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Skarga`s Sermon

Naam Klas Datum

Jan Matejko, Skarga`s Sermon (1864). Publiek domein

De feiten

Kunstenaar
Jan Matejko originaluniqueart.com/nl/artists/jan-matejko_nl/
Geboortedatum en -overlijden kunstenaar
1838 – 1893
Geschilderd
1864
Techniek
Oil On Canvas
Afmetingen origineel werk
224 x 397 cm
Beweging
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Periode
19th Century
Artistic style
Romanticism
Notable elements or techniques
Attention to detail and historical accuracy
Subject or theme
Piotr Skarga delivering a sermon

In context

Skarga`s Sermon — Jan Matejko

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 224 × 397 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte. Het is te groot om op schaal weer te geven op deze pagina.

Wanneer is dit geschilderd?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 26. The artist lived to 55. 4 of the 31 dated works by this artist in our catalogue came earlier.

Shaded: het leven van Jan Matejko (1838–1893) ▲ dit werk, 1864

First works: up to 1867 Main working years: 1867–1888 Late works: from 1888

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/jan-matejko-skarga-s-sermon-8XYB3G-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #1b121d

    Gecatalogiseerd palet

    • #1B121D
    • #442428
    • #C1CDAD
    • #7B5441
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jan Matejko over the last twelve months — 24 countries in all.

    The ten leading countries

    1. 1 China 43,5%
    2. 2 Tsjechië 23,4%
    3. 3 Frankrijk 3,2%
    4. 4 Slowakije 3,2%
    5. 5 Verenigde Staten van Amerika 3,2%
    6. 6 Hongkong 2,4%
    7. 7 Singapore 2,4%
    8. 8 Wit-Rusland 1,6%
    9. 9 Duitsland 1,6%
    10. 10 Luxemburg 1,6%
    11. · 14 other countries 13,9%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jan Matejko

    1. 1 Stańczyk, 1862 33,8%
    2. 2 De Slag bij Grunwald (detail), 1878 10,3%
    3. 3 Bathory in Pskov, 1872 2,9%
    4. 4 Self-portrait, 1892 2,9%
    5. 5 Empress Rejtan 2,9%
    6. 6 output scholars 2,9%
    7. 7 Copernicus in the tower at Frombork, or Conversations with God, 1872 1,5%
    8. 8 Sobieski sending Message of Victory to the Pope, after the Battle of Vienna 1,5%
    9. 9 The Fall of Poland, 1866 1,5%
    10. 10 The Prussian Homage, 1882 1,5%
    11. 11 Battle of Grunwald, Jan Zizka(detail) 1,5%
    12. 12 Battle of Grunwald, 1878 1,5%
    13. 13 To Stanczyk 1,5%
    14. 14 Julian Bukowski 1,5%
    15. 15 Battle of Grunwald (detail) 1,5%
    16. 16 Entry Valois 1,5%
    17. 17 Jan Zamoyski 1,5%
    18. 18 Mieszko I of Poland 1,5%
    19. 19 Brave in Kiev 1,5%
    20. 21 Skarga`s Sermon, 1864 this painting 0,7%

    Together these works take 75,9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 202 works by this artist, of which 53 were looked at at least once. This painting ranks 21 of them, with 0,7% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Over dit kunstwerk

    Skarga`s Sermon — Jan Matejko

    A Dramatic Encounter in 17th-Century Poland

    In the grand tapestry of Polish Romanticism, few works command the room with as much gravity and historical weight as Jan Matejko’s masterpiece, Skarga's Sermon. Created in 1864, this monumental oil on canvas serves as a window into a pivotal moment of spiritual and political tension. The scene captures a gathering of souls within a dimly lit room, where the air seems thick with the weight of impending change. At the heart of this composition is the Jesuit priest Piotr Skarga, whose powerful sermon acts as the catalyst for the profound emotions displayed by those gathered around him. Through his commanding presence, Matej and the artist invites us to witness not just a religious service, but a moment of intense national reflection.

    The painting is a triumph of narrative depth, where every figure contributes to a larger story of duty and dissent. Dressed in the intricate, old-fashioned attire of the 17th century, the individuals present—some standing in rapt attention, others lost in somber thought—embody the various facets of a society at a crossroads. The artist masterfully utilizes body language and facial expressions to convey the underlying tensions of an era marked by upheaval. It is a scene that transcends mere historical documentation, offering instead a visceral experience of the psychological landscape of Poland during a time of great turmoil.

