Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 27 werken van Tomie Ohtake in onze catalogus
Kortom
Volgens de visie van de galerie is het beroemdste schilderij van Tomie Ohtake Theatre Pedro II (1996), waarvan het origineel in het Instituto Tomie Ohtake in Praag hangt. Memorial da América Latina (1990) en Av. 23 de Maio (1998) maken het trio compleet dat elk oog herkent. Van de 27 werken van Tomie Ohtake in onze catalogus presenteert de galerie hieronder de 25 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
The ceiling of the Theatro Pedro II rises like a pale, frozen web. It is a structure of two plaster domes, carved with countless cutout arches that catch the light. These openings allow a soft glow to bleed through the geometry, turning the heavy material into something that feels weightless. A massive chandelier hangs from the center, a heavy presence of one point four tons suspended in the quiet air.…
The sculpture emerges from its surroundings with a sense of sudden movement, as if caught in a single, breathless moment of transition. A bird, defined by spreading wings, occupies the space with an abstract grace that defies rigid structure. Around this central figure, designs reminiscent of flickering flames dance and swirl, creating a dynamic tension between the solid form of the wings and the fluid energy of the surrounding patterns.…
The painting depicts a city street scene characterized by a central, sculptural element that resembles a skateboard ramp. This structure sits within a paved area, surrounded by the architectural geometry of a metropolitan setting. In the background, buildings rise to meet the upper edge of the frame, creating a sense of enclosure. Several vehicles are positioned along the roadway, including a car near the left margin and another further into…
A large red spiral sculpture dominates the outdoor space, its form resembling a giant spring or a series of twisted metal rings. The structure rises from a garden setting, where greenery surrounds the base of the installation. This work, created in 1998, utilizes a singular, bold color to define its presence against the architectural backdrop of the building. The loops of the sculpture create a sense of continuous movement, drawing…
A heavy, grayscale light settles over the Anhangabaú district. In this 1984 photograph, the city breathes through a thick layer of movement and shadow. Tall buildings frame the sky, their silhouettes casting long, geometric shapes across the urban canyon. Below, the street is a river of steel and glass. Cars, trucks, and buses navigate the thoroughfares in a choreographed chaos, their forms blurred by the constant rush of transit. Pedestrians…
In the vast landscape of twentieth-century abstraction, few works capture the rhythmic interplay between color and space as intimately as Tomie Ohtake Nakakubo’s CTBC Telecom. Created in 1998, this masterpiece serves as a profound testament to the artist's enduring mastery over form and light. At first glance, the viewer is greeted by a striking blue expanse, a deep and resonant field that acts as a celestial stage for the delicate…
In the heart of São Paulo’s cultural landscape, where architecture meets the soul of the city, lies a masterpiece of abstract movement titled Ibirapuera Auditorium. Created by the legendary Japanese-Brazilian artist Tomie Ohtake Nakakubo in 2004, this work serves as a breathtaking dialogue between sculpture and space. The piece captures a singular, fluid moment—a red, undulating wave that seems to pulse with its own internal rhythm. As light dances across…
A Bold Statement in Steel: Tomie Ohtake’s *Aché Laboratory* *Aché Laboratory*, created in 1997 by the celebrated Japanese-Brazilian artist Tomie Ohtake Nakakubo, is more than just a sculpture; it's an architectural intervention and a dynamic exploration of form and space. This monumental work, residing at Laboratório Aché in Guarulhos, Brazil, commands attention with its sweeping curves and vibrant red hue. Weighing 4.5 tons and constructed from steel sections painted with…
In the evocative piece Address Building, created in 1995 by the master Japanese-Brazilian artist Tomie Ohtake Nakakubo, we encounter a profound dialogue between structure and fluidity. The artwork presents a striking visual phenomenon: a vibrant, crimson wave that seems to surge across a textured surface, breaking with a rhythmic intensity that captures the eye instantly. This is not merely a depiction of movement, but an exploration of it. Through a…
In the quiet transition between twilight and night, certain works of art possess the uncanny ability to command the space around them, transforming a simple environment into a stage for profound contemplation. Tomie Ohtake’s 1983 sculpture, “Paulo Figueiredo Gallery,” is such a masterpiece. Captured in a moment of stillness, the sculpture emerges from a circular pool like a monumental relic of nature itself. Its elongated, organic silhouette—reminiscent of a stylized…
