Portret van Michele Marieschi

De 43 beroemdste schilderijen van Michele Marieschi, elk uniek

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 46 werken van Michele Marieschi in onze catalogus

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The Grand Canal near the Salute (1733) is het schilderij van Michele Marieschi dat de meeste aandacht trekt; het origineel bevindt zich in het Louvre, Parijs. Daarna gaat de blik naar Capriccio with Classical Arch and Goats (1741) en The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742). Van de 46 werken van Michele Marieschi in onze catalogus zijn dit de 43 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1710 – 1743, Venice Rococo Meeste werken: Nationaal Museum in Warschau

Top 10 schilderijen van Michele Marieschi, door de ogen van de galerie

1
The Grand Canal near the Salute (1733) door Michele Marieschi

The Grand Canal near the Salute

1733 · Oil On Canvas · Louvre, Parijs

The Grand Canal near the Salute is a breathtaking oil on canvas painting created by Michele Marieschi in 1733. This stunning artwork measures 125 x 213 cm and is currently housed at the Musée du Louvre in Paris, France. As a prominent artist of the Rococo period, Marieschi's work embodies the essence of 18th-century Venetian art. Artistic Style and Composition The painting showcases Marieschi's exceptional skill in capturing the vibrant…

4
Courtyard with a Staircase (1735) door Michele Marieschi

Courtyard with a Staircase

1735 · Oil On Canvas · Hermitage Museum, Sint-Petersburg

Courtyard with a Staircase is an oil on canvas work by Michele Marieschi, executed in 1735. The composition functions as an architectural fantasy, presenting a structured arrangement of a staircase within a courtyard setting. This work belongs to the Venetian School, reflecting the topographical and imaginative traditions of 18th-century Italy.

5
The Grand Canal in Venice (1700) door Michele Marieschi

The Grand Canal in Venice

1700 · Oil · Museo di Capodimonte, Napels

In the heart of the eighteenth century, Venice was not merely a city but a stage, a shimmering spectacle of light and water where every canal served as a corridor for drama and commerce. Michele Marieschi, a master of the veduta, captures this ephemeral magic in his breathtaking work, The Grand Canal in Venice. This painting serves as a portal to a bygone era, inviting the viewer to step onto…

6
De Rialto Brug vanaf de Riva del Vin (1740) door Michele Marieschi

De Rialto Brug vanaf de Riva del Vin

1740 · Acryl op canvas · Hermitage Museum, Sint-Petersburg

De Rialto Brug vanuit Riva del Vin Deze prachtige schildering biedt een beeld van Venetië, het stadje dat beroemd staat om zijn iconische Rialtobrug. De brug spannt over een kanaal gevuld met boten, waaronder enkele gondolen die door het water navigeren. Daarnaast bevinden zich kleinere schepen verspreid over de scène, wat bijdraagt aan de drukke sfeer van de stad. De gebouwen rondom het kanaal en de brug laten verschillende architecturale…

7
The Grand Canal with Santa Maria della Salute (1730) door Michele Marieschi

The Grand Canal with Santa Maria della Salute

1730 · Oil On Canvas · Thyssen-Bornemisza Museum, Madrid

The oil on canvas depicts the Grand Canal in Venice, Italy, as it appeared in 1730. At the terminus of the waterway, the Santa Maria della Salute church occupies the central focus. The structure features a prominent dome and smaller domes situated on either side. The building's architecture is characterized by its position at the end of the canal, which directs the eye toward the church's facade. Numerous gondolas and…

