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Yellow City

Naam Groep Datum

Egon Schiele, Yellow City (1914). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Egon Schiele originaluniqueart.com/nl/artists/egon-schiele_nl/
Levensdata kunstenaar
1890 – 1918
Geschilderd
1914
Medium
Oil On Canvas
Afmetingen origineel werk
110 x 140 cm
Beweging
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
Periode
Modern
Artistic style
Bold and emotive
Influences
Vienna
Notable elements or techniques
Impasto, Geometric forms
Subject or theme
Cityscape

In context

Yellow City — Egon Schiele

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 110 × 140 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 28 bij het overlijden.

Geschilderd toen de kunstenaar 24 jaar oud was. De kunstenaar werd 28 jaar oud. 215 van de 327 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Egon Schiele (1890–1918) ▲ dit werk, 1914 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/egon-schiele-yellow-city-6WHKPG-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #2a1b17

    Gecatalogiseerd palet

    • #2A1B17
    • #CC903B
    • #905B2E
    • #5C3C26

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Dark De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Vivid De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Clear Color Presence Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Egon Schiele over de afgelopen twaalf maanden — in totaal 65 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 43,9%78.900 visits
    2. 2 Verenigde Staten van Amerika 7,6%13.700 visits
    3. 3 Hongkong 6,4%11.500 visits
    4. 4 Singapore 5,4%9.700 visits
    5. 5 Rusland 3,7%6.700 visits
    6. 6 Italië 3,2%5.700 visits
    7. 7 Frankrijk 2,6%4.700 visits
    8. 8 Spanje 2,6%4.600 visits
    9. 9 Duitsland 2,3%4.100 visits
    10. 10 Litouwen 2,3%4.100 visits
    11. · 55 overige landen 20,0%36.100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Egon Schiele

    1. 1 De Zelf-Zeurders II (Dood en Man), 1911 5,9%14.900 visits
    2. 2 De Familie, 1917 3,9%9.900 visits
    3. 3 Moeder met twee kinderen, 1917 3,1%7.800 visits
    4. 4 Portret van Wally, 1912 2,5%6.300 visits
    5. 5 Huis aan de Rivier (ook bekend als Oude Hoeve I), 1915 1,7%4.400 visits
    6. 6 Dood en het meisje, 1915 1,5%3.900 visits
    7. 7 Vier Bomen, 1917 1,4%3.600 visits
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,4%3.600 visits
    9. 9 Gerti Schiele 1,3%3.300 visits
    10. 10 Moa, 1911 1,2%3.000 visits
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,2%3.000 visits
    12. 12 Lovemaking, 1915 1,1%2.900 visits
    13. 13 Two Women Embracing, 1915 1,1%2.800 visits
    14. 14 Zelfportret als Sint Sebastiaan (poster), 1914 1,1%2.700 visits
    15. 15 Autumn Trees, 1911 1,0%2.600 visits
    16. 16 Crouching Woman with Green Headscarf, 1914 1,0%2.500 visits
    17. 17 Sunflower, 1909 0,9%2.400 visits
    18. 18 Self Portrait, 1912 0,9%2.200 visits
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%2.200 visits
    20. 335 Yellow City, 1914 dit schilderij 0,0%100 visits

    Samen maken deze werken 33,1% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 635 werken van deze kunstenaar, waarvan 447 minstens één keer zijn bekeken. This painting ranks 335 of them, with 0,0% of that attention (100 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Yellow City — Egon Schiele

    Composition and Style

    Egon Schiele’s “Yellow City,” completed in 1914, stands as a cornerstone of Expressionist cityscape art. Measuring 110 x 140 cm, this oil on canvas immediately commands attention with its bold geometric forms and striking color palette—primarily dominated by shades of yellow and brown—a deliberate departure from the prevailing Impressionistic tendencies of the time. Schiele’s masterful technique employs impasto, layering thick brushstrokes to imbue the walls and roofs of the buildings with palpable texture, mirroring the dynamism inherent in urban life. The composition itself is characterized by overlapping rectilinear shapes that create a sense of claustrophobia yet simultaneously convey an energetic rhythm. Angular lines delineate architectural structures, emphasizing their rigidity against the softer hues of the distant landscape—a calculated juxtaposition designed to heighten emotional impact.

