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Desk

Naam Groep Datum

Alberto Issel, Desk (1900), Castello Sforzesco. Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Alberto Issel originaluniqueart.com/nl/artists/alberto-issel/
Levensdata kunstenaar
1848 – 1926
Geschilderd
1900
Afmetingen origineel werk
5 x 92 cm
Gehouden in
Castello Sforzesco originaluniqueart.com/nl/museums/castello-sforzesco-milaan_nl/
Artistic style
Landscape influenced
Influences
Paul Gauguin
Notable elements or techniques
Chromatic & volumetric ratios prioritize aesthetics.
Subject or theme
Furniture Design

In context

Desk — Alberto Issel

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 5 × 92 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910
  9. 1920

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 78 bij het overlijden.

Geschilderd toen de kunstenaar 52 jaar oud was. De kunstenaar werd 78 jaar oud. 0 van de 1 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Alberto Issel (1848–1926) ▲ dit werk, 1900 elk gedateerd schilderij, decennium voor decennium

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Rosy Brown #9b9c9c

    Gecatalogiseerd palet

    • #9B9C9C
    • #C8C9CB
    • #4C362A
    • #F2F3F5

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Neutrals De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Rosy Brown
    Intensiteit
    Monochromatic De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Statement De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Discordant Palette De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Brilliant Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Muted Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Alberto Issel over de afgelopen twaalf maanden — in totaal 1 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 Verenigde Staten van Amerika 100,0%100 bezoeken

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 1 meest bekeken werken van Alberto Issel

    1. 1 Desk, 1900 dit schilderij 100,0%100 weergaven

    Samen maken deze werken 100,0% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 1 werken van deze kunstenaar, waarvan 1 minstens één keer zijn bekeken. Dit schilderij staat op de 1-plaats van alle werken, met 100,0% van die aandacht (100 bezoeken). Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Desk — Alberto Issel

    A Symphony of Light and Form: Exploring Alberto Issel’s “Desk”

    The painting "Desk" by Alberto Issel stands as a testament to the enduring influence of landscape painting on decorative arts. Born in Genoa in 1848, Issel initially pursued landscapes with a fervor that would later permeate his furniture designs—a conscious decision to prioritize aesthetic considerations alongside functional practicality. This particular desk embodies this philosophy perfectly; it’s not merely designed for utility but rather conceived as an experience of visual harmony. The chromatic palette is carefully calibrated, favoring subtle gradations and luminous hues that evoke the serenity of a Tuscan hillside – mirroring Issel's deep connection to his homeland and the Macchiaioli movement.

    The Essence of Macchiaioli Style

    Issel’s artistic approach aligns closely with the Macchiaioli style, characterized by bold brushstrokes and expressive color patches—a deliberate departure from academic realism. Unlike traditional painters who meticulously blended pigments to achieve smooth surfaces, Issel embraced a technique that allowed for visible marks of the brush, capturing fleeting moments of light and atmosphere. This stylistic choice is evident in the desk’s surface texture, where areas of pigment coalesce into textured planes reminiscent of Impressionist canvases. The artist skillfully utilizes color to convey emotion—the muted tones reflecting contemplation and tranquility—a hallmark of Macchiaioli aesthetics.

    A Reflection of Artistic Vision: Gauguin's Influence

    Interestingly, Issel’s artistic trajectory shares similarities with Paul Gauguin’s own journey – a fellow explorer of primal experience who rejected Parisian conventions in favor of pursuing artistic authenticity. Like Gauguin, Issel sought to distill the essence of his subject matter into its most fundamental elements, prioritizing feeling over precise representation. This resonates powerfully with Gauguin's preoccupation with capturing the spirit of Tahiti and Marquesas Islands, where he famously depicted scenes of daily life infused with symbolic meaning. The desk’s composition—simple yet thoughtfully considered—echoes Gauguin’s compositional strategies: a focus on essential forms against a neutral backdrop to heighten visual impact.

    Symbolism Embedded in Detail

    Beyond its stylistic considerations, “Desk” incorporates subtle symbolic elements that enrich its narrative depth. The inclusion of a clock is not merely functional; it represents the passage of time—a concept frequently explored by artists grappling with existential questions. Its placement at the back of the desk subtly directs the viewer’s gaze outwards, suggesting an awareness of the broader context of life and experience. Furthermore, the chair itself symbolizes stability and repose – mirroring Issel's desire to create a piece that inspires contemplation and invites viewers into a space of quiet reflection.

