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The third love painting

Naam Groep Datum

David Hockney, The third love painting. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
David Hockney originaluniqueart.com/nl/artists/david-hockney_nl/
Levensdata kunstenaar
1937 –
Medium
Painting
Periode
Modern
Artistic style
Hockneyesque
Influences
David Hockney, Hockney
Notable elements
Chair, 'Must Go' text
Subject or theme
Domestic Scene

In context

The third love painting — David Hockney

Wanneer zou dit geschilderd kunnen zijn?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode, waarbij het geboortejaar als jaar 0 wordt geteld.

elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/david-hockney-the-third-love-painting-9HTJLZ-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #1c222e

    Gecatalogiseerd palet

    • #1C222E
    • #EBEAF1
    • #8C809C
    • #564F66

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Balanced Harmony De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van David Hockney over de afgelopen twaalf maanden — in totaal 35 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 Frankrijk 20,5%
    2. 2 België 14,2%
    3. 3 China 10,5%
    4. 4 Polen 6,5%
    5. 5 Tsjechië 6,1%
    6. 6 Verenigd Koninkrijk 6,1%
    7. 7 Italië 4,7%
    8. 8 Duitsland 4,0%
    9. 9 Griekenland 4,0%
    10. 10 Canada 3,0%
    11. · 25 overige landen 20,4%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van David Hockney

    1. 1 Een groter sprongschot, 1967 10,2%
    2. 2 Garrowby hill 8,9%
    3. 3 Portrait of an artist pool with two figures, 1971 8,9%
    4. 4 Zwembad Figuren 8,0%
    5. 5 Late spring tunnel 4,6%
    6. 6 Path through wheat field 4,0%
    7. 7 American Collectors (Fred and Marcia Weisman), 1968 3,7%
    8. 8 The Arrival of Spring in Woldgate 3,3%
    9. 9 Place furstenberg, paris 2,9%
    10. 10 Three Trees near Thixendale 2,6%
    11. 11 Bigger Trees Near Warter Or Peinture Sur Le Motif Pour Le Nouvel Age Post-Photographique 2,5%
    12. 12 The Arrival of Spring in Woldgate, East Yorkshire May 4 2,5%
    13. 13 Nichols canyon 2,4%
    14. 14 Clark percy 1,8%
    15. 15 Peter Getting out of Nick's Pool 1,8%
    16. 16 Een grotere Grand Canyon, 1998 1,7%
    17. 17 Red pots in the garden 1,5%
    18. 18 My parents 1,5%
    19. 19 The Road to York through Sledmere 1,5%
    20. 55 The third love painting dit schilderij 0,3%

    Samen maken deze werken 74,6% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 120 werken van deze kunstenaar, waarvan 79 minstens één keer zijn bekeken. Dit schilderij staat op de 55 plaats, met 0,3% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    The third love painting — David Hockney

    A Poignant Encounter with Impermanence

    In the quietude of David Hockney’s “The Third Love,” we find ourselves standing before a composition that is as much a psychological landscape as it is a visual one. At first glance, the viewer is met with a striking, almost jarring simplicity: a solitary wooden chair, its seat a vibrant splash of red, bearing the stark, handwritten command “must go.” This single phrase transforms the object from a mere piece of furniture into a profound vessel for existential reflection. The painting does not merely depict a chair; it captures a moment of transition, an intersection between presence and departure, where the weight of memory meets the inevitability of change.

    The emotional resonance of the work lies in its ability to evoke a sense of bittersweet nostalgia. There is a stillness here that feels heavy with the passage of time, inviting the observer to contemplate their own attachments and the transient nature of life. For the collector or the designer, this piece offers more than just aesthetic beauty; it provides a conversational anchor, a way to introduce themes of mindfulness and deep introspection into a living space.