    Artistic Significance

    “Cité Jaune” transcends mere visual representation; it embodies Schiele’s profound engagement with psychological themes and his exploration of human vulnerability. Like many of his works, this painting reflects a preoccupation with mortality and isolation—themes that resonate powerfully within the Expressionist movement's broader critique of bourgeois society. The artist’s deliberate use of dark outlines contributes to the artwork’s dramatic effect, deepening the sense of spatial recession and amplifying the geometric mosaic created by the buildings. Schiele’s stylistic choices were revolutionary for his era, rejecting academic conventions in favor of a raw emotional honesty that foreshadowed developments in Surrealism and Abstract Expressionism.

    Context and Influence

    Schiele's artistic trajectory was marked by controversy; he faced criticism from art critics and societal norms alike. His unflinching portrayal of the nude figure—a recurring motif throughout his oeuvre—challenged prevailing moral standards and cemented his reputation as a provocateur. Despite facing legal challenges, including imprisonment for obscenity in 1912, Schiele remained steadfast in his artistic vision, prioritizing emotional truth over adherence to established aesthetic ideals. “Yellow City”’s influence extends far beyond its immediate visual impact, inspiring subsequent generations of artists who embraced expressive abstraction and psychological exploration.

    Relevance to Modern Art

    “Cité Jaune” remains a seminal work within the canon of modern art, demonstrating Schiele's unwavering commitment to conveying inner turmoil through formal innovation. The painting’s geometric precision—a hallmark of Expressionism—influenced artists like Piet Mondrian and Kazimir Malevich, who sought to distill visual experience into elemental forms. Its enduring appeal lies in its ability to evoke a visceral response from viewers—a feeling of unease mingled with fascination—reflecting Schiele's profound understanding of the human condition.

    Egon Schiele: Yellow City

    Egon Schiele on Wikipedia

    AllPaintingsStore.com offers high-quality, handmade oil painting reproductions of “Yellow City” and other works by Egon Schiele. These reproductions are created by skilled artists who meticulously capture the essence and detail of the original paintings. Photo Description: The image depicts a vibrant cityscape painted in the expressionist style. The artist has employed bold colors and loose brushstrokes to convey the energy of the urban environment. The buildings are depicted with a sense of dynamism, their forms overlapping and intertwining in a way that suggests movement and life within the city. The palette is dominated by warm hues, with yellows, oranges, and reds creating a rich tapestry against the cooler tones of the sky and shadows. The use of color is not strictly realistic; instead, it seems to be used for its emotional impact, enhancing the overall mood of the painting. The architecture is characterized by steep roofs and pointed spires, which could suggest a European cityscape. The buildings are densely packed together, with no clear separation between them, further emphasizing the bustling nature of the urban environment. There are no visible texts or inscriptions within the image that provide additional context or information about the scene depicted. The painting is signed “Egon Schiele” in the lower right corner, indicating the artist’s identity and confirming the attribution to this renowned expressionist painter. The overall composition of the painting is balanced yet chaotic, reflecting the complexity and vibrancy of city life. The artist has skillfully used color, form, and brushwork to create a dynamic representation that captures the essence of urban existence in an expressive manner. Size: 110 x 140 cm Date: 1914

