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Sugar Ray Robinson

Naam Groep Datum

Jean Michel Basquiat, Sugar Ray Robinson (1982). Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Jean Michel Basquiat originaluniqueart.com/nl/artists/jean-michel-basquiat_nl/
Levensdata kunstenaar
1960 – 1988
Geschilderd
1982
Afmetingen origineel werk
106 x 106 cm
Beweging
Neo Expressionism A rough, urgent return to figure painting in the 1980s, after years of cool abstraction.
Periode
Contemporary

In context

Sugar Ray Robinson — Jean Michel Basquiat

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 106 × 106 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1960
  2. 1970
  3. 1980

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 22 jaar oud was. De kunstenaar werd 28 jaar oud. 16 van de 128 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Jean Michel Basquiat (1960–1988) ▲ dit werk, 1982 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/jean-michel-basquiat-sugar-ray-robinson-D2DSPR-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Black #050302

    Gecatalogiseerd palet

    • #050302
    • #B5A79E
    • #5D514B
    • #E1D8D2

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Black
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Jean Michel Basquiat over de afgelopen twaalf maanden — in totaal 53 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 Verenigd Koninkrijk 9,9%3.500 visits
    2. 2 Verenigde Staten van Amerika 9,9%3.500 visits
    3. 3 China 7,4%2.600 visits
    4. 4 Spanje 7,1%2.500 visits
    5. 5 Brazilië 5,4%1.900 visits
    6. 6 Frankrijk 5,1%1.800 visits
    7. 7 Chili 4,3%1.500 visits
    8. 8 Mexico 4,3%1.500 visits
    9. 9 Italië 4,0%1.400 visits
    10. 10 Zuid-Korea 3,7%1.300 visits
    11. · 43 overige landen 38,9%13.700 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Jean Michel Basquiat

    1. 1 Untitled - Schedel, (Broad Collection, LA), 1981 52,0%31.300 visits
    2. 2 Bird on Money, 1981 6,3%3.800 visits
    3. 3 Fishing Fish, 1981 4,2%2.500 visits
    4. 4 Philistines, 1982 3,3%2.000 visits
    5. 5 Riding with Death, 1988 2,8%1.700 visits
    6. 6 Now's The Time, 1985 1,8%1.100 visits
    7. 7 Man from Naples, 1982 1,7%1.000 visits
    8. 8 Untitled (ernok) 1,5%900 visits
    9. 9 Pegasus, 1987 1,5%900 visits
    10. 10 Notary, 1983 1,3%800 visits
    11. 11 Melting Point of Ice, 1984 1,0%600 visits
    12. 12 Eroica I, 1988 1,0%600 visits
    13. 13 Red man, Annina Nosei Galle, 1981 0,8%500 visits
    14. 14 Earth, galerie bruno bischo, 1984 0,8%500 visits
    15. 15 Crown, 1983 0,8%500 visits
    16. 16 Obnoxious Liberals, 1982 0,8%500 visits
    17. 17 Hollywood africans, Whitney, 1983 0,7%400 visits
    18. 18 Pelptic Ulcer, 1983 0,7%400 visits
    19. 19 La Colomba, 1983 0,7%400 visits
    20. 40 Sugar Ray Robinson, 1982 dit schilderij 0,3%200 visits

    Samen maken deze werken 84,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 134 werken van deze kunstenaar, waarvan 76 minstens één keer zijn bekeken. This painting ranks 40 of them, with 0,3% of that attention (200 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Sugar Ray Robinson — Jean Michel Basquiat

    The Raw Majesty of a Legend

    In the electric, grit-strewn atmosphere of 1980s New York, few images capture the collision of street culture and high art as viscerally as Jean-Michel Basquiat’s Sugar Ray Robinson. This striking black and white composition serves as more than a mere portrait; it is a profound meditation on greatness, rendered with the raw, unbridled energy of Neo-Expressionism. At first glance, the viewer is confronted by a stark, monochromatic landscape where a large, roughly sketched face emerges from an abyssal black background. The figure, crowned and imposing, commands the space with an immediacy that feels both spontaneous and deeply intentional, pulling the observer into a world where the boundaries between graffiti and fine art dissolve entirely.

    The subject of this work—the legendary boxer Sugar Ray Robinson—is elevated through Basquiat’s signature use of symbolic iconography. By adorning the figure with a stylized crown, Basquiat performs an act of artistic canonization, transforming a sporting icon into a symbol of royalty and enduring achievement. This use of the crown was a recurring motif in the artist's lexicon, often employed to honor Black heroes and figures of immense cultural significance. The interplay between the text "SUGAR RAY ROBINSON" stacked vertically and the central, crowned visage creates a rhythmic tension, suggesting a monument built from layers of memory, myth, and street-level truth.

