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In Mourning

Naam Groep Datum

Anders Zorn, In Mourning (1880). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Anders Zorn originaluniqueart.com/nl/artists/anders-zorn_nl/
Levensdata kunstenaar
1860 – 1920
Geschilderd
1880
Afmetingen origineel werk
42 x 31 cm
Beweging
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

In context

In Mourning — Anders Zorn

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 42 × 31 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 60 bij het overlijden.

Geschilderd toen de kunstenaar 20 jaar oud was. De kunstenaar werd 60 jaar oud. 3 van de 163 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Anders Zorn (1860–1920) ▲ dit werk, 1880 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1889 Belangrijkste werkjaren: 1889–1901 Late werken: vanaf 1901

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/anders-leonard-zorn-in-mourning-AQQLME-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Phthalo Green #261e1d

    Gecatalogiseerd palet

    • #261E1D
    • #FEFEFE
    • #CBB8A3
    • #8C7159

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Phthalo Green
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Bright Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Anders Zorn over de afgelopen twaalf maanden — in totaal 20 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 68,1%
    2. 2 Verenigde Staten van Amerika 8,3%
    3. 3 Singapore 4,9%
    4. 4 Hongkong 3,5%
    5. 5 Zweden 2,8%
    6. 6 Bulgarije 2,1%
    7. 7 Brazilië 1,4%
    8. 8 Argentinië 0,7%
    9. 9 Australië 0,7%
    10. 10 Chili 0,7%
    11. · 10 overige landen 6,8%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Anders Zorn

    1. 1 Ida by the Window, 1908 4,4%
    2. 2 Natuurlijke vrouw haar kammen, 1907 3,3%
    3. 3 Isabella Stewart Gardner in Venice, 1894 3,3%
    4. 4 Self Portrait with Faun and Nymph 3,3%
    5. 5 Brodbaket 2,8%
    6. 6 Morning, 1891 2,2%
    7. 7 Junikväll (Evening in June) 2,2%
    8. 8 In Mourning, 1880 dit schilderij 1,7%
    9. 9 Portrait Mrs. Potter Palmer, 1893 1,7%
    10. 10 Isabella Gardner (study), 1894 1,7%
    11. 11 Flickan på loftet (Girl in the Loft) 1,7%
    12. 12 Portrait of a Lady in a Drawing Room, 1887 1,7%
    13. 13 Hilma Herikson, 1908 1,7%
    14. 14 Karleksnymf 1,7%
    15. 15 Untitled (AQQLQL), 1908 1,7%
    16. 16 Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919), 1897 1,1%
    17. 17 The Schwartz Girls, 1889 1,1%
    18. 18 Isabella Stewart Gardner in Venice, 1894 1,1%
    19. 19 Untitled (AQQLRG), 1884 1,1%
    20. 20 Gondola in Front of the Palazzo Barbaro, 1894 1,1%

    Samen maken deze werken 40,6% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 263 werken van deze kunstenaar, waarvan 109 minstens één keer zijn bekeken. Dit schilderij staat op de 8 plaats, met 1,7% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    In Mourning — Anders Zorn

    The painting In Mourning by Anders Leonard Zorn is a masterpiece of watercolor technique, created in 1880. This poignant piece resides in the prestigious Nationalmuseum in Stockholm, Sweden. The artist masterfully uses a muted palette of dark grays, blacks, and browns, punctuated by a light, almost beige backdrop, to enhance the painting's melancholic mood.

    The Artist's Technique

    Anders Leonard Zorn was a prominent Swedish artist who obtained international success as a painter, sculptor, and etcher. His exceptional skill in watercolor technique is evident in In Mourning, where the subtle texturing of the subject's dark clothing and the soft folds of her veil are rendered with exquisite detail. This painting is considered one of his earliest masterpieces and showcases his ability to capture the individual character of his model. Key Features of the Painting:

    The use of a limited color range to enhance the melancholic mood

    The subtle texturing of the subject's clothing and veil

    The masterful depiction of the subject's somber expression

    The painting's impact was immediate, garnering significant attention at the Academy of Fine Arts' student exhibition and earning praise from critics and even King Oscar II. This early success propelled Zorn's career, leading to numerous portrait commissions and international recognition. More Information on Anders Leonard Zorn: For more information on Anders Leonard Zorn and his works, visit https://AllPaintingsStore.com. You can also find more about the Nationalmuseum and its collection at /en/art/show/art-aqqlme-en/

    The painting In Mourning is a testament to Zorn's artistic genius and the enduring power of emotional expression in art. Its intimate scale invites close examination, allowing viewers to fully appreciate the delicate brushstrokes and subtle nuances of emotion captured within.

