Papier

Gids voor studentenkunst

The Last Supper

Naam Groep Datum

Bartolomeo Schedoni, The Last Supper, Rocca Sanvitale di Fontanellato. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Bartolomeo Schedoni originaluniqueart.com/nl/artists/bartolomeo-schedoni/
Levensdata kunstenaar
1578 – 1615
Gehouden in
Rocca Sanvitale di Fontanellato originaluniqueart.com/nl/museums/rocca-sanvitale-di-fontanellato-fontanellato/

In context

The Last Supper — Bartolomeo Schedoni

Wanneer zou dit geschilderd kunnen zijn?

  1. 1570
  2. 1580
  3. 1590
  4. 1600
  5. 1610

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 37 bij het overlijden.

Shaded: het leven van Bartolomeo Schedoni (1578–1615) elk gedateerd schilderij, decennium voor decennium

Voor deze opname is geen exacte datum bekend — uitgaande van de levensloop van de artiest en de stijl van het werk, in welk decennium zou u dit plaatsen?

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/bartolomeo-schedoni-the-last-supper-DD2EXH-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #25241d

    Gecatalogiseerd palet

    • #25241D
    • #50432E
    • #996234
    • #A6A774

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Gentle De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Softly Mixed Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Deep_shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Bartolomeo Schedoni over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 100,0%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 4 meest bekeken werken van Bartolomeo Schedoni

    1. 1 The Meeting of St Anne and Joachim at the Golden Gate 60,0%
    2. 2 The Two Marys at the Tomb, 1613 20,0%
    3. 3 The Holy Family with the Virgin teaching the Child to Read 20,0%
    4. — The Last Supper dit schilderij 0,0%

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 13 werken van deze kunstenaar, waarvan 3 minstens één keer zijn bekeken. Dit schilderij heeft in die periode nog geen weergaven — het sluit de lijst af zonder rangorde. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Kunstenaar en museum

    Kunstenaar

    Bartolomeo Schedoni

    Geboren in Modena, Italy

    The Visionary of Parma: The Life and Legacy of Bartolomeo Schedoni

    Bartolomeo Schedoni remains one of the most compelling, yet enigmatic, figures of the early Italian Baroque. Born in Modena in 1578, his journey into the world of fine art began not with a brush, but through the intricate craftsmanship of his father’s mask-making trade. This early immersion in the theatrical and the ornamental provided him with a unique perspective on spectacle and character, a foundation that would later manifest in the dramatic intensity of his paintings. His talent quickly propelled him toward the heart of the Italian Renaissance's twilight, leading him to Rome in 1595. It was here, under the tutelage of Federico Zuccari, that Schedoni began to refine his technical prowess, eventually securing the prestigious patronage of Ranuccio I Farnese, Duke of Parma. This connection to the Farnese court would become the cornerstone of his professional identity, anchoring his career within the most influential artistic circles of the era.

    A Mastery of Light and Shadow

    The evolution of Schedoni’s style is a testament to his profound engagement with the masters who preceded him. While historical accounts occasionally debate his exact training, there is a palpable connection to the revolutionary techniques of Annibale Carracci and the luminous grace of Correggio. His work serves as a bridge between the soft, ethereal qualities of the late Renaissance and the burgeoning, high-contrast drama of the Baroque. Schedoni became a master of chiaroscuro, utilizing stark, theatrical contrasts between light and dark to sculpt forms and evoke deep emotional responses. This technique allowed him to imbue his figures with a sense of weight and presence, often characterized by angular drapery and a somber, contemplative atmosphere. His ability to manipulate light was not merely a technical feat but a narrative tool, used to guide the viewer's eye through complex compositions and toward the spiritual heart of his subjects.

    Monumental Achievements and Artistic Impact

    Throughout his brief but impactful career, Schedoni left behind works that continue to resonate with their emotional depth and structural grandeur. One of his most significant achievements was his collaboration with Ercole dell’Abate on the monumental ceiling fresco for the Sala del Consiglio Vecchio in Parma’s Palazzo Comunale, a project that solidified his reputation as a premier decorator of civic and religious spaces. His individual masterpieces, such as the 1607 commission “La Speranza” (The Charity), demonstrate his ability to weave complex theological narratives into visually arresting compositions. Through these works, Schedoni contributed to a pivotal moment in art history where the stability of the Renaissance gave way to the movement and tension of the Baroque. Though his life was tragically cut short by illness in 1615, his influence endured, leaving an indelible mark on the artistic landscape of Parma and the broader trajectory of Italian painting.

    Museum

    Rocca Sanvitale di Fontanellato

    Te zien in Fontanellato, Italy

    A Renaissance Jewel: Unveiling the Rocca Sanvitale di Fontanellato

    Nestled in the verdant heart of Emilia-Romagna, a region celebrated for its profound culinary traditions and unparalleled artistic heritage, the Rocca Sanvitale di Fontanelle stands as a singular testament to the confluence of medieval ambition and Renaissance refinement. More than just a formidable fortress, this edifice is a palimpsest of centuries past, where defensive walls whisper tales of warring clans and noble families vying for dominance before yielding gracefully to the serene beauty of meticulously crafted gardens and opulent interiors. Construction began in the 13th century under the watchful gaze of the Pallavicino family, initially conceived as a strategic bastion to safeguard their lineage; however, it evolved over time into the magnificent residence we admire today, completed by the 15th century and embellished through subsequent generations with lavish frescoes that breathe life into its stone corridors.

