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Summer Flowers

Naam Groep Datum

Cowan Dobson, Summer Flowers, Bolton Museum And Art Gallery. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Cowan Dobson originaluniqueart.com/nl/artists/cowan-dobson/
Levensdata kunstenaar
1894 – 1980
Afmetingen origineel werk
60 x 49 cm
Gehouden in
Bolton Museum And Art Gallery originaluniqueart.com/nl/museums/bolton-museum-and-art-gallery-bolton_nl/

In context

Summer Flowers — Cowan Dobson

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 60 × 49 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer zou dit geschilderd kunnen zijn?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 86 bij het overlijden.

Shaded: het leven van Cowan Dobson (1894–1980) elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1919 Belangrijkste werkjaren: 1919–1934 Late werken: vanaf 1934

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/cowan-dobson-summer-flowers-AQVACD-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #503a29

    Gecatalogiseerd palet

    • #503A29
    • #BEA179
    • #8A5D43
    • #202018

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Bold De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Cowan Dobson over de afgelopen twaalf maanden — in totaal 4 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 Rusland 56,2%900 visits
    2. 2 China 31,2%500 visits
    3. 3 Australië 6,2%100 visits
    4. 4 Verenigd Koninkrijk 6,2%100 visits

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 10 meest bekeken werken van Cowan Dobson

    1. 1 The Model 25,0%400 visits
    2. 2 Hugh Gavin, Provost of Stirling (1923–1926), 1928 12,5%200 visits
    3. 3 Mrs Cowan Dobson, 1931 12,5%200 visits
    4. 4 Summer Flowers dit schilderij 12,5%200 visits
    5. 5 Anthony Frederick Weatherby Beauchamp Proctor (1894–1921), VC, DSO, MC and Bar, DFC, Royal Flying Corps, 1920 6,2%100 visits
    6. 6 Lieutenant Colonel Lionel Wilmot Brabazon Rees (1884–1955), VC, OBE, MC, AFC, Royal Artillery, Royal Flying Corps and Royal Air Force, 1918 6,2%100 visits
    7. 7 Sir John Milne Barbour (1868–1951), Bt, 1925 6,2%100 visits
    8. 8 George E. Henderson, 1927 6,2%100 visits
    9. 9 Flight Lieutenant Andrew Weatherby Beauchamp Proctor (1894–1921), VC, DSO, MC, DFC, Royal Air Force, 1920 6,2%100 visits
    10. 10 Lady Helene Paris Chapman, née MacGowan, 1934 6,2%100 visits

    Samen maken deze werken 99,7% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 28 werken van deze kunstenaar, waarvan 10 minstens één keer zijn bekeken. This painting ranks 4 of them, with 12,5% of that attention (200 visits). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Cowan Dobson

    Cowan Dobson: A Portraitist of Victorian Society

    David Cowan Dobson (1894–1980) stands as a significant, yet often overlooked, figure in late 19th and early 20th-century British portraiture. Born into a family steeped in artistic tradition – his father, Henry John Dobson, was a respected genre painter – Dobson forged his own distinctive path, primarily focusing on capturing the elegance and social dynamics of London’s fashionable elite. His career, spanning nearly seven decades, reveals a fascinating evolution from early academic influences to a more nuanced understanding of his subjects, reflecting the changing sensibilities of British society. Dobson's legacy lies not in revolutionary innovation but in his meticulous observation and skillful rendering of a specific stratum of Victorian life – a world of balls, social calls, and carefully constructed appearances.

