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Melrose

Naam Groep Datum

J.M.W. Turner, Melrose (1831), Scottish National Gallery. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
J.M.W. Turner originaluniqueart.com/nl/artists/j-m-w-turner_nl/
Levensdata kunstenaar
1775 – 1851
Geschilderd
1831
Beweging
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Gehouden in
Scottish National Gallery originaluniqueart.com/nl/museums/scottish-national-gallery-edinburgh_nl/
Artistic style
Landscape painting
Influences
Turner, Scott
Notable elements
Atmospheric haze, light
Subject or theme
Scottish landscape

In context

Melrose — J.M.W. Turner

Wanneer is dit geschilderd?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 76 bij het overlijden.

Geschilderd toen de kunstenaar 56 jaar oud was. De kunstenaar werd 76 jaar oud. 27 van de 52 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van J.M.W. Turner (1775–1851) ▲ dit werk, 1831 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1808 Belangrijkste werkjaren: 1808–1840 Late werken: vanaf 1840

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/j-m-w-turner-melrose-D3Y8A6-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #aa998c

    Gecatalogiseerd palet

    • #AA998C
    • #8F765E
    • #634B34
    • #CCC2B0

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van J.M.W. Turner over de afgelopen twaalf maanden — in totaal 10 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 58,7%2.700 visits
    2. 2 Italië 10,9%500 visits
    3. 3 Verenigde Staten van Amerika 6,5%300 visits
    4. 4 Duitsland 4,3%200 visits
    5. 5 Mexico 4,3%200 visits
    6. 6 Zweden 4,3%200 visits
    7. 7 Thailand 4,3%200 visits
    8. 8 Verenigd Koninkrijk 2,2%100 visits
    9. 9 India 2,2%100 visits
    10. 10 Portugal 2,2%100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van J.M.W. Turner

    1. 1 The Shipwreck, 1805 6,9%500 visits
    2. 2 Landscape, 1850 5,6%400 visits
    3. 3 Mercury and Argus, 1840 5,6%400 visits
    4. 4 Death on a pale horse, 1825 4,2%300 visits
    5. 5 Interior of St. John, 1793 4,2%300 visits
    6. 6 Landscape with Water, 1840 4,2%300 visits
    7. 7 Bell Rock Lighthouse, 1819 4,2%300 visits
    8. 8 A Disaster at Sea, 1835 2,8%200 visits
    9. 9 Fishing upon the Blythe-Sand, Tide Setting In, 1809 2,8%200 visits
    10. 10 Caligula, 1833 2,8%200 visits
    11. 11 London from Greenwich Park exhibited, 1809 2,8%200 visits
    12. 12 Linlithgow Palace, 1806 2,8%200 visits
    13. 13 Cologne, the Arrival of a Packet-Boat: Evening, 1826 2,8%200 visits
    14. 14 View of Richmond Hill and Bridge, 1805 2,8%200 visits
    15. 15 Cliveden on Thames, 1807 2,8%200 visits
    16. 16 The Campo Santo, Venice, 1842 2,8%200 visits
    17. 17 Lyme Regis, Dorsetshire, England, 1834 2,8%200 visits
    18. 18 The Sun of Venice Going to Sea, 1843 2,8%200 visits
    19. 19 Lake Nemi, 1835 2,8%200 visits
    20. 23 Melrose, 1831 dit schilderij 2,8%200 visits

    Samen maken deze werken 71,3% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 60 werken van deze kunstenaar, waarvan 37 minstens één keer zijn bekeken. This painting ranks 23 of them, with 2,8% of that attention (200 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Melrose — J.M.W. Turner

    Melrose: A Vision of Light and Landscape by J.M.W. Turner

    J.M.W. Turner’s “Melrose,” painted in 1831, isn't merely a depiction of a Scottish landscape; it’s an immersive experience—a fleeting moment captured on canvas where light, atmosphere, and the sublime intertwine. The painting transports us to the rolling hills and verdant valleys surrounding Melrose Abbey in the Borders region, rendered not with precise detail but with Turner’s signature blend of emotion and evocative color. It's a work that speaks volumes about his revolutionary approach to landscape art, moving beyond topographical accuracy towards an exploration of feeling and the transient beauty of nature.

