Papier

Gids voor studentenkunst

Rowing Pitmen

Naam Groep Datum

Harry Wilson, Rowing Pitmen, Woodhorn Museum - Northumberland Archives. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Harry Wilson originaluniqueart.com/nl/artists/harry-wilson_nl/
Levensdata kunstenaar
1867 – 1939
Afmetingen origineel werk
28 x 38 cm
Gehouden in
Woodhorn Museum - Northumberland Archives originaluniqueart.com/nl/museums/woodhorn-museum-northumberland-archives-ashington/

In context

Rowing Pitmen — Harry Wilson

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 28 × 38 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 72 bij het overlijden.

Shaded: het leven van Harry Wilson (1867–1939) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

  • War at Sea, 1943 originaluniqueart.com/nl/art/harry-wilson-war-at-sea-AQSNCX-en/
  • Committee Meeting, 1937 originaluniqueart.com/nl/art/harry-wilson-committee-meeting-AQSND5-en/
  • Seascape originaluniqueart.com/nl/art/harry-wilson-seascape-AQSND7-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/harry-wilson-rowing-pitmen-AQSNDD-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #99986e

    Gecatalogiseerd palet

    • #99986E
    • #4A4C31
    • #CBD8C5
    • #4B8371

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Harry Wilson over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 3 meest bekeken werken van Harry Wilson

    1. 1 Ashington Colliery, Northumberland, 1936, 1936 50,0%
    2. 2 Seascape 25,0%
    3. 3 Rowing Pitmen dit schilderij 25,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 11 werken van deze kunstenaar, waarvan 3 minstens één keer zijn bekeken. Dit schilderij staat op de 3 plaats, met 25,0% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Harry Wilson

    Geboren in Oregon, United States of America

    A Literary Voice of the American West

    Harry Wilson was not a visual artist, but rather a celebrated American novelist and dramatist whose pen captured the vibrant, often humorous essence of Western life. Born in Oregon, Illinois, his journey into the heart of American storytelling began in the humble setting of his father's newspaper office. As a child, he learned the meticulous craft of setting type, a foundational experience that instilled in him a deep respect for the written word and the mechanics of publishing. This early immersion in the world of print would later serve as the bedrock for a career defined by wit, character development, and an uncanny ability to mirror the spirit of individualism found in the American frontier.

    His professional path was marked by a diverse array of roles that shaped his unique perspective. Before finding widespread literary fame, Wilson worked as a stenographer for the Union Pacific Railroad and served as an editor for the humorous magazine Puck. These experiences, particularly his time gathering stories from pioneers, allowed him to weave authentic textures of Western history into his narratives. His writing often explored the intersection of tradition and modernity, capturing the shifting social landscapes of the early twentieth century with a sharp, observant eye.

    Literary Achievements and Cultural Impact

    Wilson achieved significant renown through works that resonated deeply with the public consciousness. He possessed a remarkable talent for creating characters that felt both iconic and profoundly human. Among his most enduring contributions to American literature are:

    Ruggles of Red Gap: A seminal work that explored themes of class and character growth within a Western backdrop.

    Bunker Bean: A novel noted for its cultural significance, as it helped popularize the term flapper to describe the flamboyant young women of the era.

    Merton of the Movies: Another notable piece that showcased his ability to engage with the evolving landscape of American entertainment.

    The influence of his storytelling extended far beyond the printed page, as many of his novels and plays were adapted for the burgeoning medium of Hollywood film. This transition from literature to cinema ensured that his themes of individualism and humor reached a global audience, cementing his place in the cultural fabric of the time. His ability to blend satire with sincere character studies allowed him to navigate the complexities of the American identity during a period of rapid social change.

    Legacy and Final Years

    Throughout his active years, which spanned from the late nineteenth century into the mid-twentieth century, Wilson remained a significant figure in the American literary landscape. His collaborations with other notable figures, such as the illustrator Rose O'Neill, added a visual dimension to the reach of his stories. Though his popularity faced challenges during the Great Depression, the enduring legacy of his most famous characters continues to invite readers to rediscover the charm and wit of his era.

    In his later years, Wilson settled in Carmel, California, a place that would become his final home. His life, which began in the small-town atmosphere of Illinois and traveled through the bustling editorial offices of New York, concluded in the serene landscape of the California coast. He left behind a body of work that remains a testament to the enduring power of humor and the timeless allure of the American West.

    Museum

    Woodhorn Museum - Northumberland Archives

    Te zien in Ashington, United Kingdom

    A Crucible of Creativity: The Soul of Woodhorn

    Nestled within the verdant expanse of the Queen Elizabeth II Country Park in Ashington, United Kingdom,

    Woodhorn Museum - Northumberland Archives

    stands as a profound testament to the transformative power of the human spirit. It is a place where the heavy, industrial grit of the North East meets a luminous, unexpected artistic resilience. Once the site of the formidable Ashington Colliery, this landscape was defined for generations by the rhythmic toil of coal mining and the structural dominance of pit headgear. Today, however, that industrial skeleton serves as a sanctuary for culture, where the echoes of labor have been harmoniously composed into a narrative of creative rebirth. For the art lover or the discerning collector, wood and iron are not merely relics here; they are the very foundation upon which a unique cultural identity has been built.

