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A Rye Field

Naam Groep Datum

Ivan Ivanovich Shishkin, A Rye Field (1877). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Ivan Ivanovich Shishkin originaluniqueart.com/nl/artists/ivan-ivanovich-shishkin_nl/
Levensdata kunstenaar
1832 – 1898
Geschilderd
1877
Medium
Oil
Afmetingen origineel werk
107 x 187 cm
Beweging
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.
Periode
19th Century
Notable elements
Tall grass, trees, and a dirt road
Subject or theme
Serene landscape with people and animals

In context

A Rye Field — Ivan Ivanovich Shishkin

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 107 × 187 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 66 bij het overlijden.

Geschilderd toen de kunstenaar 45 jaar oud was. De kunstenaar werd 66 jaar oud. 130 van de 424 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Ivan Ivanovich Shishkin (1832–1898) ▲ dit werk, 1877 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1873 Belangrijkste werkjaren: 1873–1890 Late werken: vanaf 1890

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/ivan-ivanovich-shishkin-a-rye-field-8YDSHU-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Plum #c5d3eb

    Gecatalogiseerd palet

    • #C5D3EB
    • #4B4825
    • #B09A50
    • #A4B9DC

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Plum
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Ivan Ivanovich Shishkin over de afgelopen twaalf maanden — in totaal 35 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 63,4%
    2. 2 Verenigde Staten van Amerika 10,3%
    3. 3 Singapore 4,6%
    4. 4 Turkije 4,1%
    5. 5 Hongkong 2,7%
    6. 6 Zweden 1,4%
    7. 7 Duitsland 0,9%
    8. 8 Frankrijk 0,9%
    9. 9 Georgië 0,9%
    10. 10 Italië 0,9%
    11. · 25 overige landen 9,9%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Ivan Ivanovich Shishkin

    1. 1 Ochtend in een naaldbosch, 1886 4,6%
    2. 2 Oak Grove, 1887 3,7%
    3. 3 Morning in a Pine Forest, 1889 3,2%
    4. 4 The Path through the Woods, 1880 (oil on canvas), 1880 2,2%
    5. 5 Backwoods, 1872 2,1%
    6. 6 Mixed Forest, 1888 1,7%
    7. 7 Morning in the Pine tree Forest, 1889 1,7%
    8. 8 Firry Forest (etude), 1889 1,6%
    9. 9 Twilight. After Sunset, 1874 1,6%
    10. 10 The Forest Clearing, 1896 1,4%
    11. 11 Piny wood, 1885 1,4%
    12. 12 Sunny pine-tree (etude), 1886 1,3%
    13. 13 Edge of the Forest (9) 1,1%
    14. 14 A Rye Field, 1877 dit schilderij 1,0%
    15. 15 In the forest of countess Mordvinova, Petergof, 1891 0,8%
    16. 16 Coniferous forest. Sunny day, 1895 0,8%
    17. 17 At the edge of a pine forest, 1882 0,8%
    18. 18 Mast Tree Grove, 1898 0,8%
    19. 19 Autumn forest, 1876 0,8%
    20. 20 Walk in a forest, 1869 0,6%

    Samen maken deze werken 33,2% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 617 werken van deze kunstenaar, waarvan 286 minstens één keer zijn bekeken. Dit schilderij staat op de 14 plaats, met 1,0% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    A Rye Field — Ivan Ivanovich Shishkin

    The Soul of the Russian Landscape

    In the vast, sweeping expanse of 19th-century Russian realism, few names resonate with as much profound reverence as Ivan Ivanovich Shishkin. His masterpiece, A Rye Field, painted in 1877, serves as a breathtaking window into the heart of the Russian countryside, capturing a moment of eternal stillness. The painting presents a sprawling vista where tall, golden grasses sway in an invisible breeze, intersected by a humble dirt road that invites the viewer to wander deep into the composition. This is not merely a depiction of nature; it is an intimate dialogue between the earth and the sky, rendered with such precision that one can almost feel the warmth of the sun filtering through the distant canopy of trees.