    A Legacy of Tuscan Craftsmanship

    Finally, “Desk” represents a significant contribution to Tuscan craftsmanship during the early 20th century. Its creation coincided with the Alberto Bruschi Collection’s flourishing—a celebration of antique furniture, ceramics and ironwork reflecting regional artistic heritage. Issel's desk exemplifies the Macchiaioli style's commitment to capturing the beauty of the natural world while simultaneously conveying profound emotional resonance – a timeless masterpiece destined to inspire generations of art lovers and collectors alike.

    Kunstenaar en museum

    Kunstenaar

    Alberto Issel

    Geboren in Genoa, Italy

    A Life of Light and Line

    Born in Genoa, Italy, Alberto Issel emerged as a versatile force within the Italian art scene, weaving together the delicate sensibilities of a painter with the structural elegance of a designer. His early years were marked by a rigorous academic foundation at the Accademia Ligustica, where his burgeoning talent for engravings earned him distinction as a young student. This formative period in Genoa provided the bedrock for a career that would eventually traverse the most vibrant artistic hubs of his era, from the scholarly atmosphere of Florence to the sun-drenched influences of Rome.

    Issel’s journey was one of constant movement and stylistic evolution. In Florence, he studied under Markó the Younger, an experience that deepened his command over form and light. His presence in the artistic circles of the time was profound; he frequented the legendary Caffè Michelangiolo, engaging with the Macchiaioli movement. This connection to the Macchiaili style—characterized by its use of expressive color patches and a departure from rigid academic realism—left an indelible mark on his approach to capturing the fleeting essence of atmosphere and landscape.

    The Intersection of Painting and Design

    The trajectory of Issel’s career took a poignant turn due to an ocular malady that began to impair his ability to paint after 1880. Yet, where the brush faltered, his creative spirit found new expression in the applied arts. This transition did not signal an end, but rather a metamorphosis. He redirected his profound understanding of visual harmony and chromatic balance toward the world of furniture design and entrepreneurship. Alongside his son Arturo, he established a renowned shop on Via Roma in Genoa, where he became a pioneer of Art Nouveau-inspired pieces.

    His work in design was far from mere utility; it was an extension of his painterly soul. He sought to bring the same luminosity and organic grace found in his landscapes to functional objects. His creations, such as the elegant Liberty-style lounge, showcased a masterful use of walnut, refined floral fabrics, and colorful lacquers that mimicked the vegetative motifs of nature. Through these works, Issel successfully bridged the gap between fine art and decorative elegance, exhibiting his designs with great success in Paris and Turin.

    Legacy and Artistic Vision

    The significance of Alberto Issel lies in his ability to maintain a cohesive aesthetic vision across vastly different mediums. Whether he was capturing the tranquil mood of a rainy day in an oil painting or carving the intricate curves of a wooden chair, his work remained anchored in a deep appreciation for light, texture, and natural beauty. His later years were spent as both a designer and an entrepreneur, leaving behind a legacy that celebrates the seamless integration of art into daily life.

    His contributions can be summarized through several key facets of his career:

    Mastery of Landscape: His early paintings, influenced by the Macchiaioli, utilized bold brushstrokes and light to evoke the serenity of the Italian countryside.

    Innovation in Applied Arts: He played a vital role in bringing Art Nouveau aesthetics to furniture, emphasizing organic motifs and visual harmony.

    Cultural Presence: His involvement with the Genoese Scuola dei Grigi and his interactions with figures like Mariano Fortuny placed him at the heart of late 19th-century Italian art movements.

    Museum

    Castello Sforzesco

    Te zien in Milaan, Italië

    A Fortress Transformed: Unveiling the Majesty of Sforza Castle

    Nestled within the vibrant heart of Milan, Italy, stands Sforza Castle—a monumental testament to centuries of shifting power, artistic patronage, and architectural evolution. More than just a castle, it’s a living chronicle of Milanese history, an immersive experience that seamlessly blends medieval fortification with Renaissance splendor. Originally conceived as a formidable defensive structure in the 14th century by Galeazzo II Visconti, this imposing complex was dramatically reshaped under his successor, Francesco Sforza, transforming it into a lavish princely residence and ultimately, one of Italy’s most significant cultural institutions. Today, within its weathered walls and soaring ceilings, visitors embark on a journey through time, encountering masterpieces by Leonardo da Vinci, Michelangelo, and countless other artistic giants—all housed within a structure that continues to breathe with the echoes of Milan's past.