    Technique and the Language of Gesture

    To behold this piece is to witness the physical trace of the artist’s hand. Executed in acrylic on canvas, the work thrives on a tactile, almost sculptural quality. Basquiat’s technique is characterized by loose, gestural lines that appear broken and urgent, as if the image were being captured in real-time before it could vanish. There is a beautiful imperfection in the way the eyes are rendered as simple circles and the body as abstract rectangles; these simplified, almost childlike shapes possess a sophisticated emotional weight that belies their simplicity. The surface of the painting reveals a complex history of layering and scraping, where the interplay of light and shadow within the black pigments suggests a depth that transcends the two-dimensional plane.

    For the discerning collector or interior designer, this artwork offers a powerful focal point that brings an edge of intellectual depth and historical gravity to any space. The limited color palette of black and white ensures a timeless elegance, allowing it to integrate seamlessly into modern, minimalist, or industrial aesthetics while providing a bold, dramatic contrast. It is a piece that does not merely decorate a wall; it anchors a room with its intense emotional frequency and its haunting, beautiful connection to the legacy of one of the most influential artists of the twentieth century.

    Kunstenaar en museum

    Kunstenaar

    Jean Michel Basquiat

    Geboren in Brooklyn, Verenigde Staten van Amerika

    A Brooklyn Beginning and the Rise of SAMO

    Jean-Michel Basquiat erupted onto the 1980s art scene as a force of raw energy and intellectual depth, an impact that continues to resonate profoundly today. Born on December 22, 1960, in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his upbringing was a vibrant tapestry woven with diverse cultures and languages—Spanish, English, and French filled his childhood home. This multilingual environment, coupled with his mother’s dedication to artistic pursuits—she enrolled him as a Junior Member of the Brooklyn Museum at age six—laid an early foundation for his creative journey. However, Basquiat's life wasn’t without hardship; a car accident at eight years old resulted in a splenectomy and a period of convalescence during which he became captivated by a copy of Gray’s Anatomy gifted by his mother. The book’s detailed illustrations would later profoundly influence the anatomical imagery that frequently appears in his work, becoming a haunting motif throughout his career. Before achieving recognition as a painter, Basquiat made his mark under the pseudonym SAMO, alongside friend Al Diaz. Together they covered Lower Manhattan with cryptic, poetic graffiti—epigrams challenging societal norms and questioning established power structures. These weren’t mere tags; they were thought-provoking statements that captured the spirit of the burgeoning hip-hop culture and the gritty energy of 1970s New York City. SAMO was more than just street art; it was a philosophical intervention, a visual disruption designed to provoke dialogue and challenge perceptions.

    Neo-Expressionism and Artistic Innovation

    By the early 1980s, Basquiat transitioned from graffiti to canvas, rapidly gaining recognition within the New York art world. His paintings weren’t easily categorized; they were a unique synthesis of influences ranging from Abstract Expressionism to tribal art, comic books, and historical painting. He became a central figure in the Neo-Expressionist movement, though he resisted easy labeling. His canvases are characterized by a frenetic energy—a chaotic layering of text, symbols, figures, and colors. Basquiat’s technique was deliberately raw and improvisational, often incorporating collage, scratching, and dripping paint. He wasn't interested in technical perfection; instead, he sought to convey emotion, ideas, and social commentary with visceral immediacy. Recurring motifs—crowns, skulls, anatomical diagrams, words crossed out or repeated—became his signature visual language. The crown, perhaps his most iconic symbol, has been interpreted as a representation of aspiration, self-mythologization, and the complexities of Black identity in America. His work frequently grappled with themes of wealth versus poverty, integration versus segregation, and the internal struggles of the individual within society. Paintings like Piscine versus the Best Hotels (or various loin) exemplify his ability to juxtapose seemingly disparate elements—luxury and deprivation, beauty and decay—creating a powerful commentary on social inequalities. Basquiat’s art was not merely about what he depicted but how he depicted it, creating a visual language that was both deeply personal and universally resonant.

    Collaboration, Recognition, and a Tragic End

    Basquiat’s ascent was meteoric. In 1982, at just twenty-one years old, he participated in Documenta in Kassel, Germany, becoming the youngest artist ever to exhibit there. The following year, he showcased his work at the Whitney Biennial, further solidifying his position within the art establishment. A pivotal moment came with his friendship and artistic collaboration with Andy Warhol. The two artists pushed each other creatively, exploring themes of consumerism, celebrity, and mass media in a series of collaborative paintings. While their partnership was complex and sometimes fraught with tension, it undoubtedly elevated both artists’ profiles. Despite achieving international acclaim and financial success, Basquiat struggled with the pressures of fame and his ongoing battle with drug addiction. His work became increasingly introspective and darker as he grappled with personal demons and societal injustices. Tragically, Jean-Michel Basquiat died on August 12, 1988, at the age of twenty-seven from a heroin overdose. His untimely death cemented his status as a tragic figure—a brilliant artist whose life was cut short by addiction and the complexities of navigating the art world.

