Papier

Gids voor studentenkunst

Thomas Ashby Wickham

Naam Groep Datum

David Silvette, Thomas Ashby Wickham (1934), The Valentine. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
David Silvette originaluniqueart.com/nl/artists/david-silvette/
Levensdata kunstenaar
1909 – 1992
Geschilderd
1934
Beweging
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Gehouden in
The Valentine originaluniqueart.com/nl/museums/the-valentine-richmond/

In context

Thomas Ashby Wickham — David Silvette

Wanneer is dit geschilderd?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 83 bij het overlijden.

Geschilderd toen de kunstenaar 25 jaar oud was. De kunstenaar werd 83 jaar oud. 0 van de 2 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van David Silvette (1909–1992) ▲ dit werk, 1934 elk gedateerd schilderij, decennium voor decennium

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/david-silvette-thomas-ashby-wickham-D827ZK-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Driftwood #c79b6a

    Gecatalogiseerd palet

    • #C79B6A
    • #342E2B
    • #745236
    • #A27545

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Driftwood
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Unified Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van David Silvette over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 1 meest bekeken werken van David Silvette

    1. 1 Thomas Ashby Wickham, 1934 dit schilderij 100,0%100 visits

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 3 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. This painting ranks 1 of them, with 100,0% of that attention (100 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Thomas Ashby Wickham — David Silvette

    Thomas Ashby Wickham (1857-1939) was the son of Littleton Waller Tazwell Wickham (1821-1909) and Elizabeth Peyre Ashby (1824-1859). Thomas Ashby Wickham practiced law in Washington Territory in the 1880s and 1890s. In 1897, he returned to Virginia and married his cousin Julia Wickham Porcher (1860-1933), daughter of Virginia Leigh (1835-1866) and Dr. Francis Peyre Porcher (1824-1895).Wickham was appointed judge in the Henrico County court and served in the Virginia Senate. Towards the end of his life, he sat for his portrait by Richmond artist David Silvette. Painted the year after he was widowed, it descended in the family until 1996.

    Kunstenaar en museum

    Kunstenaar

    David Silvette

    Geboren in Richmond, United States of America

    The Legacy of David Silvette: A Master of Color and Form

    Born in the historic city of Richmond, Virginia, in 1909, David Silvette emerged as a profound voice in American painting, carrying forward a rich artistic lineage. Growing up within a family deeply rooted in the creative arts, Silvette was nurtured by an environment where the language of color and light was spoken fluently. His early years were marked by a natural inclination toward the canvas, a passion that would eventually lead him to the prestigious Pennsylvania Academy of the Fine Arts. It was within these hallowed halls of academic excellence that Silvette refined his technical prowess, developing a command over oil on canvas that many contemporaries noted surpassed even the formidable skills of his own father. This period of rigorous study provided him with the foundational tools to transform mere observation into evocative, soulful compositions.

    The evolution of Silvette’s style is a testament to his dedication to the craft of painting. While his training was grounded in classical techniques, his mature work began to breathe with a unique vitality characterized by bold colors and expressive, confident brushstrokes. He possessed a rare ability to manipulate pigment to capture not just the physical likeness of his subjects, but their very essence. This is perhaps most notably seen in his portraiture, such as his celebrated depiction of Thomas Callendine Boushall, where the interplay of light and shadow creates a sense of profound depth and character. His landscapes, too, reflect this mastery, utilizing a vibrant palette to evoke the atmospheric beauty of the American landscape, making each piece feel alive with movement and emotion.

    Recognition and Artistic Triumph

    Silvette’s ascent within the American art scene was marked by significant accolades that solidified his reputation as a premier talent of his era. His ability to blend technical precision with emotional resonance allowed him to win numerous prestigious art contests, each victory serving as a milestone in his professional journey. These achievements were not merely personal triumphs but also contributed to the broader recognition of his unique aesthetic within the mid-20th-century art world. The exhibition of his works in institutions such as the Pennsylvania Academy of the Fine Arts—the very place where he honed his skills—served as a full circle moment, validating his status among the elite painters of his generation.

    Beyond the canvas, Silvette’s impact is felt through the enduring accessibility of his vision. His life's work continues to resonate with modern audiences through high-quality reproductions that preserve the integrity of his original strokes. The following elements define the lasting appeal of his oeuvre:

    Technical Mastery: An unparalleled ability to use oil mediums to create texture and depth.

    Chromatic Boldness: A signature use of vibrant, saturated colors that command attention.

    Historical Resonance: A bridge between classical academic training and a more modern, expressive approach.

    Emotional Depth: A focus on capturing the psychological essence of portrait subjects.

    As we reflect on the life of David Silvette, we see an artist who was both a product of his heritage and a pioneer of his own style. His journey from a young student in Richmond to a renowned figure in American art remains an inspiration to all who seek to find beauty through the transformative power of paint.

    Museum

    The Valentine

    Te zien in Richmond, United States of America

    A Window into Richmond’s Soul: The Valentine Museum

    Nestled in the heart of Richmond, Virginia, The Valentine stands as more than just a museum; it's a vibrant chronicle of a city’s evolution—a testament to resilience, transformation, and the interwoven stories that shape a community. Founded by Mann S. Valentine II in 1898, initially fueled by his success in the meatpacking industry, The Valentine has blossomed into a nationally recognized landmark dedicated not merely to preserving artifacts, but to actively interpreting Richmond’s complex past and present. Its very existence is rooted in a fascinating blend of entrepreneurial spirit and a deep-seated desire to educate and inspire future generations about their heritage – a legacy that continues to resonate today.

