoy Yacht 'Zephyr'), 1837 12,5%100 visits
    3. 3 Shipping on a River Estuary, 1830 12,5%100 visits
    4. 4 The Brig 'Helen' off Hull 12,5%100 visits
    5. 5 A Keel on the Humber 12,5%100 visits
    6. 6 The Humber Bank, Hull 12,5%100 visits
    7. 7 Hull Docks with the Barque 'Edward' and the Snow 'William' 12,5%100 visits
    8. 8 HMS 'Britannia' and Units of the Fleet off Spithead, Hampshire, 1847 12,5%100 visits
    9. — The Snow 'Rosetta' off Spurn Head dit schilderij 0,0%0 visits

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 27 werken van deze kunstenaar, waarvan 8 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    John Ward

    John Ward (1798–1849): The Mariner's Painter of Hull

    John Ward was born on December 28, 1798, in Hereford, England—the youngest son of Abraham Ward, a master mariner and antiquarian, and Sarah Clark. His upbringing amidst the scent of linseed oil and his father’s fascination with ancient artifacts profoundly shaped his artistic sensibilities. From an early age, he demonstrated exceptional talent for drawing, nurtured by his parents' encouragement and formal instruction at Hereford School. This formative experience instilled in him a lifelong passion for capturing the beauty and drama of the sea—a theme that would dominate his oeuvre throughout his career.

    Early Life & Education: Ward’s childhood was marked by exposure to maritime lore and scholarly pursuits, fostering an inquisitive spirit and grounding him in historical context.

    Apprenticeship & Artistic Training: He apprenticed as a house painter under Thomas Meggitt, honing practical skills alongside developing his artistic vision.

    Influence of William Anderson: Ward’s artistic style was significantly impacted by the celebrated Scottish marine artist William Anderson, whose meticulous observation and expressive brushwork served as an exemplar for Ward himself.

    Career Highlights & Artistic Style

    Ward embarked on a prolific artistic journey, establishing himself as Hull's foremost maritime painter during the first half of the 19th century. He gained renown for his ability to convey both the grandeur and vulnerability of seafaring life—a skill that resonated deeply with audiences captivated by tales of exploration and adventure. His distinctive style was characterized by a blend of realism and Romantic idealism, employing bold colors and dynamic compositions to evoke emotion and capture the essence of his subjects. Ward’s meticulous attention to detail—particularly in depicting ships' rigging and textures—demonstrated an unwavering commitment to accuracy alongside artistic creativity.

    Early Exhibitions: Ward debuted his paintings at the Hull and East Riding Institute for the Promotion of the Fine Arts in 1827, showcasing his burgeoning talent and garnering critical acclaim.

    Royal Academy & British Institution: He achieved considerable recognition by exhibiting at both prestigious institutions between 1840 and 1847, cementing his reputation as a leading artist of his time.

    Engraving Commissions: Ward secured lucrative commissions for engraving reproductions of his own works, ensuring the preservation and dissemination of his artistic legacy.

    Notable Paintings & Legacy

    Ward produced an impressive body of work encompassing watercolors and oil paintings—many of which now reside in prominent collections across England and beyond. Among his most celebrated canvases are “Schooners Ellen Crawford and Dwina” (c. 1843), a masterful depiction of Hull’s maritime trade, and “H.M.S Britannia at Anchor with the Fleet,” capturing the majesty of naval power during a pivotal moment in British history. His paintings exemplify the Romantic spirit—infused with emotion and grandeur—and stand as enduring symbols of Hull's seafaring heritage. Furthermore, Ward’s influence extended beyond his own artistic output; he mentored aspiring artists and championed the importance of meticulous observation and expressive technique.

    “Schooners Ellen Crawford and Dwina” – Oil on Panel: Demonstrates Ward’s ability to capture the dynamism of maritime life with vibrant colors and precise detail.

    “H.M.S Britannia at Anchor with the Fleet” – Oil on Canvas: Represents a monumental achievement in Romantic landscape painting, conveying both grandeur and solemnity.

    “A Trading Cutter Shortening Sail as Members of Her Crew Carry a Mooring Rope to a Wooden Dolphin Nearby” – Pen, Ink & Watercolor: Exemplifies Ward’s mastery of watercolor technique—characterized by delicate washes and subtle tonal variations.

    Recognition & Preservation

    John Ward's contribution to British art was acknowledged posthumously in 1883 when local newspapers celebrated his life and artistic accomplishments. Today, his paintings are housed in esteemed museums—including the Ferens Art Gallery and Hull Maritime Museum—where they continue to inspire admiration for their beauty and historical significance. The Ferens Art Gallery hosts a dedicated exhibition showcasing Ward’s oeuvre, coinciding with the opening of the Humber Bridge—a testament to his enduring legacy as Hull's premier marine artist. His works are also held in the National Gallery of Art, Washington, D.C., ensuring that his artistic vision remains accessible to audiences worldwide.

    Museum

    Ferens Art Gallery

    Te zien in Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van The Snow 'Rosetta' off Spurn Head

    originaluniqueart.com/nl/art/download/john-ward-the-snow-rosetta-off-spurn-head-AQS4QL-en/

    Citeer dit kunstwerk

    MLA
    Ward, John. The Snow 'Rosetta' off Spurn Head. n.d., Ferens Art Gallery. https://originaluniqueart.com/nl/art/john-ward-the-snow-rosetta-off-spurn-head-AQS4QL-en/
    APA
    Ward, John (n.d.). The Snow 'Rosetta' off Spurn Head [Painting]. Ferens Art Gallery. https://originaluniqueart.com/nl/art/john-ward-the-snow-rosetta-off-spurn-head-AQS4QL-en/
    Chicago
    John Ward. The Snow 'Rosetta' off Spurn Head. n.d. Ferens Art Gallery. https://originaluniqueart.com/nl/art/john-ward-the-snow-rosetta-off-spurn-head-AQS4QL-en/
    Harvard
    Ward, John (n.d.) The Snow 'Rosetta' off Spurn Head. Ferens Art Gallery. Available at: https://originaluniqueart.com/nl/art/john-ward-the-snow-rosetta-off-spurn-head-AQS4QL-en/

    Bekijk het van dichtbij

    The Snow 'Rosetta' off Spurn Head — John Ward

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 3 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: maritime scene, stormy seas, coastal landscape. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar The Reverend Dr Lushington, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

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    Bij welke kunststroming behoort "The Snow 'Rosetta' off Spurn Head" door John Ward?

    "The Snow 'Rosetta' off Spurn Head" is een werk uit de Academic Realism. De stroming geeft de artistieke traditie aan waartoe het werk behoort.