    The heart of the museum’s allure lies in its extraordinary collection, most notably the legacy of the

    Ashington Group

    . These were not professional aesthetes by trade, but miners who, during the 1930s and 40s, sought to capture the raw essence of their working-world experience through the medium of paint and sculpture. Their work is a masterclass in expressive vitality, characterized by bold, evocative palettes and brushstrokes that mirror the physical intensity of their daily lives. To walk through these galleries is to witness a profound dialogue between hardship and beauty; the canvases burst with the camaraderie and the rugged landscapes of Northumberland, offering an intimate glimpse into a working-class movement that defied social convention. For interior designers seeking pieces that possess true narrative depth and emotional weight, the spirit of this group provides an unparalleled inspiration of authenticity and raw texture.

    Industrial Grandeur and Historical Preservation

    Beyond the canvases, the museum’s architecture and permanent exhibits offer a sensory journey through time. The preservation of original mining structures—the imposing winding houses, the blacksmith shops, and the steam engines—creates a dramatic, atmospheric backdrop that is as much an art installation as it is a historical record. This juxtaposition of heavy machinery and delicate artistry creates a tension that is deeply moving. As one wanders through the reconstructed colliery buildings, the museum’s role as the home of the Northumberland Archives becomes clear. Here, history is not just displayed; it is preserved in the fine details of photographs, oral histories, and documents that chart the social evolution of the region.

    The site remains a living, breathing element of a contemporary cultural landscape through its diverse offerings:

    The Ashington Group Legacy:

    A permanent collection of art that captures the rugged essence of North East mining life.

    Industrial Heritage:

    Original pit headgear, winding houses, and steam engines that serve as monumental sculptural elements.

    Northumberland Archives:

    A vital repository of regional history, including photographs and documents held within the Cutter building.

    Rotating Exhibitions:

    Evolving displays that bridge the gap between environmental history and modern artistic vision.

    Woodhorn continues to evolve through exhibitions that prompt visitors to reconsider the relationship between place and perception. Whether one is drawn by the historical significance of the colliery’s transformation or the striking visual language of its self-taught artists, this destination remains a beacon for those who find beauty in the unexpected, proving that even from the darkest depths of the earth, a brilliant and enduring light can emerge.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Rowing Pitmen

    originaluniqueart.com/nl/art/download/harry-wilson-rowing-pitmen-AQSNDD-en/

    Citeer dit kunstwerk

    MLA
    Wilson, Harry. Rowing Pitmen. n.d., Woodhorn Museum - Northumberland Archives. https://originaluniqueart.com/nl/art/harry-wilson-rowing-pitmen-AQSNDD-en/
    APA
    Wilson, Harry (n.d.). Rowing Pitmen [Painting]. Woodhorn Museum - Northumberland Archives. https://originaluniqueart.com/nl/art/harry-wilson-rowing-pitmen-AQSNDD-en/
    Chicago
    Harry Wilson. Rowing Pitmen. n.d. Woodhorn Museum - Northumberland Archives. https://originaluniqueart.com/nl/art/harry-wilson-rowing-pitmen-AQSNDD-en/
    Harvard
    Wilson, Harry (n.d.) Rowing Pitmen. Woodhorn Museum - Northumberland Archives. Available at: https://originaluniqueart.com/nl/art/harry-wilson-rowing-pitmen-AQSNDD-en/

    Bekijk het van dichtbij

    Rowing Pitmen — Harry Wilson

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar War at Sea (1943), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Is de afbeelding van "Rowing Pitmen" door Harry Wilson vrij van auteursrecht?

    De auteursrechtelijke status van "Rowing Pitmen" door Harry Wilson: het werk is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. Dit bepaalt of reproducties van de afbeelding vrijelijk mogen worden gemaakt.

    Kan ik "Rowing Pitmen" door Harry Wilson op mijn eigen muur bekijken voordat ik het koop?

    De AR-weergave-pagina van "Rowing Pitmen" door Harry Wilson maakt gebruik van augmented reality om het kunstwerk op een compatibel apparaat in uw eigen ruimte te tonen.

    Behoort "Rowing Pitmen" van Harry Wilson tot het publiek domein, en zo ja, waarom?

    "Rowing Pitmen" door Harry Wilson is bevindt zich in het publiek domein - de auteursrechten zijn verlopen. De auteursrechtelijke bescherming loopt vanaf het overlijden van de kunstenaar, dat plaatsvond in 1939.