    Mastery of Light, Color, and Texture

    Technically, Skarga's Sermon is a testament to Matejko’s extraordinary skill in handling large-scale oil painting. The artist employs a somber and dramatic color palette, dominated by deep browns, heavy blacks, and striking reds. This choice of tones does more than just set the historical stage; it creates a chiaroscuro effect that pulls the viewer into the very center of the congregation. The light seems to struggle against the shadows, highlighting the textures of fine fabrics, the glint of metal, and the weathered skin of the listeners, lending an almost tactile quality to the canvas.

    For the discerning collector or interior designer, this work offers an unparalleled sense of prestige and intellectual depth. The composition is dense and layered, rewarding repeated viewings with new discoveries—from the subtle interplay of light on a dining table to the quiet, brooding presence of figures tucked into the periphery. A high-quality reproduction of such a piece brings more than just decoration to a space; it introduces a profound sense of history and a sophisticated, dramatic atmosphere that can serve as the definitive focal point of a curated gallery or an elegant study.

    A Legacy of National Identity

    Beyond its aesthetic brilliance, Skarga's Sermon carries a heavy symbolic burden. As a work of historical painting, it was designed to stir the soul and remind the viewer of the complexities of the Polish spirit. The sermon itself, delivered by Skarga, is a metaphor for the call to conscience and the necessity of unity in the face of external threats. This emotional resonance is what has allowed the painting to endure as one of Jan Matejko's most celebrated achievements, housed within the prestigious National Museum in Warsaw.

    To possess or display a reproduction of this work is to engage with a piece of cultural heritage that speaks of resilience and introspection. It is an ideal choice for those who appreciate art that tells a story, offering a sophisticated blend of historical accuracy and Romantic passion. Whether viewed as a study in light and shadow or as a profound historical narrative, Skarga's Sermon remains an enduring icon of artistic and national importance.

    Kunstenaar en museum

    Kunstenaar

    Jan Matejko

    Geboren in Krakau, Polen

    Early Life and Education

    Jan Alojzy Matejko, a name synonymous with Polish historical painting, was born on June 24th, 1838, in the heart of Kraków, Poland – a city steeped in history and brimming with artistic fervor. His father, Franciszek Ksawery Matejko, a Czech-born tutor and musician, provided an early exposure to music and education, while his mother, Joanna Karolina Rossberg, instilled in him a deep appreciation for culture and the arts. Jan’s childhood was profoundly shaped by two pivotal events: the Kraków Revolution of 1846 and the subsequent Austrian siege of Kraków in 1848. These experiences, witnessing firsthand the struggles for Polish independence and enduring the hardships of occupation, would become recurring themes and powerful motivators throughout his artistic career.

    Despite facing challenges with traditional academic subjects, young Jan displayed an extraordinary talent for art from a remarkably early age. He enrolled at St. Ann’s High School, but unfortunately, his grades were consistently poor, leading to his premature departure in 1851. However, this didn't deter him; instead, he immediately pursued his passion by entering the School of Fine Arts in Kraków, where he honed his skills under the tutelage of esteemed artists such as Wojciech Korneli Stattler and Władysław Łuszczkiewicz, specializing in the dramatic and evocative realm of historical painting.

    Artistic Career: A Chronicle of Polish History

    Matejko’s artistic journey truly began to blossom with the completion of Tsars Shuyski before Zygmunt III in 1853 – a monumental work that immediately established his reputation for capturing pivotal moments in Polish history with remarkable detail and dramatic flair. From this initial success, he steadily gained recognition within the Kraków Society of Friends of Fine Arts, exhibiting his historical paintings to enthusiastic audiences. His oeuvre quickly expanded to encompass a vast range of subjects, each imbued with a potent sense of national pride and a deep understanding of Polish identity.

    Among his most celebrated works are Rejtan (1866), depicting a courageous act of defiance against the Russian authorities; Union of Lublin (1869), a meticulously rendered portrayal of this crucial political event that shaped Poland’s future; and, perhaps most famously, Battle of Grunwald (1878). This colossal canvas – nearly 10 meters long – is considered his magnum opus, a breathtaking spectacle of color, movement, and emotion that vividly recreates the epic clash between Polish and Lithuanian forces against the Teutonic Knights. Matejko’s ability to convey the intensity of battle, the heroism of individual soldiers, and the overwhelming scale of the event cemented his place as one of Poland's greatest historical painters.

    Museological Contributions and a Lasting Legacy

    Beyond his artistic achievements, Jan Matejko played a significant role in shaping the cultural landscape of Kraków. He eventually assumed the position of director at the Jan Matejko Academy of Fine Arts (formerly known as the Kraków Academy of Fine Arts), an institution he profoundly influenced and nurtured. During his tenure, he attracted a remarkable cohort of talented students – including Maurycy Gottlieb, Jacek Malczewski, Józef Mehoffer, and Stanisław Wyspiański – many of whom went on to become prominent figures in Polish art and culture.