    Key Works & Themes

    Here are some defining works that encapsulate Basquiat’s artistic vision:

    Untitled (Skull): A powerful representation of mortality and the African diaspora, achieving record-breaking auction prices.

    Piscine versus the Best Hotels (or various loin): Exemplifies Basquiat’s juxtaposition of wealth and poverty, showcasing his unique artistic style.

    Portrait of the Artist as a Young Derelict: A self-portrait that embodies themes of identity, alienation, and societal critique.

    Hollywood Africans: Explores African American history and culture through symbolic imagery and textual elements.

    Basquiat’s art consistently addressed issues of racial inequality, the legacy of colonialism, and the complexities of Black identity. He used his platform to challenge dominant narratives and give voice to marginalized communities. His work remains profoundly relevant today, prompting viewers to confront uncomfortable truths about society and their own biases. He wasn't simply an artist; he was a cultural commentator, a poet, and a visionary who left an indelible mark on the art world and beyond.

    Legacy and Lasting Influence

    In the years since his death, Basquiat’s reputation has only grown. His work continues to captivate audiences with its raw energy, intellectual depth, and unflinching social commentary. In 2017, *Untitled* (1982), a powerful depiction of a skull, sold for $110.5 million at Sotheby's, setting a new record for any U.S. artist at auction—a testament to the enduring value and cultural significance of his work. Basquiat’s influence can be seen in the work of countless contemporary artists, particularly those who explore themes of identity, race, and social justice. He paved the way for a more diverse and inclusive art world, challenging traditional notions of artistic expression and representation. His ability to seamlessly blend high and low culture—graffiti, fine art, music, poetry—continues to inspire artists today. He remains a potent symbol of creative rebellion, intellectual curiosity, and the power of art to challenge the status quo. His paintings are not merely aesthetic objects; they are windows into a complex mind grappling with profound questions about humanity, society, and the search for meaning in a chaotic world.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Sugar Ray Robinson

    originaluniqueart.com/nl/art/download/jean-michel-basquiat-sugar-ray-robinson-D2DSPR-en/

    Citeer dit kunstwerk

    MLA
    Basquiat, Jean Michel. Sugar Ray Robinson. 1982, https://originaluniqueart.com/nl/art/jean-michel-basquiat-sugar-ray-robinson-D2DSPR-en/
    APA
    Basquiat, Jean Michel (1982). Sugar Ray Robinson [Painting]. https://originaluniqueart.com/nl/art/jean-michel-basquiat-sugar-ray-robinson-D2DSPR-en/
    Chicago
    Jean Michel Basquiat. Sugar Ray Robinson. 1982. https://originaluniqueart.com/nl/art/jean-michel-basquiat-sugar-ray-robinson-D2DSPR-en/
    Harvard
    Basquiat, Jean Michel (1982) Sugar Ray Robinson. Available at: https://originaluniqueart.com/nl/art/jean-michel-basquiat-sugar-ray-robinson-D2DSPR-en/

    Bekijk het van dichtbij

    Sugar Ray Robinson — Jean Michel Basquiat

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. Kijk nog eens naar Untitled - Schedel, (Broad Collection, LA) (1981), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Neo Expressionism: A rough, urgent return to figure painting in the 1980s, after years of cool abstraction. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Sugar Ray Robinson — Jean Michel Basquiat

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is this artwork characteristic of?

      • A Impressionism
      • B Neo-Expressionism
      • C Cubism
    2. 2. Which symbolic element is used in the painting to suggest royalty or achievement?

      • A A scepter
      • B A crown
      • C A laurel wreath
    3. 3. What is the primary color palette of this composition?

      • A Vibrant multi-colors
      • B Primary colors only
      • C Black and white
    4. 4. Who is the subject of this portrait?

      • A Andy Warhol
      • B Sugar Ray Robinson
      • C Al Diaz
    5. 5. What technique was used by Basquiat to create the texture in this piece?

      • A Smooth glazing
      • B Layering and impasto
      • C Pointillism

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1A · 2A · 3B · 4B · 5A

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Waar kan ik statistieken vinden over "Sugar Ray Robinson" door Jean Michel Basquiat?

    De Statistieken-pagina van "Sugar Ray Robinson" door Jean Michel Basquiat toont statistieken over de publieksbezoeken: het aantal maandelijkse bezoeken aan dit kunstwerk, een vergelijking met de meest bekeken werken van de kunstenaar en de herkomst van de bezoekers.

    Hoe licht is "Sugar Ray Robinson" in zijn geheel?

    De waargenomen helderheid van "Sugar Ray Robinson" door Jean Michel Basquiat is deep_shadow. Deze kan worden afgestemd op de lichtinval in de beoogde ruimte.

    Wie is de maker van "Sugar Ray Robinson" en uit welk jaar stamt het werk?

    "Sugar Ray Robinson" werd in 1982 gecreëerd door Jean Michel Basquiat.