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Conjunctions/Abstract

Naam Groep Datum

Àngel Ferrant Vázquez, Conjunctions/Abstract (1958), Biblioteca Museu Víctor Balaguer. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Àngel Ferrant Vázquez originaluniqueart.com/nl/artists/angel-ferrant-vazquez/
Levensdata kunstenaar
1890 – 1961
Geschilderd
1958
Beweging
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Gehouden in
Biblioteca Museu Víctor Balaguer originaluniqueart.com/nl/museums/biblioteca-museu-victor-balaguer-viladecans/

In context

Conjunctions/Abstract — Àngel Ferrant Vázquez

Wanneer is dit geschilderd?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 71 bij het overlijden.

Geschilderd toen de kunstenaar 68 jaar oud was. De kunstenaar werd 71 jaar oud. 0 van de 1 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Àngel Ferrant Vázquez (1890–1961) ▲ dit werk, 1958 elk gedateerd schilderij, decennium voor decennium

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #2c2e2e

    Gecatalogiseerd palet

    • #2C2E2E
    • #FEFEFE
    • #C6C7C6
    • #818381

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Pastels De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Serene De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Kunstenaar en museum

    Kunstenaar

    Àngel Ferrant Vázquez

    Geboren in Madrid, Spain

    The Roots of a Sculptural Vision

    Born into the vibrant artistic atmosphere of Madrid in 1890, Ànglam Ferrant Vázquez was destined for a life shaped by the chisel and the clay. As the son of the renowned painter Alejandro Ferrant, his early years were steeped in an inherited passion for the visual arts. His formal education at the Escuela de Artes y Oficios and the Real Academia de Bellas Artes de San Fernando provided him with a rigorous foundation in classical technique, further refined under the watchful eye of the sculptor Aniceto Marinas. In these formative stages, Ferrant’s work resonated with the gravity of academic realism, yet even then, a darker, more visceral energy began to stir within his compositions. His early mastery is perhaps most poignantly captured in La cuesta de la vida, a masterpiece housed in the Museo del Prado, which utilizes the emotional intensity of tremendismo to depict the arduous struggle of an elderly couple. This period of his career was marked by a profound connection to human suffering and the raw textures of reality, earning him prestigious accolades across Spain.

    Breaking Boundaries: From Realism to Kinetic Innovation

    The trajectory of Ferrant’s career underwent a radical metamorphosis as he ventured beyond the borders of Spain, traveling through the cultural epicenters of Germany, Belgium, France, and Italy. These journeys exposed him to the revolutionary currents of Futurism and the burgeoning Surrealist movement, forever altering his perception of form and space. No longer content with the static permanence of traditional bronze or marble, Ferrant began to embrace the dynamism of the modern age. He became a pioneer of kinetic art, exploring the interplay between motion and stillness through the use of objet trouvé—found objects that breathed new life into his assemblages. By integrating trivial, everyday utensils and discarded materials into his sculptures, he challenged the very definition of fine art. His work during this era reflects a fascination with the mechanical and the accidental, bridging the gap between the industrial world and the subconscious mind through experimental pieces such as his Móviles and the Objetos Hallados.

    A Lasting Legacy of Avant-Garde Spirit

    Throughout his prolific life, Àngel Ferrant Vázquez remained a steadfast architect of the Spanish avant-garde. His ability to synthesize disparate influences—from the classical weight of his training to the fragmented energy of modern assemblage—cemented his status as a pivotal figure in 20th-century sculpture. Whether through his instructional roles in Barcelona and Madrid or his groundbreaking exhibitions that introduced new aesthetic languages to the Iberian Peninsula, Ferrant’s influence was profound. His artistic journey serves as a testament to the power of evolution, moving from the poignant realism of his youth to the experimental frontiers of kineticism. Today, his contributions are recognized not merely as sculptural achievements, but as essential milestones in the history of modern art, reminding us of a time when the boundaries of form were being fearlessly redrawn by a master of movement and material.

    Museum

    Biblioteca Museu Víctor Balaguer

    Te zien in Viladecans, Spain

    An Architectural Portal to Antiquity

    In the heart of Vilanova i la Geltrú, where the Mediterranean breeze meets the historical pulse of Catalonia, stands a structure that defies the conventional boundaries of a museum. The Biblioteca Museu Víctor Balaguer is not merely a building; it is an architectural invocation. Designed by Jeroni Granell i Mundot and completed in 1884, its

    Neo-Egyptian

    silhouette commands attention, evoking the silent grandeur of ancient temples. As one approaches the facade, the eyes are met with sculpted portraits of Catalan luminaries, while above the entrance, the Latin command

    “Surge et Ambula”

    —Rise and Walk—serves as both an invitation and a spiritual directive. This temple-like sanctuary, adorned with neo-Greek flourishes, offers a sense of timelessness that prepares the visitor for the treasures held within its walls, creating an atmosphere where the past feels vibrantly present.