    Matejko’s influence extended far beyond the walls of his academy; he was deeply involved in the preservation and promotion of Polish heritage. His paintings served not only as artistic masterpieces but also as powerful symbols of national identity, reminding Poles of their rich history and inspiring a sense of pride and patriotism. He understood that art could be more than mere decoration; it could serve as a vital tool for shaping public opinion and fostering a shared cultural consciousness.

    A National Painter Remembered

    Jan Matejko passed away on November 1st, 1893, in Kraków, leaving behind an unparalleled legacy as Poland’s most celebrated painter – often referred to as the “National Painter.” His works continue to be revered and studied today, serving as enduring testaments to his artistic skill, historical knowledge, and unwavering dedication to portraying the story of Poland. His paintings are displayed prominently in museums throughout Poland and beyond, ensuring that his vision of Polish history and identity will continue to inspire generations to come.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Skarga`s Sermon

    originaluniqueart.com/nl/art/download/jan-matejko-skarga-s-sermon-8XYB3G-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Matejko, Jan. Skarga`s Sermon. 1864, https://originaluniqueart.com/nl/art/jan-matejko-skarga-s-sermon-8XYB3G-en/
    APA
    Matejko, Jan (1864). Skarga`s Sermon [Painting]. https://originaluniqueart.com/nl/art/jan-matejko-skarga-s-sermon-8XYB3G-en/
    Chicago
    Jan Matejko. Skarga`s Sermon. 1864. https://originaluniqueart.com/nl/art/jan-matejko-skarga-s-sermon-8XYB3G-en/
    Harvard
    Matejko, Jan (1864) Skarga`s Sermon. Available at: https://originaluniqueart.com/nl/art/jan-matejko-skarga-s-sermon-8XYB3G-en/

    Bekijk het van dichtbij

    Skarga`s Sermon — Jan Matejko

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: people, priest, old clothing. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Bathory in Pskov (1872), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Skarga`s Sermon — Jan Matejko

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. In which year was the painting 'Skarga's Sermon' created?

      • A 1864
      • B 1838
      • C 1752
    2. 2. Who is the artist of 'Skarga's Sermon'?

      • A Piotr Skarga
      • B Wojciech Korneli Stattler
      • C Jan Matejko
    3. 3. Which art movement is this painting a prime example of?

      • A Renaissance
      • B Romanticism
      • C Impressionism
    4. 4. Where is 'Skarga's Sermon' currently housed?

      • A National Museum in Warsaw
      • B St. Mary's Basilica
      • C Jan Matejko House
    5. 5. What is the primary subject of the sermon delivered in the painting?

      • A Religious miracles
      • B Political matters
      • C Musical education

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1A · 2C · 3B · 4A · 5B

    Vragen & Antwoorden

    Hoe oud was Jan Matejko bij het creëren van "Skarga`s Sermon" in 1864?

    Toen "Skarga`s Sermon" werd gemaakt in 1864, was Jan Matejko - geboren in 1838 - 26 jaar oud.

    Hoe kan ik de afbeelding van "Skarga`s Sermon" door Jan Matejko downloaden?

    Een download is beschikbaar voor "Skarga`s Sermon": de Downloaden pagina van het kunstwerk biedt een download van een digitale afbeelding in hoge resolutie.

    Naar welke tint neigt "Skarga`s Sermon"?

    De dominante kleur van "Skarga`s Sermon" door Jan Matejko is Warm Sunset Tones. Deze kleur vormt de onderliggende toon van het palet.

    Bij welke kunststroming behoort "Skarga`s Sermon" door Jan Matejko?

    De stroming die verbonden is aan "Skarga`s Sermon" door Jan Matejko is Romanticism. Deze classificatie plaatst het werk tussen verwante kunstenaars en kunstwerken.

    Wat deelt "Skarga`s Sermon" met het overige werk van Jan Matejko?

    "Skarga`s Sermon" deelt met andere werken van Jan Matejko de Romanticism-stijl en de terugkerende thema's: romanticism influence, polish historical narrative, counter reformation themes, political rebuke of elite, national identity preservation, key early masterpiece.

    Aan welke kunstenaar wordt "Skarga`s Sermon" toegeschreven?

    "Skarga`s Sermon" is gemaakt door Jan Matejko. De informatie op deze pagina beschrijft het originele werk van Jan Matejko.

    In welk jaar werd "Skarga`s Sermon" gemaakt?

    "Skarga`s Sermon" door Jan Matejko werd gemaakt in 1864.