    The museum's collection is remarkably diverse, offering a tangible connection to the city’s multifaceted history. Beyond its impressive array of fine arts and decorative objects—ranging from elegant Victorian furniture to intricate ceramics—The Valentine boasts an extensive archive of local photographs meticulously documented by Edith Keesee Shelton, providing invaluable glimpses into daily life after World War II. These evocative 35mm color slides capture a pivotal era in Richmond’s recovery and growth, offering a uniquely intimate perspective on the city's spirit. Equally compelling is the Wickham House, a beautifully preserved example of early 19th-century architecture—a meticulously maintained window into the lives of Richmond’s elite during that period. The museum also regularly hosts rotating exhibitions delving into specific themes, from the legacy of slavery and racial justice to urban development and social change, ensuring visitors are continually confronted with challenging yet essential narratives.

    Architectural Echoes: A Complex of Historic Buildings

    The Valentine’s physical presence is as significant as its collection. The museum complex isn't a single building but rather a carefully curated ensemble of historic structures, each reflecting different eras and architectural styles. Dominating the landscape is the Wickham House (1812), a prime example of Federal architecture, meticulously restored to its original grandeur. Flanking it are a series of adjacent row houses, showcasing variations on the Georgian style—a deliberate choice by Mann Valentine II to create a cohesive and historically resonant setting for his burgeoning museum. These buildings aren’t simply decorative; they serve as physical anchors to Richmond's past, grounding the visitor in the city’s layered history.

    Voices of the Past: Exploring Richmond Stories

    What truly distinguishes The Valentine is its commitment to inclusive storytelling and a willingness to engage with difficult aspects of Richmond’s history. The museum actively seeks to represent diverse voices and perspectives, fostering dialogue and understanding within the community. This approach is powerfully exemplified by “Richmond Stories,” an interactive project that utilizes digital tools to present compelling narratives drawn from the museum's archives—including oral histories, photographs, and personal accounts. Walking tours offer an immersive way to experience the city’s history firsthand, guiding visitors through significant landmarks and revealing hidden connections between past events and contemporary realities. The museum also hosts a variety of educational programs for students and adults, further expanding its reach and impact.

    A Legacy of Confrontation and Connection

    The Valentine's journey reflects Richmond’s own—a city grappling with its complex legacy while striving to build a more equitable future. It is a place where the past isn’t sanitized or romanticized, but rather examined honestly and openly. The museum’s dedication to confronting difficult truths alongside celebrating triumphs makes it a vital cultural institution, not just for Richmond, but for anyone seeking a deeper understanding of American history and the ongoing struggle for social justice. Its commitment to accessibility and engagement ensures that its stories continue to resonate with audiences today and for generations to come.

    Visitor Information & Further Exploration

    The Valentine is open year-round, offering visitors a rich and rewarding experience. Beyond the permanent exhibitions and guided tours, research opportunities are available for those seeking to delve deeper into Richmond’s history. For more information on current exhibits, events, and visiting hours, please visit

    The Valentine's website

    .

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Thomas Ashby Wickham

    originaluniqueart.com/nl/art/download/david-silvette-thomas-ashby-wickham-D827ZK-en/

    Citeer dit kunstwerk

    MLA
    Silvette, David. Thomas Ashby Wickham. 1934, The Valentine. https://originaluniqueart.com/nl/art/david-silvette-thomas-ashby-wickham-D827ZK-en/
    APA
    Silvette, David (1934). Thomas Ashby Wickham [Painting]. The Valentine. https://originaluniqueart.com/nl/art/david-silvette-thomas-ashby-wickham-D827ZK-en/
    Chicago
    David Silvette. Thomas Ashby Wickham. 1934. The Valentine. https://originaluniqueart.com/nl/art/david-silvette-thomas-ashby-wickham-D827ZK-en/
    Harvard
    Silvette, David (1934) Thomas Ashby Wickham. The Valentine. Available at: https://originaluniqueart.com/nl/art/david-silvette-thomas-ashby-wickham-D827ZK-en/

    Bekijk het van dichtbij

    Thomas Ashby Wickham — David Silvette

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: portrait, elderly man, virginia. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Dorothy Chapin and her daughter Virginia S. Chapin (1940), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Aan welke kunstenaar wordt "Thomas Ashby Wickham" toegeschreven?

    "Thomas Ashby Wickham" wordt toegeschreven aan David Silvette.

    Hoe verbindt "Thomas Ashby Wickham" door David Silvette Contemporary Realism met het geboorteland van de kunstenaar?

    "Thomas Ashby Wickham" verbindt de Contemporary Realism-stroming met United States of America via de geboorteplaats van de maker.

    Wat stelt "Thomas Ashby Wickham" door David Silvette voor?

    De thema's die aanwezig zijn in "Thomas Ashby Wickham" door David Silvette omvatten portrait, elderly man, virginia, judge, formal, dignified, oil painting, 1930s. Samen vatten zij de onderwerpen van het kunstwerk samen.