    The castle’s architectural narrative is itself a captivating story; from its medieval foundations gradually incorporating Renaissance elements under Francesco Sforza and his heirs, to Luca Beltrami’s meticulous reconstruction in the late 19th century which cleverly integrated modern functionality without sacrificing historical integrity. This careful balance is immediately apparent upon entering—a sense of both ancient grandeur and contemporary relevance. The castle's layout reflects its layered history; a deliberate layering of defensive walls, grand halls, and intimate chambers, each whispering tales of ambition, intrigue, and artistic brilliance. The original Visconti fortress, built between 1358 and 1370, was a pragmatic design focused on defense – thick walls, strategically placed towers, and a formidable gatehouse. However, it was Francesco Sforza who truly reimagined the space, transforming it into a symbol of his family’s power and wealth. He commissioned lavish embellishments, including grand halls, intricate frescoes, and opulent furnishings, reflecting the burgeoning Renaissance aesthetic. Later additions, particularly during the 16th and 17th centuries under subsequent Sforza rulers, further expanded the castle's complexity, incorporating elements of Mannerism and Baroque design. The reconstruction undertaken by Luca Beltrami in the late 19th century aimed to restore the castle to its former glory while also adapting it for modern use as a museum and cultural center – a delicate balancing act that has largely succeeded.

    Echoes of Masters: Da Vinci, Michelangelo, and a Legacy of Art

    The Sforza Castle’s association with artistic titans like Leonardo da Vinci and Michelangelo elevates it beyond a mere historical site to a veritable sanctuary of creativity. Perhaps the castle's most celebrated feature is the Sala delle Asse (Hall of Wooden Panels), commissioned by Ludovico il Moro around 1498 and largely attributed to Leonardo himself. This room is a breathtaking spectacle, depicting a fantastical forest of mulberry trees teeming with life—a vibrant allegory of Milanese prosperity and power. The intricate detail, achieved through painstaking application of wood panels, creates an illusion of depth and space that is truly remarkable. The coats of arms adorning the walls further enrich the scene, offering a glimpse into the Sforza family’s lineage and ambitions. Equally poignant is Michelangelo's Pietà Rondanini, an unfinished marble sculpture that stands as a testament to the artist’s enduring genius. The Pietà, depicting the Virgin Mary cradling the body of Christ, is characterized by its raw emotion and expressive power—qualities particularly evident in the figure of Mary's face. Its placement within the castle, amidst other masterpieces, highlights the continuity of artistic excellence across centuries.

    Beyond these iconic works, the Pinacoteca (Picture Gallery) houses a remarkable collection of Italian paintings spanning various periods, including pieces by Andrea Mantegna, Giovanni Bellini, and Canaletto. These works offer a diverse range of styles and subject matter, providing valuable insights into the artistic trends of the Renaissance and beyond. The castle’s curators have meticulously arranged these artworks to create a chronological narrative, allowing visitors to trace the evolution of Italian painting over several centuries. The collection isn't just about individual masterpieces; it’s about understanding the context in which they were created – the political, social, and cultural forces that shaped the artistic landscape of Milan. The castle also houses a significant collection of decorative arts, including furniture, ceramics, and textiles, offering a comprehensive view of Renaissance interior design.

    A Treasury of Artistic Legacy: From Ancient Relics to Decorative Arts

    Sforza Castle’s treasures extend far beyond its most famous masterpieces. The castle's museums are a microcosm of Italian artistic achievement, showcasing everything from ancient Roman relics to contemporary decorative arts. The Museum of Ancient Art is particularly noteworthy for its impressive equestrian tomb of Bernabò Visconti, a symbol of the powerful medieval dynasty that preceded the Sforzas. This imposing monument speaks volumes about the ambition and authority of the Visconti rulers. The Raccolta di Mobili (Furniture Collection) offers a fascinating glimpse into the tastes and styles of Milanese nobility throughout the centuries, revealing how domestic life evolved alongside artistic trends. The Museum of Decorative Arts presents a vast collection of ceramics, precious late-antique ivories, and contemporary glass, demonstrating the breadth of Italian craftsmanship. The castle’s curators have meticulously arranged these artworks to create a chronological narrative, allowing visitors to trace the evolution of Italian painting over several centuries.