    Kunstenaar en museum

    Kunstenaar

    Egon Schiele

    Geboren in Wenen, Oostenrijk

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from 1890 to 1918 within the vibrant yet often unsettling landscape of Vienna. Born in Tulln an der Donau, Austria, his early years were shadowed by profound loss – the death of his father due to syphilis at just fourteen, followed tragically by the demise of his sister Elvira. Raised initially by his mother and later under the watchful eye of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability common to many, fostering within him a remarkable independence and an acute sensitivity. From a young age, he displayed a deep fascination with trains – a motif that would subtly reappear throughout his work, symbolizing both movement and perhaps, the relentless passage of time. Though initially discouraged by his father for pursuing drawing as a distraction from more “practical” endeavors, Schiele’s innate talent blossomed, laying the foundation for his future artistic expression. These formative experiences—illness, loss, and an unconventional upbringing—instilled within him a profound awareness of mortality and the fragility of human existence, themes that would become central to his art.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule in Vienna, but he quickly found himself stifled by its conservative approach. Seeking a more expressive outlet, he transferred to the Akademie der bildenden Künste, only to discover that even this institution's academic traditions felt restrictive. Dissatisfied with the rigid constraints of traditional art education, Schiele deliberately chose to forge his own path, rejecting formal training altogether – a bold decision reflecting his unwavering artistic conviction. Crucially, he found inspiration in the work of Gustav Klimt, deeply admiring Klimt’s decorative style and exploration of symbolism. Klimt's influence was significant, yet Schiele ultimately diverged from his mentor’s aesthetic, developing a distinctly individual voice characterized by stark honesty and psychological intensity. He became a founding member of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909, alongside other progressive artists who challenged the prevailing artistic norms of the time. His early works—often unsettling portraits and self-portraits—began to emerge as powerful statements of emotional turmoil, featuring distorted figures and a palpable sense of vulnerability. These paintings weren’t merely representations of physical form; they were explorations of the inner landscape – the anxieties, desires, and fears that haunted the human psyche. He sought to depict not what he saw, but what he felt.

    Raw Emotion and Unflinching Truth

    Egon Schiele's art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vessel for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. His use of line is particularly striking; it’s not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Yellow City

    originaluniqueart.com/nl/art/download/egon-schiele-yellow-city-6WHKPG-en/

    Citeer dit kunstwerk

    MLA
    Schiele, Egon. Yellow City. 1914, https://originaluniqueart.com/nl/art/egon-schiele-yellow-city-6WHKPG-en/
    APA
    Schiele, Egon (1914). Yellow City [Painting]. https://originaluniqueart.com/nl/art/egon-schiele-yellow-city-6WHKPG-en/
    Chicago
    Egon Schiele. Yellow City. 1914. https://originaluniqueart.com/nl/art/egon-schiele-yellow-city-6WHKPG-en/
    Harvard
    Schiele, Egon (1914) Yellow City. Available at: https://originaluniqueart.com/nl/art/egon-schiele-yellow-city-6WHKPG-en/

    Bekijk het van dichtbij

    Yellow City — Egon Schiele

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: cityscape, architecture, geometric. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar De Zelf-Zeurders II (Dood en Man) (1911), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Expressionism: Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Yellow City — Egon Schiele

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is "Yellow City" primarily associated with?

      • A Romanticism
      • B Impressionism
      • C Expressionism
    2. 2. Which technique did Egon Schiele employ prominently in "Yellow City" to create depth and enhance the geometric appearance of the buildings?

      • A Blending
      • B Glazing
      • C Impasto
    3. 3. What is a notable characteristic of Egon Schiele's depiction of urban architecture in "Yellow City"?

      • A Realistic representation of architectural details
      • B Emphasis on naturalistic landscapes
      • C Strong linearity and interlocking geometric forms
    4. 4. What was Egon Schiele's stance regarding art critics and society during his lifetime?

      • A He actively defended artistic freedom.
      • B He embraced societal norms wholeheartedly.
      • C He largely avoided public attention.
    5. 5. What is the primary color palette used in "Yellow City", and how does it contribute to the painting's emotional impact?

      • A Cool blues and greens emphasizing tranquility.
      • B Warm yellows, oranges, and reds conveying energy and passion.
      • C Neutral tones reflecting a somber mood.

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

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    1C · 2C · 3C · 4B · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Wat is de dominante kleur van "Yellow City" door Egon Schiele?

    Een Golden Yellow Range tint loopt door "Yellow City" door Egon Schiele.

    Wat zijn de techniek en de afmetingen van "Yellow City" door Egon Schiele?

    Het originele werk "Yellow City" door Egon Schiele is een Oil On Canvas met de afmetingen 110 x 140 cm. Techniek en afmetingen beschrijven het originele object.

    Welke techniek is gebruikt voor "Yellow City" en wanneer is het gemaakt?

    "Yellow City" werd gemaakt in 1914, in Oil On Canvas.