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Prickly Pear Cactus

Naam Groep Datum

Aleen Aked, Prickly Pear Cactus (1940), The Robert McLaughlin Gallery. Reproduceerd ter referentie; alle rechten voorbehouden aan de auteursrechthebbende. Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Aleen Aked originaluniqueart.com/nl/artists/aleen-aked_nl/
Levensdata kunstenaar
1907 – 2003
Geschilderd
1940
Medium
Oil
Afmetingen origineel werk
63 x 76 cm
Beweging
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Periode
Modern
Gehouden in
The Robert McLaughlin Gallery originaluniqueart.com/nl/museums/the-robert-mclaughlin-gallery-oshawa/
Artistic style
Landscape painting
Influences
Group of Seven, Arthur Lismer, Fred Varley, A. Y. Jackson
Subject or theme
Florida cacti and landscape

In context

Prickly Pear Cactus — Aleen Aked

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 63 × 76 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990
  11. 2000

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 96 bij het overlijden.

Geschilderd toen de kunstenaar 33 jaar oud was. De kunstenaar werd 96 jaar oud. 0 van de 1 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Aleen Aked (1907–2003) ▲ dit werk, 1940 elk gedateerd schilderij, decennium voor decennium

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Teal #1c898b

    Gecatalogiseerd palet

    • #1C898B
    • #A2BBA9
    • #27240F
    • #727542

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Naam hoofdkleur
    Teal
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Balanced Soft Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Over dit kunstwerk

    Prickly Pear Cactus — Aleen Aked

    A Verdant Oasis: The Luminous World of Aleen Aked

    In the quiet, sun-drenched landscapes of 1940, Aleen Aked captured a moment of botanical serenity that continues to resonate with the modern soul. Her masterpiece, Prickly Pear Cactus, is far more than a mere study of desert flora; it is an evocative window into a thriving, tranquil ecosystem. The painting presents a lush arrangement of cacti, rendered in a breathtaking palette of verdant greens and warm, sun-kissed yellows. These succulents appear to emerge organically from the sandy earth, positioned near a gentle water's edge that suggests a hidden sanctuary. As the viewer’s eye wanders through the composition, it encounters layers of depth, where foreground specimens stand in sharp, tactile detail while others recede into a soft, atmospheric distance, creating a sense of infinite peace.

    The technique employed by Aked reflects her prestigious lineage, having studied under the titans of the Group of Seven at the Ontario College of Art. One can detect the influence of masters like Arthur Lismer and Fred Varley in her ability to manipulate light and texture to evoke the spirit of a place. Her brushwork is deliberate yet fluid, capturing the rugged, prickly texture of the cacti while maintaining the soft, shimmering quality of the surrounding landscape. The inclusion of a solitary tree on the left provides a structural anchor to the composition, balancing the organic sprawl of the cacti and guiding the eye through this carefully orchestrated natural theater.

    Historical Resonance and Artistic Legacy

    To understand the emotional depth of Prickly Pear Cactus, one must consider Aked’s unique position as a Canadian-American painter. Having spent her winters in Sarasota, Florida, between 1929 and 1944, she became a chronicler of the Floridian landscape. This painting serves as a vibrant testament to that period of her life, capturing the warmth and vitality of a subtropical environment that stood in stark contrast to the northern climates of her upbringing. The work embodies a specific era of mid-century botanical fascination, where the rugged beauty of the American South was being rediscovered through an impressionistic lens.

    For the discerning collector or interior designer, this piece offers a profound sense of tranquility and organic elegance. The painting’s color story—dominated by earthy tones and vibrant greens—makes it an exceptional choice for creating a focal point in spaces that value natural light and botanical themes. Whether placed in a sunlit conservatory or a sophisticated contemporary living room, the Prickly Pear Cactus brings with it an enduring sense of summer and the restorative power of nature. It is not merely a reproduction of a landscape, but an invitation to inhabit a moment of eternal, sun-drenched stillness.

    Kunstenaar en museum

    Kunstenaar

    Aleen Aked

    Geboren in Kildwick, Verenigd Koninkrijk

    early life and education

    aleen aked, a renowned canadian-american painter, was born in kildwick, england in 1907. her family emigrated to canada in 1910. she began her artistic journey at the tender age of 14, studying at ontario college of art in toronto under several members of the group of seven, including arthur lismer, fred varley, and a. y. jackson. after winning a lismer scholarship, aked graduated in 1928.

    career highlights

    aked's artistic career spanned multiple decades, with her work featuring in various north american exhibitions, including the royal canadian academy and the sarasota art association. her last exhibition was at the robert mclaughlin gallery in 1989. aked was an avid golfer, holding the title of club champion of the ladies golf club of toronto from 1933-36.

    artistic style and themes

    aked's paintings often depicted florida landscapes and floridians, reflecting her time spent in sarasota during the winter months from 1929 to 1944. her artistic style was influenced by her studies at the ringling school of art.

    war efforts and later life

    during world war ii, aked took a hiatus from exhibiting, focusing her efforts on sending over 5,000 parcels to the allied troops. she passed away in toronto in 2003.

    legacy and collections

    aked's work can be found in various collections, including those at the mcmichael canadian art collection (https://AllPaintingsStore.com/@/the-mcmichael-canadian-art-collection) and the macdonald stewart art center (https://AllPaintingsStore.com/@/macdonald-stewart-art-center). her legacy continues to inspire artists and art enthusiasts alike.