    Turner’s style at this period is characterized by its loose, expressive brushwork—a deliberate departure from the rigid conventions of academic painting. He employs a technique that prioritizes capturing the impression of light and color rather than meticulously recreating every element. Notice how the broad strokes of ochre, brown, and gray dominate the foreground, suggesting the earth and vegetation while allowing the sky to bleed into the landscape. The river, a ribbon of shimmering blues and greens, flows with an almost liquid grace, reflecting the diffused sunlight above. This deliberate blurring of edges and forms is central to Turner’s Romantic vision—a world where nature reigns supreme and human perception is secondary.

    A Historical Context: Romanticism and the Sublime

    “Melrose” firmly resides within the heart of the Romantic movement, a period defined by its emphasis on emotion, imagination, and the power of nature. The Romantics rejected the Enlightenment’s focus on reason and logic, instead celebrating the individual experience and the awe-inspiring grandeur of the natural world. Turner was deeply influenced by this shift, seeking to capture not just what he saw, but what he felt in response to the landscape. The concept of the “sublime”—a feeling of overwhelming beauty mixed with a sense of terror or insignificance—is powerfully evoked here. The vastness of the hills and sky, combined with the hazy atmosphere, creates an effect that is both captivating and slightly unsettling.

    Interestingly, this painting was created during a period when Turner embarked on extensive travels throughout Europe, particularly in Italy and Switzerland. These journeys profoundly shaped his artistic vision, exposing him to new light conditions and inspiring him to experiment with different techniques. The influence of the Italian landscapes—particularly their dramatic lighting effects—can be seen in “Melrose,” contributing to its atmospheric intensity.

    Symbolism and Emotional Resonance

    Beyond its purely visual qualities, "Melrose" is rich in symbolic meaning. The distant town, barely discernible through the haze, represents human settlement and industry, dwarfed by the overwhelming power of nature. The river, a symbol of life and movement, flows relentlessly onward, suggesting the passage of time and the impermanence of all things. The prominent mountain on the left side acts as a vertical anchor, grounding the composition while simultaneously emphasizing the vastness of the scene.

    Perhaps most powerfully, “Melrose” evokes a sense of tranquility and contemplation. The muted colors, soft lighting, and loose brushwork create an atmosphere of serenity—a reminder of the beauty and restorative power of nature. It’s a painting that invites us to slow down, breathe deeply, and lose ourselves in the moment, mirroring Turner's own desire to capture fleeting experiences of light and color.

    Technical Details & Reproduction Considerations

    Turner employed watercolor on paper for this work, utilizing layering techniques and delicate washes to achieve his characteristic atmospheric effects. The visible brushstrokes contribute to the painting’s sense of movement and energy, while the subtle blending of colors creates a luminous quality. Reproductions, particularly high-quality prints, strive to capture these nuances—the interplay of light and shadow, the texture of the paper, and the overall feeling of atmosphere. When selecting a reproduction, consider the medium – archival inks on fine art paper will best preserve the painting’s delicate colors and details for years to come.

    Size: Unknown

    Date: 1831

    Kunstenaar en museum

    Kunstenaar

    J.M.W. Turner

    Geboren in Maiden Lane, Verenigd Koninkrijk

    A Life Painted in Light: The World of J.M.W. Turner

    Joseph Mallord William Turner, universally known as J.M.W. Turner, was far more than a painter; he was a visionary who fundamentally reshaped the landscape of art and laid the groundwork for modern abstraction. Born in Maiden Lane, Covent Garden, London, in 1775, his origins were modest – the son of a barber and wig maker. Yet, even from childhood, an extraordinary talent began to blossom within him. By the age of fourteen, he was enrolled at the Royal Academy, making his debut as an artist just a year later. This early promise wasn’t merely technical proficiency; it hinted at an innate understanding of light, color, and atmosphere – qualities that would become the defining characteristics of his remarkable career. To supplement his artistic education, Turner gained practical experience as an architectural draftsman, honing his perspective and compositional skills—abilities that proved invaluable in rendering both meticulously detailed topographical views and vast, emotionally resonant landscapes. Turner’s formative years were characterized by a relentless dedication to his craft, fueled by natural aptitude and an unwavering pursuit of artistic excellence.