    Shishkin, often celebrated as the "Soul of the Russian Forest," possessed an unparalleled ability to translate the botanical complexity of his homeland onto canvas. In A Rye Field, he employs a masterful technique that balances grand scale with microscopic detail. The texture of the rye, the ruggedness of the path, and the soft, atmospheric haze surrounding the distant trees are all achieved through meticulous brushwork. His command over light and shadow creates a sense of three-dimensional depth, making the field feel like an immersive environment rather than a flat image. For the discerning collector, this level of technical brilliance offers a sense of prestige and timelessness that transcends mere decoration.

    A Symphony of Serenity and Life

    Beyond its botanical accuracy, the painting breathes with a quiet, rhythmic vitality. Scattered throughout the landscape are subtle traces of life—figures moving through the field and an animal grazing peacefully in the distance. These elements do not disrupt the solitude of the scene; rather, they ground the vastness of nature within the context of human existence. There is a profound symbolism in the harmony between the working land and the wandering soul, suggesting a world where humanity exists in a balanced, respectful dance with the natural environment. The dirt road acts as a metaphor for life's journey, winding through the abundance of the rye toward the unknown mysteries of the forest edge.

    For interior designers and lovers of fine art, A Rye Field offers an unparalleled emotional resonance. Its palette of earthy ochres, deep greens, and soft sky blues provides a calming, organic energy that can anchor a room, bringing a sense of peace and pastoral grandeur to any space. Whether placed in a sunlit gallery or a sophisticated study, this reproduction serves as a focal point of contemplative beauty. It is an invitation to pause, to breathe, and to reconnect with the enduring, quiet majesty of the natural world, making it a quintessential acquisition for those who seek to surround themselves with art that possesses both historical weight and emotional depth.

    Kunstenaar en museum

    Kunstenaar

    Ivan Ivanovich Shishkin

    Geboren in Jelabuga, Rusland

    The Soul of the Russian Forest: A Life in Landscape

    Ivan Ivanovich Shishkin, a name synonymous with the vast and soulful landscapes of Russia, was born into a world steeped in tradition on January 25, 1832, in Yelabuga, Vyatka Governorate. His early life, though rooted in the mercantile pursuits of his father, revealed an innate sensitivity to the natural world—a sensibility that would blossom into a lifelong artistic obsession. After completing his education at the Kazan Gymnasium, Shishkin embarked on a rigorous academic journey, first at the Moscow School of Painting, Sculpture and Architecture for four years, then continuing at the prestigious Saint Petersburg Imperial Academy of Arts from 1856 to 1860. It was here, under the tutelage of renowned masters, that his technical skills were honed, culminating in a gold medal upon graduation—a testament to his exceptional talent and dedication. This academic foundation provided him with the tools to translate his deep connection with nature onto canvas with unparalleled realism.

    A Master of Realism and the Peredvizhniki Movement

    Shishkin’s artistic development was profoundly shaped by his association with the Peredvizhniki, or Wanderers, a group of Russian artists who rejected the constraints of academic tradition in favor of bringing art directly to the people. This movement championed realism and sought to depict life as it truly was—often focusing on social issues and the beauty of the Russian countryside. Shishkin’s landscapes perfectly aligned with this ethos; he wasn't merely painting scenery, but capturing the very essence of Russia’s forests, fields, and skies. He became a member of the Imperial Academy in St. Petersburg and later headed the landscape painting class at the Highest Art School there from 1873 to 1898, influencing generations of artists with his meticulous technique and unwavering commitment to portraying nature's grandeur. His dedication wasn’t simply about accurate depiction; it was about evoking a profound emotional response in the viewer—a sense of awe, tranquility, and connection to the land. The Peredvizhniki sought to portray Russia as it was, not as idealized by the Academy, and Shishkin's work embodied this spirit perfectly.

    Iconic Visions: Works That Defined a Nation

    Shishkin’s oeuvre is populated with masterpieces that have become ingrained in the Russian cultural consciousness. Morning in a Pine Forest, perhaps his most famous work—often mistakenly credited as solely his, though featuring bears painted by Konstantin Savitsky—captures a serene yet powerful scene of sunlight filtering through towering pines. The painting’s enduring appeal lies not only in its technical brilliance but also in its symbolic resonance: the forest representing Russia itself, strong, resilient, and untamed. A Rye Field, with its sweeping expanse of golden wheat under a vast sky, exemplifies his ability to convey the scale and beauty of the Russian plains. Rain in an Oak Forest demonstrates his mastery of atmospheric effects, evoking the damp earthiness and somber mood of a forest after a downpour. These works weren’t simply landscapes; they were national symbols, imbued with a sense of pride and belonging. His attention to detail was legendary—every leaf, every blade of grass rendered with painstaking accuracy, yet always serving the larger composition and emotional impact. Other notable paintings include The Oaks, a study in the strength and permanence of ancient trees, and Far on the Plain, which captures the vastness and solitude of the Russian steppe.