    The Mastery of Hockney’s Visual Language

    To understand the power of “The Third Love,” one must look closely at Hockney’s signature approach to form and color. Eschewing the rigid constraints of photographic realism, Hockney employs a style that prioritizes atmosphere and feeling over literal accuracy. Influenced by the structural innovations of Cézanne and the bold contours of Picasso, his technique here utilizes flattened perspectives and a luminous palette to create a sense of depth that is felt rather than measured. The texture of the wood grain is rendered with meticulous care, yet it exists within a space where light and color take precedence over shadow.

    The artist’s use of color is particularly masterful in this period of his career. The interplay between the muted, earthy tones of the background—reminiscent of the rolling Yorkshire hills—and the sudden, defiant brightness of the red seat creates a visual tension that keeps the eye moving. This deliberate rejection of illusionistic depth allows the subject to emerge with a graphic clarity, making the "must go" inscription feel like an inescapable truth etched into the very fabric of the scene.

    A Legacy of Observation and Context

    Created during a prolific era between 1968 and 1970, this work serves as a vital window into Hockney’s evolving relationship with his surroundings. During this time, the artist was deeply engaged in documenting the landscapes of Yorkshire, finding inspiration in the subtle shifts of light and the organic geometry of the English countryside. In “The Third Love,” we see the seeds of his transition from figuration toward a more nuanced abstraction. The background, though understated, carries the DNA of that landscape, grounding the surrealist element of the text within a recognizable, naturalistic world.

    For those seeking to adorn a curated collection or an avant-garde interior, this painting represents a pinnacle of 20th-century British art. It is a piece that bridges the gap between Pop Art sensibilities and deep, emotive expressionism. Owning a reproduction of such a significant work allows one to bring a piece of art history into the modern home—a constant, quiet reminder of the beauty found in the fleeting moments of our lives.

    Kunstenaar en museum

    Kunstenaar

    David Hockney

    Geboren in Bradford, Verenigd Koninkrijk

    A Life Painted in Light: The World of David Hockney

    David Hockney, born July 9, 1937, in Bradford, England, is more than simply a painter; he’s a visual polymath whose career has spanned painting, drawing, printmaking, stage design, and photography. His story begins amidst the grit and determination of Bradford, a landscape that instilled within him a keen observational eye, even as his father, Kenneth Hockney, fostered a spirit of independent thought through conscientious objection during World War II. This early environment shaped a young artist who would consistently challenge conventions and forge his own path. Formal education at Wellington Primary School and Bradford Grammar School laid the foundation for a career that would redefine British art in the 20th and 21st centuries, culminating in studies at Bradford College of Art and later, the prestigious Royal College of Art in London. It was during these formative years that Hockney began to articulate a unique artistic voice, one that blended Pop sensibilities with a distinctly British perspective.

    The Rise of a Pop Icon and Beyond

    The 1960s witnessed Hockney’s ascent as a pivotal figure within the burgeoning Pop Art movement. However, unlike some contemporaries who wholeheartedly embraced American commercial culture, Hockney brought a uniquely British sensibility to the genre. His work exploded with vibrant color and bold lines, depicting scenes that were both familiar and subtly subversive. A Bigger Splash (1966), perhaps his most iconic early piece, encapsulates this perfectly – a seemingly simple depiction of a swimming pool becomes a meditation on Californian leisure, artifice, and the very act of seeing. This wasn’t merely representation; it was an exploration of how we perceive reality. Critics noted Hockney's masterful use of color theory, mirroring the influence of Bauhaus principles. His double portraits, like American Collectors (Fred and Marcia Weisman), demonstrate his remarkable ability to capture not just likeness but also the essence of personality and relationship—a technique that foreshadowed later explorations into psychological portraiture. Hockney’s artistic vision was further solidified by collaborations with fellow artists such as Frank Lisle, who encouraged him to experiment with unconventional materials and perspectives.

