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Statue 'Cautiousness'

Naam Klas Datum

giovan maria morlaiter, Statue 'Cautiousness'. Publiek domein

De feiten

Kunstenaar
giovan maria morlaiter originaluniqueart.com/nl/artists/giovan-maria-morlaiter/
Geboortedatum en -overlijden kunstenaar
1699 – 1781

In context

Statue 'Cautiousness' — giovan maria morlaiter

Wanneer zou dit geschilderd kunnen zijn?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760
  9. 1770
  10. 1780

Shaded: het leven van giovan maria morlaiter (1699–1781)

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

  • Virgin Immaculate originaluniqueart.com/nl/art/giovan-maria-morlaiter-virgin-immaculate-8XZSBJ-en/
  • St Dominic Altar (detail) originaluniqueart.com/nl/art/giovan-maria-morlaiter-st-dominic-altar-detail-8XZSBG-en/
  • St Dominic Altar originaluniqueart.com/nl/art/giovan-maria-morlaiter-st-dominic-altar-8XZSBF-en/

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/giovan-maria-morlaiter-statue-cautiousness-A2A523-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Putty #c1c2c3

    Gecatalogiseerd palet

    • #C1C2C3
    • #5C4C38
    • #8F897C
    • #24221E
    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Putty
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    giovan maria morlaiter

    Born in Venice, Italy

    Giovanni Maria Morlaiter: Sculptor of Venetian Grace

    The world of 18th-century Venice was a vibrant tapestry woven with artistic innovation, opulent patronage, and a deep reverence for classical ideals. Within this dynamic environment flourished Giovanni Maria Morlaiter (1699-1781), a sculptor whose work embodies the very essence of Rococo artistry – a captivating blend of elegance, dynamism, and profound emotional depth. More than just a craftsman, Morlaiter was a key interpreter of his era, shaping the visual landscape of Venice’s most celebrated churches and leaving behind a legacy that continues to resonate with collectors and art historians alike.

    Born in Venice into a family connected to the glassmaking industry, Morlaiter's early life provided him with an intimate understanding of craftsmanship and material. While his father’s profession focused on shimmering transparency, Morlaiter’s path led him toward the solidity and expressive power of marble and bronze. His training likely began within Venice itself, absorbing the influences of established sculptors while simultaneously developing a distinctive style that would soon distinguish him as a leading figure. The precise details of his formative years remain somewhat obscured by historical records, but it is clear that he quickly demonstrated an exceptional talent for capturing movement, emotion, and intricate detail – qualities that would become hallmarks of his oeuvre.

    A Master of the Gesuati Church

    Morlaiter’s most enduring contribution to Venetian art lies within the Gesuati church, a masterpiece of Baroque architecture designed by Baldassarre Longhena. Here, he undertook a monumental project that spanned nearly two decades, transforming the interior into a breathtaking spectacle of sculpted grace. The sheer scale and complexity of this undertaking demanded not only technical skill but also an extraordinary capacity for imaginative storytelling. Morlaiter’s figures—ranging from serene angels to dramatic biblical scenes—are imbued with a palpable sense of life, their drapery swirling around them in a dance of movement, and their expressions conveying a spectrum of emotions.

    The “Glory of Angels” is perhaps the most iconic example of Morlaiter’s genius within the Gesuati. This magnificent grouping depicts a multitude of angels ascending towards God, their wings outstretched in a gesture of fervent devotion. The dynamism of the scene—the swirling drapery, the upward thrust of the figures—is remarkably captured, creating an illusion of movement that draws the viewer into the heart of the composition. Similarly, his depictions of scenes from the life of Christ – “Aaron” and “Jesus heals the blind,” for instance – are rendered with a profound understanding of human emotion and spiritual significance.

    Beyond the Gesuati: Expanding Horizons

    While the Gesuati church remains the cornerstone of Morlaiter’s reputation, his influence extended far beyond its walls. He was commissioned to create sculptures for other prominent Venetian churches, including Santa Maria del Rosario and Santa Maria della Salute, each reflecting a unique interplay between his established style and the specific demands of the commission. His work in Santa Maria del Giglio showcases a particularly vibrant use of color and texture, demonstrating his mastery of materials and his ability to evoke a sense of theatrical drama.

    Furthermore, Morlaiter’s artistic vision was not confined to religious subjects. He produced portraits and decorative sculptures for private clients, showcasing his versatility and his willingness to experiment with different forms and techniques. His work during this period reveals an increasing interest in the natural world, evident in his depictions of animals and landscapes – a subtle shift that foreshadowed the rise of Neoclassicism in the following century.

    Influence and Legacy

    Giovanni Maria Morlaiter’s legacy is inextricably linked to the flourishing artistic environment of 18th-century Venice. He was a pivotal figure in the development of Rococo sculpture, embodying its key characteristics – elegance, dynamism, and emotional expressiveness. His work profoundly influenced subsequent generations of Venetian sculptors, shaping the course of art history for decades to come.

    Morlaiter’s sculptures continue to captivate viewers with their beauty, grace, and profound sense of humanity. They serve as a testament to his exceptional talent, his artistic vision, and his enduring contribution to the rich cultural heritage of Venice. His work stands as a vibrant reminder of a golden age in Venetian art – an era defined by creativity, innovation, and a deep appreciation for the power of beauty.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Statue 'Cautiousness'

    originaluniqueart.com/nl/art/download/giovan-maria-morlaiter-statue-cautiousness-A2A523-en/

    Bronvermelding voor dit kunstwerk

    MLA
    morlaiter, giovan maria. Statue 'Cautiousness'. n.d., https://originaluniqueart.com/nl/art/giovan-maria-morlaiter-statue-cautiousness-A2A523-en/
    APA
    morlaiter, giovan maria (n.d.). Statue 'Cautiousness' [Painting]. https://originaluniqueart.com/nl/art/giovan-maria-morlaiter-statue-cautiousness-A2A523-en/
    Chicago
    giovan maria morlaiter. Statue 'Cautiousness'. n.d. https://originaluniqueart.com/nl/art/giovan-maria-morlaiter-statue-cautiousness-A2A523-en/
    Harvard
    morlaiter, giovan maria (n.d.) Statue 'Cautiousness'. Available at: https://originaluniqueart.com/nl/art/giovan-maria-morlaiter-statue-cautiousness-A2A523-en/

    Look closely

    Statue 'Cautiousness' — giovan maria morlaiter

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Virgin Immaculate, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.