Papierformaat

Gids voor studentenkunst

Marine

Naam Klas Datum

Edward King Redmore, Marine, Ferens Art Gallery. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

De feiten

Kunstenaar
Edward King Redmore originaluniqueart.com/nl/artists/edward-king-redmore/
Geboortedatum en -overlijden kunstenaar
1860 – 1941
Afmetingen origineel werk
31 x 51 cm
Gehouden in
Ferens Art Gallery originaluniqueart.com/nl/museums/ferens-art-gallery-hull_nl/

In context

Marine — Edward King Redmore

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 31 × 51 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 81 bij het overlijden.

Shaded: het leven van Edward King Redmore (1860–1941) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijkbare werken

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/edward-king-redmore-marine-AQUD76-en/

Kleurenpalet

Gemeten op basis van de afbeelding

    Hoofdkleur

    Gray #7b9c97

    Gecatalogiseerd palet

    • #7B9C97
    • #233D34
    • #4F7166
    • #A0C2B9

    Deze kleuren binnen het volledige palet van de kunstenaar Vind andere schilderijen op kleur

    Naam hoofdkleur
    Gray
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Edward King Redmore over de afgelopen twaalf maanden — in totaal 2 landen. Waar deze cijfers vandaan komen

    De tien belangrijkste landen

    1. 1 China 80,0%
    2. 2 Singapore 20,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 6 meest bekeken werken van Edward King Redmore

    1. 1 Dutch Craft 33,3%
    2. 2 Fishing Smacks in a Storm, 1890 16,7%
    3. 3 Ships in a Storm 16,7%
    4. 4 Fishing Smacks in a Cove, 1890 16,7%
    5. 5 Seascape 16,7%
    6. — Marine dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 12 werken van deze kunstenaar, waarvan 5 minstens één keer zijn bekeken. Dit schilderij is in die periode nog niet bekeken — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Edward King Redmore

    The Quiet Observer: The Life and Legacy of Edward King Redmore

    Edward King Redmore (1860–1941) occupied a unique space within the vibrant, often turbulent landscape of Victorian and Edwardian art. Born in Stourbridge, Worcestershire, Redmore was far more than a mere chronicler of his era; he was a painter of profound empathy, dedicated to capturing the subtle rhythms of everyday existence. While the grand galleries of his time were often preoccupied with sweeping historical epics and mythological dramas, Redmore turned his gaze inward, toward the hearth, the village, and the sea. His work serves as a window into a vanishing world, preserving the quiet dignity of domesticity and the raw, unyielding power of the natural elements through a lens of meticulous realism.

    His artistic journey began with formal training at the Birmingham School of Art, an institution that provided him with a rigorous foundation in technique. During his formative years, the air of the British art world was thick with the influence of the Pre-Raphaelites and the burgeoning Aesthetic movement. One can sense the lingering echoes of Burne-Jones in Redmore’s commitment to narrative detail and the evocative use of light. However, rather than retreating into the ethereal or the symbolic, Redmore utilized these refined sensibilities to ground his subjects in a palpable reality. He possessed a rare ability to infuse the mundane with a sense of importance, transforming a simple domestic interior or a coastal vista into a profound meditation on human presence and the passage of time.

    Mastery of Light and Atmosphere

    Redmore’s technical prowess is perhaps most evident in his command over atmosphere and texture. He was an artist who understood that light does not merely illuminate a scene; it defines its emotional temperature. In his maritime works, such as the captivating "Ships in a Storm" and "Fishing Smacks in a Storm," he employs dramatic lighting to convey the visceral tension of life at sea. The viewer is not merely looking at a painting of boats; they are witnessing the struggle between man and nature. Through his skillful application of paint, particularly in works like "Seascape," Redmore utilized a textured impasto technique to render the misty, salt-sprayed air of the coast, allowing the physical substance of the oil paint to mirror the ruggedness of the landscape itself.

    This mastery extended seamlessly into his genre paintings, where the atmosphere shifted from the tempestuous to the tranquil. Redmore excelled at creating interiors that felt lived-in and warm, using soft, diffused light to highlight the textures of fabric, wood, and porcelain. These scenes of domesticity were never static; they breathed with the quiet energy of daily routines. Whether depicting a moment of familial affection or the solitary stillness of a room, his compositions possessed a rhythmic balance that guided the eye through layers of subtle social commentary and tender observation.

    A Lasting Impression on Victorian Realism

    The historical significance of Edward King Redmore lies in his role as a practitioner of a refined, observational realism. He belonged to a generation of artists who sought to find truth in the "unfiltered" world, rejecting the polished idealism of previous eras in favor of an honest portrayal of life. His work embodies the values of his time—industriousness, family unity, and a deep-seated respect for the natural world—yet it transcends mere period piece through its universal emotional resonance.

    While he may not have achieved the widespread fame of his more flamboyant contemporaries, Redmore’s contribution to the British tradition of genre painting is undeniable. His legacy is found in:

    The elevation of the everyday: Proving that ordinary domestic scenes possess as much narrative weight as historical triumphs.

    Technical innovation within realism: Using textured brushwork and dramatic chiaroscuro to bring a tactile reality to maritime and landscape subjects.

    Preservation of cultural identity: Providing a visual record of the social customs, aesthetics, and landscapes of late 19th-century Britain.

    Today, as we look back upon his oeuvre, Redmore’s paintings continue to offer a sense of profound connection, reminding us that there is immense beauty and complexity to be found in the quietest corners of our shared human experience.

    Museum

    Ferens Art Gallery

    Te zien in Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Lees meer op

    Online beschikbaar

    QR-code die linkt naar de downloadpagina van Marine

    originaluniqueart.com/nl/art/download/edward-king-redmore-marine-AQUD76-en/

    Bronvermelding voor dit kunstwerk

    MLA
    Redmore, Edward King. Marine. n.d., Ferens Art Gallery. https://originaluniqueart.com/nl/art/edward-king-redmore-marine-AQUD76-en/
    APA
    Redmore, Edward King (n.d.). Marine [Painting]. Ferens Art Gallery. https://originaluniqueart.com/nl/art/edward-king-redmore-marine-AQUD76-en/
    Chicago
    Edward King Redmore. Marine. n.d. Ferens Art Gallery. https://originaluniqueart.com/nl/art/edward-king-redmore-marine-AQUD76-en/
    Harvard
    Redmore, Edward King (n.d.) Marine. Ferens Art Gallery. Available at: https://originaluniqueart.com/nl/art/edward-king-redmore-marine-AQUD76-en/

    Bekijk het van dichtbij

    Marine — Edward King Redmore

    Kijk eens goed

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 2 — ben je het ermee eens?)
    4. Kijk nog eens naar Fishing Smacks in a Storm (1890), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Wat zou de kunstenaar u willen laten voelen?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Vragen & Antwoorden

    Wat zijn de afmetingen van het originele "Marine" door Edward King Redmore?

    De vastgestelde afmetingen van "Marine" door Edward King Redmore zijn 31 x 51 cm. Reproducties kunnen in andere formaten worden besteld met behoud van dezelfde verhoudingen.

    Kan ik "Marine" door Edward King Redmore onder ander licht bekijken?

    De Röntgenanalyse-pagina van "Marine" door Edward King Redmore is een interactieve viewer waarmee u door elf optische lagen van de afbeelding van het kunstwerk kunt glijden, inclusief een weergave in röntgenstijl.

    Welke verzadiging en intensiteit vertoont "Marine" door Edward King Redmore?

    De kleuren van "Marine" door Edward King Redmore vertonen een Subtle Color verzadiging met een Balanced intensiteit.