    Approaching the Rocca is an experience in itself, a journey of sensory immersion. As one traverses the arched town square and passes beneath towering cypress trees, the sensation of being transported back to a pivotal moment in Italian history becomes palpable—a period defined by both political upheaval and breathtaking artistic innovation. The castle’s imposing presence immediately commands attention, with crenelated walls rising defiantly from a protective moat that now serves as a tranquil mirror for the azure sky. Accessible via what was once a drawbridge, the gateway invites visitors into a world of architectural grandeur. The asymmetrical towers, strategically positioned to command panoramic views of the surrounding landscape, are constructed from local limestone and demonstrate remarkable engineering prowess, reflecting the subtle refinements of Florentine Renaissance aesthetics through decorative arches and sculpted capitals.

    The Ethereal Hand of Parmigianino

    While the exterior speaks of strength and defense, the interior reveals a soul dedicated to beauty and intellectual exploration. The true heart of this extraordinary collection is undoubtedly Francesco Parmigianino’s cycle of frescoes adorning a small, intimate chamber—a space transformed into an immersive theatrical experience by the artist's masterful hand. Commissioned between 1523 and 1524 by Count Galeazzo Sanvitale and his wife, Paola Gonzaga, these works depict scenes from Ovid’s

    Metamorphoses

    , specifically focusing on the dramatic encounter between Diana and Acteon. It is a narrative rife with symbolism concerning desire, transgression, and divine retribution, rendered with a sophistication that transcends mere decoration.

    Parmigianino's signature style is exquisitely displayed here, characterized by elongated figures and graceful poses imbued with an ethereal, almost otherworldly quality. His palette, dominated by muted and sophisticated hues, creates a sense of dreamlike elegance. In a departure from traditional perspective conventions, the artist favors a flattened pictorial space that enhances the emotional impact of the mythological drama, inviting the viewer to lose themselves in the fluid movement of the painted figures. For the art lover or collector, these frescoes represent one of the most significant examples of Mannerist mastery preserved within a domestic setting.

    A Window into Renaissance Science and Legacy

    Beyond the mastery of the brush, the Rocca Sanvitale offers a fascinating glimpse into the Renaissance spirit’s embrace of scientific curiosity. One of the museum's most unique and ingenious features is the

    camera ottica

    , an optical chamber that represents an unprecedented feat of engineering for its era. Within this dedicated room, an intricate system of mirrors and prisms projects a live view of Fontanellato’s bustling town square directly onto an interior wall. This mesmerizing illusion allows visitors to observe the life of the community from within the sanctuary of the castle, creating a bridge between the private world of the nobility and the public life of the town.

    The legacy of the Rocca continues through its preservation of the Sanvitale family's ancestral splendor. Having served as the home of this illustrious lineage until the mid-20th century, the castle retains an unparalleled sense of continuity, evident in the meticulously preserved furnishings and decorative arts that offer a glimpse into the opulent lifestyle of the Counts. Today, the Rocca transcends its role as a mere museum; it functions as a vibrant cultural hub, hosting exhibitions that foster a dialogue between the past and the present. For interior designers and historians alike, the castle remains an inexhaustible source of inspiration, embodying the timeless harmony of power, science, and sublime art.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van The Last Supper

    originaluniqueart.com/nl/art/download/bartolomeo-schedoni-the-last-supper-DD2EXH-en/

    Citeer dit kunstwerk

    MLA
    Schedoni, Bartolomeo. The Last Supper. n.d., Rocca Sanvitale di Fontanellato. https://originaluniqueart.com/nl/art/bartolomeo-schedoni-the-last-supper-DD2EXH-en/
    APA
    Schedoni, Bartolomeo (n.d.). The Last Supper [Painting]. Rocca Sanvitale di Fontanellato. https://originaluniqueart.com/nl/art/bartolomeo-schedoni-the-last-supper-DD2EXH-en/
    Chicago
    Bartolomeo Schedoni. The Last Supper. n.d. Rocca Sanvitale di Fontanellato. https://originaluniqueart.com/nl/art/bartolomeo-schedoni-the-last-supper-DD2EXH-en/
    Harvard
    Schedoni, Bartolomeo (n.d.) The Last Supper. Rocca Sanvitale di Fontanellato. Available at: https://originaluniqueart.com/nl/art/bartolomeo-schedoni-the-last-supper-DD2EXH-en/

    Bekijk het van dichtbij

    The Last Supper — Bartolomeo Schedoni

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Kijk nog eens naar The Holy Family (1610), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    4. Wat zou de kunstenaar u willen laten voelen?
    5. Als u de kunstenaar één vraag over dit werk zou kunnen stellen, wat zou dat dan zijn?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Wat is de dominante kleur van "The Last Supper" door Bartolomeo Schedoni?

    De dominante kleur van "The Last Supper" door Bartolomeo Schedoni is Phthalo Green (#25241d).

    Kan ik "The Last Supper" door Bartolomeo Schedoni onder ander licht bekijken?

    De Röntgenanalyse-pagina van "The Last Supper" door Bartolomeo Schedoni is een interactieve viewer waarmee u door elf optische lagen van het kunstwerk kunt glijden, inclusief een weergave in röntgenstijl.

    Wordt "The Last Supper" door Bartolomeo Schedoni bewaard in het land van herkomst van de kunstenaar?

    Ja - het kunstwerk wordt bewaard in het land van herkomst van de kunstenaar. Het geboorteland van Bartolomeo Schedoni is Italy, en het museum waar het origineel van "The Last Supper" zich bevindt, ligt in Italy.