De beroemde schilderijen van Michele Marieschi, nummer 11 tot 43

11Fantastic Architecture of a Palace Courtyard (1730) door Michele MarieschiFantastic Architecture of a Palace Courtyard1730 · Nationaal Museum in Warschau 12Riva degli Schiavoni (1730) door Michele MarieschiRiva degli Schiavoni1730 · Nationaal Museum in Warschau 13Coastal Landscape (1730) door Michele MarieschiCoastal Landscape1730 · Nationaal Museum in Warschau 14Fantastic Landscape with Ruins (1730) door Michele MarieschiFantastic Landscape with Ruins1730 · Nationaal Museum in Warschau 15Italian scenery with figures (1727) door Michele MarieschiItalian scenery with figures1727 16View of the Piazzetta dei Leoni (1734) door Michele MarieschiView of the Piazzetta dei Leoni1734 · Bayerische Staatsgemäldesammlungen 17Saint Mark's Church and the Square in Venice (1739) door Michele MarieschiSaint Mark's Church and the Square in Venice1739 18View of the Grand Canal near Cà Pesaro (1734) door Michele MarieschiView of the Grand Canal near Cà Pesaro1734 · Bayerische Staatsgemäldesammlungen 19Landscape Capriccio (1735) door Michele MarieschiLandscape Capriccio1735 · Minneapolis Institute of Art 20The Church of Santa Maria della Salute, Venice (1740) door Michele MarieschiThe Church of Santa Maria della Salute, Venice1740 · Art Institute of Chicago 21Courtyard in a Renaissance House (1742) door Michele MarieschiCourtyard in a Renaissance House1742 · Nationalmuseum 22Stairwell in a Renaissance Palace (1742) door Michele MarieschiStairwell in a Renaissance Palace1742 · Nationalmuseum 23Architectural fantasy featuring a palace courtyard (1738) door Michele MarieschiArchitectural fantasy featuring a palace courtyard1738 · Nationaal Museum in Warschau 24The Grand Canal with the Fishmarket (detail) (1740) door Michele MarieschiThe Grand Canal with the Fishmarket (detail)1740 25The Grand Canal at San Geremia (1740) door Michele MarieschiThe Grand Canal at San Geremia1740 26The Grand Canal with the Fishmarket (1740) door Michele MarieschiThe Grand Canal with the Fishmarket1740 27View of the Rio di Cannareggio (1740) door Michele MarieschiView of the Rio di Cannareggio1740 28The Grand Canal at San Geremia (detail) (1740) door Michele MarieschiThe Grand Canal at San Geremia (detail)1740 29The Grand Canal with the Palazzo Labia and Entry to the Cannareggio (1742) door Michele MarieschiThe Grand Canal with the Palazzo Labia and Entry to the Cannareggio1742 · Staatliche Museen zu Berlin 30Capriccio with Gothic Building and Obelisk (1741) door Michele MarieschiCapriccio with Gothic Building and Obelisk1741 · Gallerie dell'Accademia di Venezia 31Piazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie Nuove door Michele MarieschiPiazza San Marco, Venice, with Saint Mark's Basilica, the Campanile and the Procuratie NuoveNational Gallery of Ireland 32View of the Dogana and Santa Maria della Salute door Michele MarieschiView of the Dogana and Santa Maria della SaluteMuseum of Fine Arts, Houston 33View of Canale Grande in Venice with the Rialto Bridge door Michele MarieschiView of Canale Grande in Venice with the Rialto BridgeStatens Museum for Kunst 34View of Canale Grande in Venice door Michele MarieschiView of Canale Grande in VeniceStatens Museum for Kunst 35interior of a palazzo with scaffolding + figures door Michele Marieschiinterior of a palazzo with scaffolding + figures 36View of a port door Michele MarieschiView of a port 37palace - garden and walking people door Michele Marieschipalace - garden and walking people 38St. Marcus place in Venice door Michele MarieschiSt. Marcus place in Venice 39Landscape with ruins and a bridge door Michele MarieschiLandscape with ruins and a bridgeNationaal Museum in Warschau 40Landscape with ruins door Michele MarieschiLandscape with ruinsNationaal Museum in Warschau 41Architectural fantasy featuring a prison courtyard door Michele MarieschiArchitectural fantasy featuring a prison courtyardNationaal Museum in Warschau 42Imaginative View with Obelisk door Michele MarieschiImaginative View with Obelisk 43View of Campo SS. Giovanni e Paolo, Venice door Michele MarieschiView of Campo SS. Giovanni e Paolo, Venice

