Portret van Robert Tournières

De 16 bekendste schilderijen van Robert Tournières, een selectie uit de galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 18 werken van Robert Tournières in onze catalogus

Kortom

Van alle originele werken die Robert Tournières heeft nagelaten, is Pomona (1739) het bekendst, in de collectie van het Nationalmuseum, Stockholm. Direct daarna volgen Portrait of an Old Man (Guillaume de Lisle?) (1700) en Michel Corneille l'Aîné (1642-1708) (1702). Onze catalogus bevat 18 werken van Robert Tournières; de galerie heeft de 16 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1667 – 1752, Ifs Rococo Meeste werken: Nationalmuseum

De top 10 schilderijen van Robert Tournières: de selectie van de galerie

1
Pomona (1739) door Robert Tournières

Pomona

1739 · Oil · Nationalmuseum, Stockholm

The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.

8
Count Ferdinand Adolf von Plettenberg and his Family (1727) door Robert Tournières

Count Ferdinand Adolf von Plettenberg and his Family

1727 · Oil On Canvas · Szépművészeti Múzeum, Boedapest

A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…

9
Concert (1690) door Robert Tournières

Concert

1690 · Oil On Canvas · Louvre, Parijs

Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…

De selectie van Robert Tournières gaat verder, van 11 tot 16

De onderwerpen die de aandacht van Robert Tournières troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Robert Tournières worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Robert Tournières Schilderijen uit deze lijst
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Pomona
Opera House, VersaillesOpera House Versailles 1 Michel Corneille l'Aîné (1642-1708)
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 Portrait of Richard (Dicky) Bateman
Musée des Beaux-Arts de Dijon, DijonMusée des Beaux-Arts de Dijon Dijon 1 Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727)
Szépművészeti Múzeum, BoedapestSzépművészeti Múzeum Boedapest 1 Count Ferdinand Adolf von Plettenberg and his Family
Louvre, ParijsLouvre Parijs 1 Concert
Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 1 Portrait of Unknown Woman as Hebe
Musée d'Arts de Nantes, NantesMusée d'Arts de Nantes Nantes 1 Portrait of the Maupertuis family

Robert Tournières decennium voor decennium: het origineel dat elk tijdperk definieert

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Vragen van verzamelaars over de schilderijen van Robert Tournières

Waar is Robert Tournières het meest bekend om?Onthul het antwoord

Pomona (1739), Nationalmuseum, Stockholm. Portrait of an Old Man (Guillaume de Lisle?) (1700) en Michel Corneille l'Aîné (1642-1708) (1702) volgen.

Hoe oud was Robert Tournières toen Pomona werd gemaakt?Onthul het antwoord

72 jaar oud: Pomona dateert uit 1739, en Robert Tournières werd geboren in 1667.

Wat zijn de tien beroemdste schilderijen van Robert Tournières?Onthul het antwoord

Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert en Pierre Louis Moreau de Maupertuis. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Robert Tournières nagelaten?Onthul het antwoord

Onze catalogus bevat 18 werken van Robert Tournières, daterend van 1690 tot 1750.

In welke musea hangen de meesterwerken van Robert Tournières?Onthul het antwoord

Voornamelijk in Nationalmuseum (Stockholm), Opera House (Versailles) en Birmingham Museum and Art Gallery (Birmingham). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Robert Tournières de beroemdste werken?Onthul het antwoord

In 1700s: 2 van de 16 werken op deze pagina werden toen gemaakt, waaronder Portrait of an Old Man (Guillaume de Lisle?).

Wat zijn de eerste en de laatste beroemde originelen van Robert Tournières?Onthul het antwoord

Op deze pagina is het vroegste Concert (1690) en het laatste Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).

Welke onderwerpen koos Robert Tournières het vaakst?Onthul het antwoord

Portraits (3) en Portraiture (2), verspreid over de 16 werken op deze pagina.

Welke techniek gebruikte Robert Tournières het meest?Onthul het antwoord

Oil On Canvas, voor 3 van de 16 werken op deze pagina.

Bij welke kunststroming behoort Robert Tournières?Onthul het antwoord

Rococo, te oordelen aan de originelen op deze pagina.

Robert Tournières: leven en werk

Robert Le Vrac de Tournières: A Life in Transition

Early Life and Education

Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.

Artistic Development and Style

Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.

Academic Recognition and Major Works

Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.

Influences and Artistic Preoccupations

Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.

Later Life and Legacy

In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.

Historical Significance

Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.