Portret van Per Krafft the Elder

Schilderijen van Per Krafft the Elder: De 52 bekendste, door de ogen van een galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 52 werken van Per Krafft the Elder in onze catalogus

Kortom

Volgens de visie van de galerie is het beroemdste schilderij van Per Krafft the Elder Portrait of Alois Friedrich von Brühl (1739-1793). (1767), waarvan het origineel in het Nationaal Museum in Warschau in Warschau hangt. Portrait of Natalia Alexandrovna Repnina (1767) en Portrait of Stanisław August Poniatowski (1767) maken het trio compleet dat elk oog herkent. Van de 52 werken van Per Krafft the Elder in onze catalogus presenteert de galerie hieronder de 52 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.

1724 – 1793, Arboga Rococo Meeste werken: Nationalmuseum

De top 10 schilderijen van Per Krafft the Elder in de galerie

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) door Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) door Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) door Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · Nationaal Museum in Krakau, Krakau

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) door Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · Nationalmuseum, Stockholm

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) door Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · Nationaal Museum in Warschau, Warschau

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) door Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · Nationalmuseum, Stockholm

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

8
The Artist's Daughter Wilhelmina (1782) door Per Krafft the Elder

The Artist's Daughter Wilhelmina

1782 · Oil On Canvas · Nationalmuseum, Stockholm

The Artist's Daughter Wilhelmina is an oil on canvas portrait executed by Per Krafft the Elder in 1782. The work identifies its subject as Wilhelmina, the artist's daughter. This specific piece is rendered in an oval shape, a common format for intimate portraiture of the period.

Schilderijen van Per Krafft the Elder, gerangschikt van 11 tot 52

11Portrait by Carl von Fersen (1750) door Per Krafft the ElderPortrait by Carl von Fersen1750 · National Portrait Gallery of Sweden 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) door Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · Nationalmuseum 13Portrait of Stanisław Augustus Poniatowski (1760) door Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · Nationaal Museum in Warschau 14A Boy Reading (1758) door Per Krafft the ElderA Boy Reading1758 · Nationalmuseum 15Portrait of a Boy (1762) door Per Krafft the ElderPortrait of a Boy1762 · Nationalmuseum 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) door Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · Nationalmuseum 17Countess Teresa Kinska Poniatowska (1765) door Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) door Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · Nationalmuseum 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) door Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · Nationalmuseum 20Portrait of Izabela Lubomirska née Czartoryska (1767) door Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · Nationaal Museum in Warschau 21Portrait of a Boy (1773) door Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) door Per Krafft the ElderGirl with Bullfinch in a Cage1766 · Nationalmuseum 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) door Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · National Portrait Gallery of Sweden 24Old Woman (1768) door Per Krafft the ElderOld Woman1768 · Nationalmuseum 25Portrait of Teresa Poniatowska (1767) door Per Krafft the ElderPortrait of Teresa Poniatowska1767 · Nationaal Museum in Krakau 26Portrait of Izabela Branicka née Poniatowska (1767) door Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · Nationaal Museum in Krakau 27Portrait of Konstancja Poniatowska née Czartoryska (1768) door Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · Nationaal Museum in Krakau 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) door Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · Nationalmuseum 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) door Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · National Portrait Gallery of Sweden 30Portrait of Anders Mattsson (1778) door Per Krafft the ElderPortrait of Anders Mattsson1778 · National Portrait Gallery of Sweden 31Portrait of Carl Michael Bellman, 1740-1795 (1779) door Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · National Portrait Gallery of Sweden 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) door Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · National Portrait Gallery of Sweden 33The Artist's Daughter Wilhelmina (1783) door Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · Nationalmuseum 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) door Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · Nationalmuseum 35Manufacturer Erik Westén the younger (1787) door Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) door Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) door Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · National Portrait Gallery of Sweden 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) door Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · National Portrait Gallery of Sweden 39Elis Schröderheim, 1747-1795, ämbetsman (1787) door Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · National Portrait Gallery of Sweden 40Portrait of a Lady (1788) door Per Krafft the ElderPortrait of a Lady1788 · Nationalmuseum 41Portrait of Bishop Ignacy Krasicki door Per Krafft the ElderPortrait of Bishop Ignacy KrasickiNationaal Museum in Krakau 42Carl Funck, 1708-1783 door Per Krafft the ElderCarl Funck, 1708-1783Nationalmuseum 43Thomas von Plomgren, 1702-1754, grosshandlare door Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlareNationalmuseum 44Mrs Dorotea Westén door Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina door Per Krafft the ElderThe Artist's Wife Maria WilhelminaNationalmuseum 46Sofia Albertina, 1753-1829, prinsessa av Sverige door Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeNational Portrait Gallery of Sweden 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble door Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleNational Portrait Gallery of Sweden 48Henrik af Trolle, 1730-1784 door Per Krafft the ElderHenrik af Trolle, 1730-1784National Portrait Gallery of Sweden 49Brita Christina Sparre, 1720-1776, g. Törnflycht door Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtNational Portrait Gallery of Sweden 50Anders Johan von Höpken, 1712-1789, greve door Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveNational Portrait Gallery of Sweden 51Augustin Ehrensvärd, 1710-1772, militär, greve door Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveNational Portrait Gallery of Sweden 52Izabela Lubomirska née Czartoryska door Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