    view aked's artwork at https://AllPaintingsStore.com/@/aleen-aked

    explore the mcmichael canadian art collection at https://AllPaintingsStore.com/@@/the-mcmichael-canadian-art-collection

    learn more about the macdonald stewart art center at https://AllPaintingsStore.com/@@/macdonald-stewart-art-center

    discover the world of art with AllPaintingsStore.com

    Museum

    The Robert McLaughlin Gallery

    Te zien in Oshawa, Canada

    A Sanctuary of Light and Line

    Nestled within the vibrant pulse of Downtown Oshawa, Ontario,

    The Robert McLaughlin Gallery

    stands as a luminous beacon for the Canadian spirit, offering a profound sanctuary where modernism meets memory. To step into this institution is to enter a carefully curated dialogue between the earth and the ether, a place where the heavy weight of history is lifted by the soaring, light-filled expansiveness of its design. The architectural presence of the gallery is, in itself, a masterpiece of modernist principle. Designed by the legendary Canadian architect

    Arthur Erickson

    , the building serves as a structural poem that mirrors the artistic ethos found within its walls. Erickson’s vision prioritizes an organic connection to the surrounding urban landscape, utilizing expansive windows that flood the interior with natural light. This intentional luminosity does more than illuminate; it breathes life into the canvases, mirroring the brilliance and depth found in many of the gallery's most celebrated works.

    For the interior designer or lover of fine spaces, the gallery offers a masterclass in how architecture can act as a silent collaborator to art, creating an environment that is simultaneously invigorating and deeply contemplative. The space serves as a bridge between the industrial heritage of the region and the ethereal beauty of abstract form, making it a vital destination for those who seek inspiration in the intersection of structure and soul.

    The Pulse of Abstract Expressionism

    At the heart of the gallery’s identity lies an unparalleled devotion to

    Abstract Expressionism

    . This singular focus is inextricably linked to the pioneering legacy of

    Alexandra Luke

    , a visionary whose advocacy for abstract forms irrevocably altered the trajectory of Canadian art history. The gallery holds the distinction of housing the largest collection of works by the

    Painters Eleven

    in Canada, a group of rebels and innovators who sought to break free from representational constraints to explore pure emotion, form, and texture. To wander through these collections is to encounter monumental works that pulse with energy, offering profound insights into a collective movement that redefined how we perceive the canvas.

    The collection's depth is matched by its diversity, featuring a wide array of artistic expressions including:

    Canadian Paintings:

    A vast panorama of works spanning various periods of national importance.

    Sculpture and Printmaking:

    Tactile explorations of materiality and process that complement the painted works.

    Archives:

    Significant historical records related to the Painters Eleven, preserving the very origins of the movement.

    Beyond its permanent treasures, which number over 4,500 diverse pieces, the gallery remains a living, breathing entity through its commitment to groundbreaking exhibitions and community engagement. It consistently pushes boundaries, presenting shows that traverse themes from the intricate nuances of Indigenous storytelling to the cutting-edge pulse of contemporary trends. Whether one is drawn by the historical weight of the McLaughlin legacy or the raw, unbridled power of modern Canadian creativity, the gallery offers an enduring journey through the heart of Canadian expression.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Prickly Pear Cactus

    originaluniqueart.com/nl/art/download/aleen-aked-prickly-pear-cactus-D7H3K2-en/

    Citeer dit kunstwerk

    MLA
    Aked, Aleen. Prickly Pear Cactus. 1940, The Robert McLaughlin Gallery. https://originaluniqueart.com/nl/art/aleen-aked-prickly-pear-cactus-D7H3K2-en/
    APA
    Aked, Aleen (1940). Prickly Pear Cactus [Painting]. The Robert McLaughlin Gallery. https://originaluniqueart.com/nl/art/aleen-aked-prickly-pear-cactus-D7H3K2-en/
    Chicago
    Aleen Aked. Prickly Pear Cactus. 1940. The Robert McLaughlin Gallery. https://originaluniqueart.com/nl/art/aleen-aked-prickly-pear-cactus-D7H3K2-en/
    Harvard
    Aked, Aleen (1940) Prickly Pear Cactus. The Robert McLaughlin Gallery. Available at: https://originaluniqueart.com/nl/art/aleen-aked-prickly-pear-cactus-D7H3K2-en/

    Bekijk het van dichtbij

    Prickly Pear Cactus — Aleen Aked

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: prickly pear cactus, cacti, tree. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Waar is dat in dit werk te zien?
    5. Aleen Aked was ongeveer 33 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Uit welke periode stamt "Prickly Pear Cactus" door Aleen Aked?

    "Prickly Pear Cactus" door Aleen Aked dateert uit de Modern-periode. Deze periode biedt de historische context van het werk.

    Wordt "Prickly Pear Cactus" bewaard in het land van de maker?

    Nee - het kunstwerk wordt in het buitenland bewaard. Het geboorteland van Aleen Aked is Verenigd Koninkrijk, en het museum waar het origineel van "Prickly Pear Cactus" zich bevindt, ligt in Canada.

    Wie is de maker van "Prickly Pear Cactus" en bij welke stroming hoort dit werk?

    "Prickly Pear Cactus" is het werk van Aleen Aked en behoort tot de Contemporary Realism-stroming.