    The Romantic Tempest: Style and Influences

    Turner emerged during the height of the Romantic era, yet he didn't simply replicate its conventions. He absorbed influences from diverse sources – the luminous landscapes of Dutch masters like Claude Lorrain and Aelbert Cuyp, and the poetic approach to nature championed by artists such as Richard Wilson. However, Turner didn’t merely imitate; he synthesized these influences into something entirely new. His work is immediately recognizable for its expressive use of color, often employing bold contrasts and vibrant hues to convey emotion and atmosphere. He possessed a profound fascination with the power and drama of the natural world – turbulent seascapes, fiery sunsets, and swirling storms became recurring motifs in his paintings. Crucially, Turner wasn’t interested in simply depicting what he saw; he sought to capture the feeling of a place, the sublime awe inspired by nature's grandeur. This pursuit led him to experiment with increasingly loose brushwork, dissolving forms into washes of color and light—techniques that presaged the Impressionist movement decades later. The influence of John Ruskin is undeniable; from 1840, the critic championed Turner’s work, elevating landscape painting to a level of critical acclaim previously unheard of.

    A Prolific Legacy: The Scope of Turner's Output

    The sheer volume of Turner’s artistic output is astonishing—a testament to his tireless exploration and experimentation. He created over 550 oil paintings, nearly 2,000 watercolors, and an astounding 30,000 works on paper. This prolificacy wasn’t simply a matter of quantity; it reflected his unwavering commitment to exploring diverse subjects, techniques, and styles. His paintings range from meticulously detailed topographical views of British landscapes—such as the dramatic coastal scenes of Cornwall—to dynamic historical scenes and evocative maritime paintings that capture the essence of the sea. He was equally adept at conveying the tranquility of a pastoral scene and the terrifying power of a raging storm. Consider, for example, “Fort Vimieux,” where swirling clouds and crashing waves create an atmosphere of intense drama and sublime beauty. Similarly, "Scene in the Campagna" showcases his ability to capture the warmth and serenity of the Italian countryside with delicate brushwork and luminous colors. Beyond painting, Turner was also a skilled printmaker, further disseminating his artistic vision through engravings and lithographs—making his work accessible to a wider audience.

    Eccentricity and Remembrance: The Man Behind the Masterpieces

    Turner’s personal life was as complex and enigmatic as his art. He remained intensely private and reclusive, often shunning social gatherings and preferring the solitude of his studio or the open road. He fathered two daughters, Evelina and Georgiana, with Sarah Danby, the widow of a fellow artist, but maintained a distant relationship with them. His later years were marked by increasing eccentricity and declining health. Following the death of his father in 1829, he became increasingly morose and withdrawn, living in squalor and neglecting his appearance. He adopted the pseudonym “Mr. Booth” to avoid recognition and even rowed his boat into the Thames during a census to remain untraceable. Despite these eccentricities—or perhaps because of them—Turner remains one of Britain’s most beloved artists. His final years were spent in Chelsea, where he passed away on December 19, 1851, at the age of 76. In a fitting tribute to his enduring legacy, he is buried in St Paul's Cathedral, alongside other British luminaries—a testament to his profound impact on art and culture. His work continues to inspire artists and captivate audiences worldwide, ensuring that the light of J.M.W. Turner will continue to shine for generations to come.

    Major Achievements

    Turner’s career spanned over half a century, during which he achieved remarkable success and critical acclaim. He was elected an Academician in 1802, solidifying his position as one of the leading artists of his time. His paintings were exhibited at the Royal Academy throughout his life, attracting large crowds and generating considerable discussion. His innovative use of color and light revolutionized landscape painting, influencing generations of artists to come. Key works such as "The Fighting Temeraire," depicting the decommissioning of a warship, and “Rain, Steam and Speed – The Great Western Railway,” are considered masterpieces of Romanticism and continue to be celebrated for their dramatic intensity and evocative power. Turner’s legacy extends beyond his individual paintings; he helped establish watercolor as a serious medium for landscape artists, paving the way for future developments in the art form.

    Historical Significance

    J.M.W. Turner's work is not merely aesthetically pleasing; it holds significant historical importance. His paintings offer valuable insights into 19th-century Britain—its industrialization, its relationship with nature, and its evolving social consciousness. His depictions of the Thames River, for example, capture the changing landscape of London as it transformed from a primarily agricultural region to an urban center. Furthermore, his engagement with contemporary issues, such as the abolition of slavery (as evidenced in "Slave Ship"), reflects his progressive views and his commitment to social justice. Turner’s artistic innovations—particularly his use of color and light—anticipated developments in Impressionism and Abstract Art, demonstrating his profound influence on the course of modern art history. His work remains a powerful reminder of the enduring power of art to capture both beauty and truth.