    Early Life and Artistic Foundations

    Dobson’s origins were firmly rooted in the Scottish artistic landscape. Born in Bradford to Henry John Dobson and Jeannie Charlotte Hannah Cowan, he inherited a lineage deeply connected to the visual arts. His father, a painter of genre scenes, instilled in him an appreciation for observation and representation. Crucially, Dobson's grandfather, Thomas Dobson, was a wool merchant from Kirkcudbright, suggesting a connection to the region’s thriving textile industry – an element that subtly informed Dobson’s later work, particularly his depictions of rural settings and the lives intertwined with commerce. Dobson received his initial artistic training at George Watson’s College in Edinburgh, a prestigious institution known for its rigorous academic approach. This foundation provided him with a solid understanding of drawing techniques and classical composition, elements that would remain integral to his style throughout his career. However, Dobson's family circumstances were often precarious, marked by financial difficulties stemming from his father’s struggles as an artist, shaping the young Dobson’s ambition and drive.

    London Years and the Rise of a Society Portraitist

    Following his education in Edinburgh, Dobson moved to London in 1920, establishing himself as a portrait painter within the city's vibrant social scene. This period marked a pivotal shift in his artistic focus. He quickly gained recognition for his ability to capture the essence of fashionable London ladies – women who frequented high-society gatherings and were defined by their elaborate attire and carefully cultivated reputations. Dobson’s portraits weren’t merely likenesses; they were meticulously constructed narratives, revealing details about social status, wealth, and personal style. His subjects included prominent figures such as Earl Attlee, Earl Beatty, and Harold Wilson, demonstrating his access to the upper echelons of British society. His success was largely due to the astute business acumen of his wife, Phyllis Bowyer, who managed his finances and secured commissions – a testament to their collaborative partnership.

    Technique and Style: A Blend of Tradition and Observation

    Dobson’s artistic style can be characterized as a refined blend of academic tradition and keen observation. He adhered to the conventions of portraiture prevalent in the late 19th century, employing careful attention to detail, precise draughtsmanship, and a balanced composition. However, unlike many of his contemporaries who rigidly clung to established formulas, Dobson infused his work with a subtle sense of psychological insight. He wasn’t simply reproducing appearances; he was attempting to capture the character and personality of his subjects. His use of color was often subdued, favoring muted tones and atmospheric effects – a characteristic that aligns him with the Tonalist movement gaining traction at the time. Dobson also experimented with watercolour landscapes, showcasing a different side of his artistic talent, often depicting scenes from rural Scotland.

    Legacy and Significance

    Cowan Dobson’s contribution to British art lies primarily in his detailed documentation of Victorian society through portraiture. His paintings offer invaluable insights into the customs, fashions, and social dynamics of a bygone era. While he may not be as widely celebrated as some of his contemporaries – such as Sargent or Alma-Tadema – Dobson's work holds a unique charm and authenticity. His meticulous attention to detail and ability to capture the nuances of human expression make his portraits enduringly captivating. His paintings are now housed in various collections, including the National Gallery of Scotland and the Walker Art Gallery in Liverpool, ensuring that his artistic legacy continues to be appreciated by art enthusiasts and historians alike. Dobson’s career exemplifies a quiet yet significant contribution to the rich tapestry of British art history – a testament to the power of observation, skill, and a keen understanding of the social world he depicted.

    Museum

    Bolton Museum And Art Gallery

    Te zien in Bolton, United Kingdom

    A Tapestry of Time: The Soul of Bolton Museum and Art Gallery

    Nestled within the architectural grandeur of Le Mans Crescent, the

    Bolton Museum and Art Gallery

    serves as a profound testament to the enduring spirit of creativity and heritage. This beautifully preserved landmark, situated near the historic Bolton Town Hall, is far more than a mere repository for artifacts; it is an immersive journey through the millennia. Since its opening in 1934, the museum has evolved from a modest collection into a multifaceted cultural beacon, harmoniously blending natural history, aquatic life, and fine art. To walk through its halls is to experience a seamless dialogue between the ancient past and the contemporary moment, where the echoes of Egyptian pharaohs meet the vibrant pulse of modern British painting.