    A Living Landmark: The Castle Today

    Sforza Castle is more than just a museum; it's a vibrant cultural hub that continues to evolve alongside Milan. The castle complex houses several museums, including the Pinacoteca, Museo d’Arte Antica, and others dedicated to musical instruments, furniture, and Egyptian artifacts. The vast Piazza d'Armi, once a bustling parade ground now transformed into a serene public park, offers a welcome respite from the city’s bustle—a green oasis within the historic walls. The castle also hosts concerts, theatrical performances, and art exhibitions, further solidifying its role as a vital center for artistic expression. A visit to Sforza Castle is an unforgettable journey through time—a chance to immerse oneself in Milanese history, admire masterpieces by some of the world’s greatest artists, and experience the enduring legacy of a truly remarkable fortress.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Desk

    originaluniqueart.com/nl/art/download/alberto-issel-desk-D4R59A-en/

    Citeer dit kunstwerk

    MLA
    Issel, Alberto. Desk. 1900, Castello Sforzesco. https://originaluniqueart.com/nl/art/alberto-issel-desk-D4R59A-en/
    APA
    Issel, Alberto (1900). Desk [Painting]. Castello Sforzesco. https://originaluniqueart.com/nl/art/alberto-issel-desk-D4R59A-en/
    Chicago
    Alberto Issel. Desk. 1900. Castello Sforzesco. https://originaluniqueart.com/nl/art/alberto-issel-desk-D4R59A-en/
    Harvard
    Issel, Alberto (1900) Desk. Castello Sforzesco. Available at: https://originaluniqueart.com/nl/art/alberto-issel-desk-D4R59A-en/

    Bekijk het van dichtbij

    Desk — Alberto Issel

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: furniture design, italian art deco, wooden desk. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Alberto Issel was ongeveer 52 toen dit werd gemaakt. Wat in het werk doet denken aan de stijl van een kunstenaar in die levensfase?
    5. Terugkerende thema's in het werk van Alberto Issel: landscape impressionism, symbolic expressionism, artist’s vision. Welke daarvan ziet u hier?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Kunstquiz

    Desk — Alberto Issel

    Hoe goed kent u dit kunstwerk?

    Selecteer één antwoord voor elk van de 5 onderstaande vragen. Elk heeft precies één juist antwoord.

    1. 1. What artistic movement is Alberto Issel primarily associated with?

      • A Impressionism
      • B Cubism
      • C Macchiaioli
    2. 2. The desk's design prioritizes which aspect above all else?

      • A Functional practicality
      • B Detailed realism
      • C Aesthetic values
    3. 3. What is notable about the clock incorporated into the desk’s design?

      • A It's made of gold leaf.
      • B It reflects Gauguin’s influence.
      • C It adds to its unique decorative element.
    4. 4. According to the biography, Paul Gauguin is described as:

      • A A meticulous draftsman
      • B A revolutionary innovator
      • C A ‘wolfish wild man’
    5. 5. What stylistic influence can be observed in Issel's desk, considering his early work?

      • A Renaissance perspective
      • B Symbolic Surrealism
      • C Landscape painting

    Mijn score: ____ van de 5

    Antwoordsleutel — voor de docent

    Dit wordt op een nieuwe pagina afgedrukt, waardoor het eenvoudig uit de kopieën weggelaten kan worden.

    1C · 2C · 3C · 4C · 5C

    Controleer elk antwoord met de catalogusgegevens van dit schilderij

    Veelgestelde vragen

    Waarvoor wordt een afdruk van "Desk" aanbevolen?

    Een reproductie van "Desk" door Alberto Issel wordt aanbevolen voor Accent. Dit advies is gebaseerd op het onderwerp, de sfeer en de kleuren van het werk.

    Hoe harmonieus zijn de kleuren van "Desk" door Alberto Issel?

    De kleurharmonie van "Desk" wordt beschreven als Discordant Palette.

    Uit welke materialen bestaat "Desk" en in welke stijl is het uitgevoerd?

    "Desk" is vervaardigd in Acrylic On Canvas, in de Macchiaioli Style-stijl.