    Museum

    Scottish National Gallery

    Te zien in Edinburgh, Verenigd Koninkrijk

    A Window Into Scotland’s Soul: The Scottish National Gallery

    Nestled within the heart of Edinburgh, on the historic Mound overlooking the city, lies the Scottish National Gallery – more than just a repository of art, it's a profound reflection of Scotland’s identity, its artistic journey, and its enduring connection to Europe. Designed by the neoclassical master William Henry Playfair and inaugurated in 1859, this magnificent building itself is a testament to classical ideals, boasting imposing Corinthian columns, graceful symmetry, and an atmosphere of quiet reverence perfectly suited for the treasures within. The gallery’s core mission – to showcase Scotland's national collection of fine art spanning from the Renaissance through to the early 20th century – is ambitious yet remarkably realized, offering a panoramic view of artistic styles and techniques shaped by centuries of influence. The very stones of the building whisper tales of royal patronage, artistic rebellion, and a nation’s evolving self-awareness, making a visit here an immersive experience far beyond simply viewing paintings.

    The story of the Scottish National Gallery is inextricably linked with the rise of Scottish art patronage. Initially conceived as part of the Royal Institution for the Encouragement of the Fine Arts in Scotland, the collection began to take shape through carefully acquired works. However, a growing dissatisfaction amongst artists with the institution’s policies led to a pivotal moment in 1838: the formation of the Royal Scottish Academy (RSA). This breakaway group, driven by a fervent desire to establish a truly national art collection, secured its own building on The Mound in 1846 – a structure that would eventually become the foundation for the National Gallery. The RSA’s commitment to collecting and exhibiting art laid the groundwork for the gallery we know today, demonstrating a sustained dedication to fostering artistic excellence within Scotland. This dual heritage—the institutional beginnings alongside the passionate advocacy of artists—is palpable in the gallery's character.

    Architectural Grandeur: A Neoclassical Masterpiece

    Beyond its collection, the building itself is a work of art. William Henry Playfair’s design is a quintessential example of neoclassical architecture, reflecting the grandeur and order associated with ancient Greece and Rome. The façade is dominated by imposing Corinthian columns, meticulously sculpted reliefs depicting allegorical figures, and a sense of balanced proportion that speaks to the ideals of classical design. The interior spaces are equally impressive, featuring soaring ceilings, elegant galleries, and carefully considered lighting – all contributing to an atmosphere of reverence and contemplation for the artworks on display. The building’s very structure serves as a powerful reminder of Scotland's engagement with European artistic traditions, subtly echoing the architectural principles of Rome and Athens while firmly rooted in its Scottish context. Visitors can trace the influence of Roman temples and theatres through the gallery’s spatial arrangement, creating an experience that transcends mere visual appreciation. The deliberate use of light and shadow, a hallmark of neoclassical design, further enhances the sense of drama and solemnity within the galleries.

    Highlights of the Collection: A Journey Through Styles

    Within the gallery’s walls, visitors are treated to a remarkable array of artistic styles and movements. Early Renaissance masterpieces by Italian masters like Raphael and Titian stand alongside works by Scottish artists such as William Clerk Maxwell, whose vibrant landscapes capture the rugged beauty of the Highlands. The collection boasts significant holdings of 18th-century portraiture, offering intimate glimpses into the lives of Scotland’s elite. Notably, the gallery's Impressionist section features a stunning selection of works by Claude Monet and Edgar Degas, reflecting the growing influence of modern European art on Scottish artists. Don't miss the evocative landscapes of William Beattie Brown, capturing the dramatic beauty of the Scottish countryside – his depictions of Highland light are particularly renowned. The gallery also houses an impressive collection of Scottish Colourists, a movement that sought to capture the vibrant hues and emotional intensity of the Scottish landscape with bold, expressive brushstrokes. Particularly captivating is “Diana and Callisto” by Titian, showcasing masterful composition and luminous color palettes—a cornerstone of Renaissance art. Also noteworthy is "Job Confessing His Presumption To God Who Answers From The Whirlwind" by William Blake, a monumental engraving embodying Romantic idealism and symbolic storytelling.