    A Tapestry of Catalan Light and Shadow

    Stepping beyond the stone threshold, the museum unfolds into a breathtaking gallery of 19th-century mastery. The collection serves as a profound chronicle of the Catalan spirit, capturing the transition from Romanticism to the burgeoning energy of Modernism. Here, the evocative landscapes of

    Santiago Rusiñol

    breathe life into the canvas, while the bohemian, atmospheric depictions of Barcelona by

    Ramón Casas i Carbó

    transport the viewer to a bygone era of elegance and social evolution. For the discerning collector or lover of fine art, the museum offers more than just local treasures; through prestigious deposits from the Museo del Prado, one can encounter the haunting depths of

    El Greco

    , the dramatic tension of

    Goya

    , and the masterful chiaroscuro of

    Jusepe de Ribera

    . Each brushstroke within these halls tells a story of identity, technique, and the enduring pursuit of beauty.

    The Convergence of Word and Image

    What truly distinguishes this institution is its rare, symbiotic relationship between the visual and the literary. It is a place where the silent dialogue of painting meets the profound resonance of the written word. The library, a monumental repository of over 50,000 volumes, acts as the museum's intellectual heartbeat, housing rare manuscripts, historical periodicals, and personal archives that trace the very lineage of Catalan thought. To wander through these halls is to experience a holistic cultural immersion; one might find themselves lost in the textures of a 19th-century oil painting only to find solace in the ancient pages of a handwritten letter. For interior designers seeking inspiration or historians tracing the threads of heritage, the Biblioteca Museu Víctor Balaguer stands as a singular monument to human creativity—a sanctuary where art and literature exist in perfect, eternal harmony.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Conjunctions/Abstract

    originaluniqueart.com/nl/art/download/angel-ferrant-vazquez-conjunctions-abstract-D6B96J-en/

    Citeer dit kunstwerk

    MLA
    Vázquez, Àngel Ferrant. Conjunctions/Abstract. 1958, Biblioteca Museu Víctor Balaguer. https://originaluniqueart.com/nl/art/angel-ferrant-vazquez-conjunctions-abstract-D6B96J-en/
    APA
    Vázquez, Àngel Ferrant (1958). Conjunctions/Abstract [Painting]. Biblioteca Museu Víctor Balaguer. https://originaluniqueart.com/nl/art/angel-ferrant-vazquez-conjunctions-abstract-D6B96J-en/
    Chicago
    Àngel Ferrant Vázquez. Conjunctions/Abstract. 1958. Biblioteca Museu Víctor Balaguer. https://originaluniqueart.com/nl/art/angel-ferrant-vazquez-conjunctions-abstract-D6B96J-en/
    Harvard
    Vázquez, Àngel Ferrant (1958) Conjunctions/Abstract. Biblioteca Museu Víctor Balaguer. Available at: https://originaluniqueart.com/nl/art/angel-ferrant-vazquez-conjunctions-abstract-D6B96J-en/

    Bekijk het van dichtbij

    Conjunctions/Abstract — Àngel Ferrant Vázquez

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: abstract, sculpture, metal art. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Waar is dat in dit werk te zien?
    5. Àngel Ferrant Vázquez was ongeveer 68 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    In welke fase van de carrière van Àngel Ferrant Vázquez behoort "Conjunctions/Abstract" (1958)?

    Gezien de datering uit 1958, valt "Conjunctions/Abstract" binnen de Mature Period van Àngel Ferrant Vázquez.

    Hoe kan ik een reproductie van "Conjunctions/Abstract" door Àngel Ferrant Vázquez bekijken?

    Om een reproductie van "Conjunctions/Abstract" door Àngel Ferrant Vázquez te bekijken, opent u de Voorvertoning pagina van het kunstwerk.

    Is "Conjunctions/Abstract" vrij van auteursrecht?

    "Conjunctions/Abstract" door Àngel Ferrant Vázquez valt onder nog steeds auteursrechtelijk beschermd. Deze status bepaalt hoe de afbeelding van het werk mag worden gereproduceerd.