    To learn more about Anders Leonard Zorn and his contributions to the art world, visit https://AllPaintingsStore.com and explore the extensive collection of handmade oil painting reproductions.

    Kunstenaar en museum

    Kunstenaar

    Anders Zorn

    Geboren in Mora, Zweden

    A Swedish Master of Light and Life: The World of Anders Zorn

    Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

    From Watercolors to International Recognition

    Zorn’s initial artistic explorations centered on watercolors, a medium he mastered with astonishing speed and skill. He quickly gained recognition for his ability to capture fleeting moments of light and atmosphere, particularly in scenes depicting everyday life. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work propelled him onto the art scene, attracting commissions from Stockholm’s elite and setting the stage for an international career. He embarked on extensive travels throughout Europe—London, Paris, Spain—and eventually to the United States, where he found immense success as a portraitist. His ability to distill the essence of his sitters, whether royalty like King Oscar II or American presidents Grover Cleveland, William H. Taft, and Theodore Roosevelt, earned him widespread admiration. Zorn didn’t simply paint likenesses; he captured character, intellect, and even a hint of the soul. This talent wasn't accidental—it stemmed from an acute observational skill honed through years of studying human form and expression. He was known for his ability to capture not just physical appearance but also the subtle nuances of personality that revealed a subject’s inner world.

    A Synthesis of Influences and Artistic Development

    While Zorn’s style is often categorized as Impressionistic, it was far from a simple imitation of French trends. He absorbed influences from various sources, blending them into a uniquely personal vision. The luminosity of Spanish masters like Velázquez resonated in his handling of light and shadow, while the directness and realism of Scandinavian naturalism informed his approach to subject matter. His time spent with artists like Albert Edelfelt in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium. Zorn’s meticulous attention to detail, combined with his loose brushwork and vibrant color choices, created an effect that was both realistic and dreamlike—capturing the essence of a moment while simultaneously inviting the viewer into its emotional landscape.

    The Subjects of His Vision: People and Landscapes

    Zorn's oeuvre is remarkably diverse, encompassing portraits, genre scenes depicting peasant life, landscapes, and even nudes. However, certain recurring themes tie his work together. He was deeply fascinated by the lives of ordinary people—farmers, fishermen, women at their spinning wheels, children playing—and he sought to portray them with honesty and empathy. His depictions of Swedish rural life are particularly poignant, capturing the dignity and resilience of a culture facing rapid modernization. He wasn’t interested in romanticizing poverty or idealizing peasant life; instead, he presented it as it was – with its hardships, joys, and quiet beauty. Similarly, his landscapes—often featuring shimmering lakes and rolling hills—were not merely scenic representations but imbued with a sense of atmosphere and emotion. He frequently painted the same subjects at different times of day and year, demonstrating his ability to capture the ever-changing qualities of light and color. His portraits, too, were far more than simple likenesses; they were intimate studies of character, revealing the inner lives of his sitters through subtle gestures, expressions, and poses.

    Legacy and Enduring Impact

    Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van In Mourning

    originaluniqueart.com/nl/art/download/anders-leonard-zorn-in-mourning-AQQLME-en/

    Citeer dit kunstwerk

    MLA
    Zorn, Anders. In Mourning. 1880, https://originaluniqueart.com/nl/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    APA
    Zorn, Anders (1880). In Mourning [Painting]. https://originaluniqueart.com/nl/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Chicago
    Anders Zorn. In Mourning. 1880. https://originaluniqueart.com/nl/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Harvard
    Zorn, Anders (1880) In Mourning. Available at: https://originaluniqueart.com/nl/art/anders-leonard-zorn-in-mourning-AQQLME-en/

    Bekijk het van dichtbij

    In Mourning — Anders Zorn

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. Hoeveel gezichten kun je vinden? ____ (onze catalogus telt 1 — ben je het ermee eens?)
    4. In onze catalogus is dit werk geclassificeerd onder: portrait, mourning, watercolor. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    5. Kijk nog eens naar Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Welke kunstenaar en welke stijl staan achter "In Mourning"?

    "In Mourning" werd gecreëerd door Anders Zorn in de Impressionism-stijl. De kunstenaar en de stroming bepalen de traditie van het werk.

    Wat is de luminantie van "In Mourning" door Anders Zorn?

    De kleuren van "In Mourning" hebben een luminantie van Bright Balance.

    Wat is de dominante kleur in "In Mourning" door Anders Zorn?

    "In Mourning" neigt naar een Golden Yellow Range tint.