    Beyond the Paintings: Exhibitions and Legacy

    The Scottish National Gallery’s legacy extends far beyond its permanent collection. Throughout its history, the gallery has hosted numerous groundbreaking exhibitions, showcasing both established masters and emerging talents. These events have consistently stimulated dialogue and deepened public engagement with art. Furthermore, the gallery is closely linked to the National Galleries of Scotland, which also encompasses the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery – a powerful network dedicated to preserving and promoting Scotland’s artistic heritage. Recent initiatives include immersive digital experiences that bring the collection to life for a new generation of visitors. The gallery continues to evolve, adapting to contemporary tastes while remaining true to its core mission: to celebrate the enduring power of art to inspire, educate, and connect us to our past. Consider “Cliffs at Pourville, Rain” by Claude Monet – an iconic Impressionist landscape that exemplifies the movement’s focus on capturing fleeting moments of light and atmosphere. Finally, explore the artistry of Jacopo Robusti (Tintoretto) with his dramatic compositions and masterful technique—a testament to Venetian artistic innovation.

    A Unique Artistic Destination

    Located in Edinburgh's historic city centre, the Scottish National Gallery offers more than just visual delight; it’s a journey through Scotland’s cultural history. Its serene setting on The Mound provides a tranquil space for contemplation alongside its impressive collection of art—a destination that resonates with visitors seeking inspiration and understanding. Explore the gallery’s ongoing exhibitions and educational programs to deepen your appreciation for Scottish artistic heritage and its global connections.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Melrose

    originaluniqueart.com/nl/art/download/j-m-w-turner-melrose-D3Y8A6-en/

    Citeer dit kunstwerk

    MLA
    Turner, J.M.W.. Melrose. 1831, Scottish National Gallery. https://originaluniqueart.com/nl/art/j-m-w-turner-melrose-D3Y8A6-en/
    APA
    Turner, J.M.W. (1831). Melrose [Painting]. Scottish National Gallery. https://originaluniqueart.com/nl/art/j-m-w-turner-melrose-D3Y8A6-en/
    Chicago
    J.M.W. Turner. Melrose. 1831. Scottish National Gallery. https://originaluniqueart.com/nl/art/j-m-w-turner-melrose-D3Y8A6-en/
    Harvard
    Turner, J.M.W. (1831) Melrose. Scottish National Gallery. Available at: https://originaluniqueart.com/nl/art/j-m-w-turner-melrose-D3Y8A6-en/

    Bekijk het van dichtbij

    Melrose — J.M.W. Turner

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 3 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: landscape, scotland, river. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar The Shipwreck (1805), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Melrose — J.M.W. Turner

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What is the primary subject matter of J.M.W. Turner’s ‘Melrose’?

      • A A detailed portrait of Sir Walter Scott
      • B A sweeping landscape scene depicting Melrose Abbey and its surrounding valley
      • C An interior view of a royal palace
    2. 2. The painting ‘Melrose’ is characterized by Turner's use of which technique?

      • A Precise, detailed realism
      • B Loose brushstrokes and atmospheric effects to create a hazy mood
      • C Strict adherence to linear perspective
    3. 3. In what year was ‘Melrose’ painted?

      • A 1820
      • B 1831
      • C 1845
    4. 4. The painting 'Melrose' is considered a prime example of which artistic movement?

      • A Baroque
      • B Romanticism
      • C Realism
    5. 5. What does the hazy atmosphere in ‘Melrose’ primarily evoke?

      • A A sense of clarity and precision
      • B A feeling of mystery, transience, and awe in the face of nature's power
      • C A detailed depiction of a specific time of day

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1A · 2A · 3B · 4A · 5A

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Wat stelt "Melrose" voor?

    "Melrose" door J.M.W. Turner toont: landscape, scotland, river, mountains, melrose, turner, atmospheric, light.

    Wie heeft "Melrose" gemaakt en in welk jaar?

    J.M.W. Turner maakte "Melrose" in 1831.

    Welke plaatsing past bij het formaat van "Melrose" door J.M.W. Turner?

    Formaat (Landscape) en aanbevolen ruimte (Living Room) zijn de twee plaatsingskenmerken vastgelegd voor "Melrose" door J.M.W. Turner.