    The museum’s collection is a breathtaking mosaic of global and local narratives. One cannot help but be captivated by the profound stillness of its ancient treasures, most notably the magnificent reproduction of

    Pharaoh Thutmose III's burial chamber

    . This centerpiece transports visitors into the heart of Egyptian ritual, where detailed hieroglyphs and vibrant pigments illuminate the complex relationship between divinity and mortality. As one moves from the shadows of antiquity into the light of the gallery spaces, the focus shifts to the industrial soul of the North West. The museum masterfully chronicles Bolton’s transformation from a modest settlement into a global powerhouse of textile manufacturing, presenting portraits of influential figures like

    Samuel Crompton

    alongside artifacts that tell the story of the people who fueled the Industrial Revolution.

    A Sanctuary for Aesthetic Mastery and Natural Wonder

    For the connoisseur of fine art and the discerning interior designer, the gallery offers an exquisite selection of works that define various eras of aesthetic mastery. The collection showcases a remarkable breadth of styles, ranging from 19th-century oil paintings that capture the sweeping drama of Romantic landscapes to the bold, modernist experiments of the 20th century. A true jewel in the museum's crown is

    Ivon Hitchens’

    Still Life with Poppies

    . Created in 1945, this oil on canvas piece exemplifies the artist's unique ability to use color and rhythmic brushstrokes to breathe life into everyday objects, offering a sense of depth and dimension that continues to inspire contemporary sensibilities. Such works provide a window into the evolution of British art, blending the tranquil rurality found in the works of artists like

    Hugh Bolton Jones

    with more experimental, boundary-pushing movements.

    What truly distinguishes Bolton Museum and Art Gallery is its holistic approach to curation, fostering an environment where scientific discovery and artistic contemplation coexist. The presence of a captivating aquarium alongside fine art galleries encourages a unique reflection on the interconnectedness of human culture and the natural world. Whether exploring the architectural elegance of the Grade II listed Le Mans Crescent or engaging with rotating exhibitions that feature both established masters and emerging talents, visitors are invited to participate in an ongoing celebration of human achievement. It remains a sanctuary for those seeking intellectual curiosity and aesthetic beauty, making it an essential destination for anyone captivated by the enduring power of the arts.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Summer Flowers

    originaluniqueart.com/nl/art/download/cowan-dobson-summer-flowers-AQVACD-en/

    Citeer dit kunstwerk

    MLA
    Dobson, Cowan. Summer Flowers. n.d., Bolton Museum And Art Gallery. https://originaluniqueart.com/nl/art/cowan-dobson-summer-flowers-AQVACD-en/
    APA
    Dobson, Cowan (n.d.). Summer Flowers [Painting]. Bolton Museum And Art Gallery. https://originaluniqueart.com/nl/art/cowan-dobson-summer-flowers-AQVACD-en/
    Chicago
    Cowan Dobson. Summer Flowers. n.d. Bolton Museum And Art Gallery. https://originaluniqueart.com/nl/art/cowan-dobson-summer-flowers-AQVACD-en/
    Harvard
    Dobson, Cowan (n.d.) Summer Flowers. Bolton Museum And Art Gallery. Available at: https://originaluniqueart.com/nl/art/cowan-dobson-summer-flowers-AQVACD-en/

    Bekijk het van dichtbij

    Summer Flowers — Cowan Dobson

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar George E. Henderson (1927), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Waar kan ik een handgeschilderde reproductie van "Summer Flowers" door Cowan Dobson kopen?

    U kunt een met de hand geschilderde reproductie van "Summer Flowers" door Cowan Dobson rechtstreeks bestellen op de Handgeschilderde reproductie pagina: een met de hand geschilderde olieverfreproductie op linnen canvas, op bestelling vervaardigd.

    Is "Summer Flowers" door Cowan Dobson een portret, landschap of vierkante compositie?

    Het formaat van "Summer Flowers" is Portrait. Dit is handig bij het plannen van de plek waar een reproductie zal worden geplaatst.

    Hoe harmonieren de kleuren van "Summer Flowers" met elkaar?

    "Summer Flowers" door Cowan Dobson vertoont een Softly Mixed Palette kleurharmonie.