    Experimentation, Innovation, and The Rescue Of Painting

    Hockney's artistic curiosity has never been confined to a single medium. Throughout his career, he relentlessly experimented with new technologies and approaches. From his early embrace of lithography and etching to his later explorations of photography – particularly his use of Polaroid composites in the 1980s – Hockney consistently pushed the boundaries of what art could be. He famously declared painting wasn’t dead but needed “rescuing” from its own conventions, leading him to develop innovative techniques like perspective distortions and fragmented viewpoints. This desire to revitalize painting led to ambitious projects such as Pearblossom Hwy., 11–18th April 1986, a complex photomontage that challenged traditional notions of space and representation—a bold statement against the prevailing artistic trends of the time. His stage designs for opera, including sets for Mozart's The Magic Flute and Stravinsky’s The Rake’s Progress, further demonstrate his versatility and ability to translate his visual language into a different artistic realm. Hockney’s meticulous attention to detail—evident in his landscapes and portraits alike—established him as one of the foremost artists of his generation.

    Recognition, Legacy, And Enduring Influence

    David Hockney’s contributions to the art world have been widely recognized throughout his illustrious career. He was appointed Order of the Companion of Honour (CH) in 2018, a testament to his profound impact on British culture—a distinction bestowed upon him for his lifetime achievements and unwavering dedication to artistic excellence. Prior to that, he was elected a Fellow of the Royal Society (FRS) in 2003 and received the Laureate of the Praemium Imperiale for Painting in 2000—honors recognizing his groundbreaking innovations and enduring legacy as an artist. His works are held in major museum collections worldwide, ensuring his art continues to inspire new generations. Hockney’s influence extends beyond the visual arts; he has become a cultural icon, celebrated for his wit, intelligence, and unwavering commitment to artistic exploration. He remains an active force in the art world, continually challenging expectations and inspiring artists across disciplines—a figure whose vision will undoubtedly continue to shape the landscape of contemporary art.

    Further Explorations

    Place Furstenberg, Paris: A captivating example of Hockney’s interior scenes, showcasing his mastery of color and composition.

    Oona Zlamany: A poignant portrait that blends realism with Pop Art influences, revealing the sitter's contemplative nature.

    Lawn Sprinkled: A vibrant depiction of suburban life, characterized by geometric forms and a playful use of color.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van The third love painting

    originaluniqueart.com/nl/art/download/david-hockney-the-third-love-painting-9HTJLZ-en/

    Citeer dit kunstwerk

    MLA
    Hockney, David. The third love painting. n.d., https://originaluniqueart.com/nl/art/david-hockney-the-third-love-painting-9HTJLZ-en/
    APA
    Hockney, David (n.d.). The third love painting [Painting]. https://originaluniqueart.com/nl/art/david-hockney-the-third-love-painting-9HTJLZ-en/
    Chicago
    David Hockney. The third love painting. n.d. https://originaluniqueart.com/nl/art/david-hockney-the-third-love-painting-9HTJLZ-en/
    Harvard
    Hockney, David (n.d.) The third love painting. Available at: https://originaluniqueart.com/nl/art/david-hockney-the-third-love-painting-9HTJLZ-en/

    Bekijk het van dichtbij

    The third love painting — David Hockney

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: chair, typography, minimalism. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Zwembad Figuren, eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. Terugkerende thema's in het werk van David Hockney: hockney’s vision, observational style, british identity. Welke daarvan ziet u hier?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    The third love painting — David Hockney

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. The image depicts a painting featuring what prominent element?

      • A A portrait of a noblewoman
      • B A still life arrangement
      • C A chair with a written message
    2. 2. The style of the artwork is most closely associated with which artist's approach?

      • A Leonardo da Vinci
      • B Michelangelo Buonarroti
      • C David Hockney
    3. 3. The phrase 'must go' on the chair suggests what possible interpretation?

      • A A sale advertisement
      • B A declaration of abandonment
      • C An invitation to a party
    4. 4. Considering David Hockney’s work, what artistic technique is most likely employed in this painting?

      • A Detailed realism with meticulous shading
      • B Geometric abstraction and non-representational forms
      • C Bright colors and simplified perspectives
    5. 5. The presence of other, unwritten chairs in the background contributes to which aspect of the artwork?

      • A A narrative scene depicting a family gathering
      • B An exploration of spatial relationships and perspective
      • C A commentary on consumerism and disposability

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2C · 3B · 4C · 5B

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

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