De onderwerpen die de aandacht van Per Krafft the Elder troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Per Krafft the Elder worden bewaard

De 7 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Per Krafft the Elder Schilderijen uit deze lijst
Nationalmuseum, StockholmNationalmuseum Stockholm 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
Nationaal Museum in Warschau, WarschauNationaal Museum in Warschau Warschau 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
Nationaal Museum in Krakau, KrakauNationaal Museum in Krakau Krakau 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, WarschauRoyal Łazienki Museum Warschau 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, één iconisch schilderij per decennium

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Per Krafft the Elder: de galerie geeft antwoord

Welk schilderij van Per Krafft the Elder is het beroemdste van allemaal?Onthul het antwoord

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), Nationaal Museum in Warschau, Warschau. Portrait of Natalia Alexandrovna Repnina (1767) en Portrait of Stanisław August Poniatowski (1767) volgen.

Hoe oud was Per Krafft the Elder bij de voltooiing van Portrait of Alois Friedrich von Brühl (1739-1793).?Onthul het antwoord

43 jaar oud: Portrait of Alois Friedrich von Brühl (1739-1793). dateert uit 1767, en Per Krafft the Elder werd geboren in 1724.

Wat zijn de top 10 schilderijen van Per Krafft the Elder?Onthul het antwoord

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 en Johan Gustaf Lund, född 1712, kommissarie. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken heeft Per Krafft the Elder gemaakt?Onthul het antwoord

Onze catalogus bevat 52 werken van Per Krafft the Elder, daterend van 1748 tot 1793.

Waar hangen de beroemdste originele werken van Per Krafft the Elder?Onthul het antwoord

Voornamelijk in Nationalmuseum (Stockholm), National Portrait Gallery of Sweden (Strängnäs) en Nationaal Museum in Warschau (Warschau). De bovenstaande museumtabel bevat een volledig overzicht.

Wanneer creëerde Per Krafft the Elder de beroemdste schilderijen?Onthul het antwoord

In 1760s: 15 van de 52 werken op deze pagina werden toen gemaakt, waaronder Portrait of Alois Friedrich von Brühl (1739-1793)..

Wat zijn de vroegste en laatste beroemde werken van Per Krafft the Elder?Onthul het antwoord

Op deze pagina is het vroegste Johan Gustaf Lund, född 1712, kommissarie (1748) en het laatste Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793).

Welke onderwerpen keerde Per Krafft the Elder het vaakst naar terug?Onthul het antwoord

Man (6), Lace (3) en Dark background (3), verspreid over de 52 werken op deze pagina.

In welk medium werkte Per Krafft the Elder het meest?Onthul het antwoord

Oil On Canvas, voor 8 van de 52 werken op deze pagina.

Bij welke stroming wordt Per Krafft the Elder gerekend?Onthul het antwoord

Rococo, te oordelen aan de originelen op deze pagina.

Welke originelen van Per Krafft the Elder zijn in de collectie van het Nationalmuseum?Onthul het antwoord

Gustav III (1746–1792), King of Sweden, Reading Boy en The Artist's Daughter Wilhelmina: het Nationalmuseum, Stockholm herbergt 18 van de werken op deze pagina.

Per Krafft the Elder: de kunstenaar

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.