Consolação subway station1991 · Instituto Tomie Ohtake
12
Complexo Aché Cultural2003 · Instituto Tomie Ohtake
13
Lagoa Rodrigo de Freitas1985 · Instituto Tomie Ohtake
14
Embarkment at José Menino Beach, Santos,SP.2008 · Instituto Tomie Ohtake
15
Hotel Brasília Alvorada2001 · Instituto Tomie Ohtake
16
Guarulhos International Aiport2008 · Instituto Tomie Ohtake
17
Santo André City Hall.2013 · Instituto Tomie Ohtake
18
Tomie Ohtake Building1985 · Instituto Tomie Ohtake
19
SESC Vila Mariana1997 · Instituto Tomie Ohtake
20
Work n.71970 · Centro Cultural Banco do Brasil - Brasília
21
University of São Paulo’s Museum of Contemporary Art.1999 · Instituto Tomie Ohtake
22
Usiminas Headquartes2003 · Instituto Tomie Ohtake
23
Paulista Avenue2015 · Instituto Tomie Ohtake
24
Untitled2002 · Inter-American Development Bank
25
Untitled1988
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Tomie Ohtake | Schilderijen uit deze lijst |
|---|---|---|---|
 Instituto Tomie Ohtake |
Praag | 22 | Theatre Pedro II, Memorial da América Latina, Av. 23 de Maio |
 Centro Cultural Banco do Brasil - Brasília |
Brasília | 1 | Work n.7 |
 Inter-American Development Bank |
Washington, D.C. | 1 | Untitled |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
In the evocative realm of Tomie Ohtake Nakakubo, the boundaries between the human form and geometric abstraction dissolve into a mesmerizing dance of color and shape. Her piece, Work n.7, created in 1970, serves as a profound testament to her unique ability to bridge the gap between the organic and the structural. At first glance, the viewer is drawn into a vibrant dialogue between a central, soulful presence and a…
A heavy, grayscale light settles over the Anhangabaú district. In this 1984 photograph, the city breathes through a thick layer of movement and shadow. Tall buildings frame the sky, their silhouettes casting long, geometric shapes across the urban canyon. Below, the street is a river of steel and glass. Cars, trucks, and buses navigate the thoroughfares in a choreographed chaos, their forms blurred by the constant rush of transit. Pedestrians…
The ceiling of the Theatro Pedro II rises like a pale, frozen web. It is a structure of two plaster domes, carved with countless cutout arches that catch the light. These openings allow a soft glow to bleed through the geometry, turning the heavy material into something that feels weightless. A massive chandelier hangs from the center, a heavy presence of one point four tons suspended in the quiet air.…
In the heart of São Paulo’s cultural landscape, where architecture meets the soul of the city, lies a masterpiece of abstract movement titled Ibirapuera Auditorium. Created by the legendary Japanese-Brazilian artist Tomie Ohtake Nakakubo in 2004, this work serves as a breathtaking dialogue between sculpture and space. The piece captures a singular, fluid moment—a red, undulating wave that seems to pulse with its own internal rhythm. As light dances across…
In the bustling heart of Santo André, where the rhythmic pulse of city life meets the concrete geometry of urban infrastructure, stands a vibrant testament to the lyrical power of abstraction. Santo André City Hall is not merely a sculpture; it is a visual melody frozen in time. Created by the legendary Japanese-Brazilian master Tomie Ohtake Nakakubo, this striking installation transforms a mundane street corner into a stage for poetic…
Theatre Pedro II (1996), Instituto Tomie Ohtake, Praag. Memorial da América Latina (1990) en Av. 23 de Maio (1998) volgen.
83 jaar oud: Theatre Pedro II dateert uit 1996, en Tomie Ohtake werd geboren in 1913.
Theatre Pedro II, Memorial da América Latina, Av. 23 de Maio, Instituto Rio Branco, Ladeira da Memória, Anhangabaú, CTBC Telecom, Ibirapuera Audotorium, Aché Laboratory, Address Building en Paulo Figueiredo Gallery. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 27 werken van Tomie Ohtake, daterend van 1970 tot 2015.
Voornamelijk in Instituto Tomie Ohtake (Praag), Centro Cultural Banco do Brasil - Brasília (Brasília) en Inter-American Development Bank (Washington, D.C.). De bovenstaande museumtabel bevat een volledig overzicht.
In 1990s: 10 van de 25 werken op deze pagina werden toen gemaakt, waaronder Theatre Pedro II.
Op deze pagina is het vroegste Work n.7 (1970) en het laatste Paulista Avenue (2015).
Public art (9), Sculpture (7) en Geometric form (5), verspreid over de 25 werken op deze pagina.
Sculpture, voor 7 van de 25 werken op deze pagina.
Abstract expressionism, te oordelen aan de originelen op deze pagina.
Theatre Pedro II, Memorial da América Latina en Av. 23 de Maio: het Instituto Tomie Ohtake, Praag herbergt 22 van de werken op deze pagina.