    Technique and Influences: A Deeply Studied Approach

    Shishkin’s artistic approach was characterized by an almost obsessive attention to detail and a profound understanding of nature. He began his studies with meticulous botanical drawings, learning the precise characteristics of every tree, flower, and leaf. This knowledge informed his paintings, ensuring that they were not merely representations but accurate depictions of the natural world. He spent considerable time sketching en plein air, directly in the field, capturing the fleeting effects of light and shadow. His work was influenced by the Düsseldorf School of painting, which emphasized linear precision and a realistic portrayal of form. However, Shishkin never abandoned his Russian roots; he sought to capture the unique character of the Russian landscape—its vastness, its solitude, and its enduring beauty. He was also deeply affected by the writings of Russian poets like Alexander Pushkin and Nikolai Nekrasov, who celebrated the natural world and the simple life of the peasant.

    Legacy and Enduring Influence

    Ivan Ivanovich Shishkin passed away on March 20, 1898, leaving behind a legacy that continues to inspire artists and captivate audiences today. His contributions to Russian landscape painting are immeasurable; he elevated the genre to new heights of realism and emotional depth. His work is prominently featured in numerous museum collections, including the Kartinnaja galerija Tambov and the Yaroslavl Arts Museum, and can be found on platforms like Kramskoy Museum of Fine Arts (Voronezh, Russia) and AllPaintingsStore. Even beyond the art world, his influence extends to scientific circles—a minor planet, 3558 Shishkin, was named in his honor by Soviet astronomer Lyudmila Zhuravlyova in 1978, a fitting tribute to an artist who so profoundly captured the beauty and majesty of the natural universe. *Shishkin’s paintings remain powerful reminders of the enduring connection between humanity and the land—a testament to his skill, vision, and unwavering dedication to portraying the soul of the Russian forest.*

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van A Rye Field

    originaluniqueart.com/nl/art/download/ivan-ivanovich-shishkin-a-rye-field-8YDSHU-en/

    Citeer dit kunstwerk

    MLA
    Shishkin, Ivan Ivanovich. A Rye Field. 1877, https://originaluniqueart.com/nl/art/ivan-ivanovich-shishkin-a-rye-field-8YDSHU-en/
    APA
    Shishkin, Ivan Ivanovich (1877). A Rye Field [Painting]. https://originaluniqueart.com/nl/art/ivan-ivanovich-shishkin-a-rye-field-8YDSHU-en/
    Chicago
    Ivan Ivanovich Shishkin. A Rye Field. 1877. https://originaluniqueart.com/nl/art/ivan-ivanovich-shishkin-a-rye-field-8YDSHU-en/
    Harvard
    Shishkin, Ivan Ivanovich (1877) A Rye Field. Available at: https://originaluniqueart.com/nl/art/ivan-ivanovich-shishkin-a-rye-field-8YDSHU-en/

    Bekijk het van dichtbij

    A Rye Field — Ivan Ivanovich Shishkin

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: rye field, landscape, nature. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Ochtend in een naaldbosch (1886), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Is "A Rye Field" in zijn geheel eerder licht of donker?

    De vastgestelde waarden voor "A Rye Field" door Ivan Ivanovich Shishkin zijn: brilliant helderheid en Bright Balance luminantie.

    Behoort "A Rye Field" van Ivan Ivanovich Shishkin tot het publiek domein, en zo ja, waarom?

    "A Rye Field" door Ivan Ivanovich Shishkin is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De auteursrechtelijke bescherming loopt vanaf het overlijden van de kunstenaar, dat plaatsvond in 1898.

    Onder welke andere namen is Ivan Ivanovich Shishkin bekend?

    Ivan Ivanovich Shishkin staat ook bekend onder de namen Ivan Ivanovitsj Sjisjkin.