De onderwerpen die de aandacht van Michele Marieschi troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Michele Marieschi worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Michele Marieschi Schilderijen uit deze lijst
Nationaal Museum in Warschau, WarschauNationaal Museum in Warschau Warschau 10 Ponte di Rialto, Fantastic Architecture of a Prison Courtyard, Fantastic Architecture of a Palace Courtyard
Gallerie dell'Accademia di Venezia, VenetiëGallerie dell'Accademia di Venezia Venetië 2 Capriccio with Classical Arch and Goats, Capriccio with Gothic Building and Obelisk
Staatliche Museen zu Berlin, BerlijnStaatliche Museen zu Berlin Berlijn 2 The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, The Grand Canal with the Palazzo Labia and Entry to the Cannareggio
Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 2 Courtyard with a Staircase, De Rialto Brug vanaf de Riva del Vin
Bayerische Staatsgemäldesammlungen, MünchenBayerische Staatsgemäldesammlungen München 2 View of the Piazzetta dei Leoni, View of the Grand Canal near Cà Pesaro
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Courtyard in a Renaissance House, Stairwell in a Renaissance Palace
Statens Museum for Kunst, KopenhagenStatens Museum for Kunst Kopenhagen 2 View of Canale Grande in Venice with the Rialto Bridge, View of Canale Grande in Venice
Louvre, ParijsLouvre Parijs 1 The Grand Canal near the Salute

Michele Marieschi door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Michele Marieschi: vragen voor de galerie

Wat is het bekendste werk van Michele Marieschi?Onthul het antwoord

The Grand Canal near the Salute (1733), Louvre, Parijs. Capriccio with Classical Arch and Goats (1741) en The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742) volgen.

Op welke leeftijd creëerde Michele Marieschi The Grand Canal near the Salute?Onthul het antwoord

23 jaar oud: The Grand Canal near the Salute dateert uit 1733, en Michele Marieschi werd geboren in 1710.

Welke tien schilderijen van Michele Marieschi zijn het meest bekend?Onthul het antwoord

The Grand Canal near the Salute, Capriccio with Classical Arch and Goats, The Grand Canal with the Ca' Rezzonico and the Campo San Samuele, Courtyard with a Staircase, The Grand Canal in Venice, De Rialto Brug vanaf de Riva del Vin, The Grand Canal with Santa Maria della Salute, An Architectural Capriccio with Figures beside a River, Ponte di Rialto en Fantastic Architecture of a Prison Courtyard. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Michele Marieschi zijn er bekend?Onthul het antwoord

Onze catalogus bevat 46 werken van Michele Marieschi, daterend van 1727 tot 1742.

Waar kunnen de beroemdste originelen van Michele Marieschi worden bekeken?Onthul het antwoord

Voornamelijk in Nationaal Museum in Warschau (Warschau), Gallerie dell'Accademia di Venezia (Venetië) en Staatliche Museen zu Berlin (Berlijn). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Michele Marieschi de bekendste schilderijen?Onthul het antwoord

In 1730s: 14 van de 43 werken op deze pagina werden toen gemaakt, waaronder The Grand Canal near the Salute.

Welk beroemd schilderij van Michele Marieschi is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste Italian scenery with figures (1727) en het laatste The Grand Canal with the Ca' Rezzonico and the Campo San Samuele (1742).

Welke onderwerpen had Michele Marieschi de voorkeur?Onthul het antwoord

Bridges (4), Canals and bridges (4) en Architecture (3), verspreid over de 43 werken op deze pagina.

Met welke materialen schilderde Michele Marieschi het meest?Onthul het antwoord

Oil On Canvas, voor 3 van de 43 werken op deze pagina.

Bij welke stroming behoort het werk van Michele Marieschi?Onthul het antwoord

Rococo, te oordelen aan de originelen op deze pagina.

Welke originele werken van Michele Marieschi kan ik zien in het Nationaal Museum in Warschau?Onthul het antwoord

Ponte di Rialto, Fantastic Architecture of a Prison Courtyard en Fantastic Architecture of a Palace Courtyard: het Nationaal Museum in Warschau, Warschau herbergt 10 van de werken op deze pagina.

Michele Marieschi: een portret van de kunstenaar

The Venetian Visionary: The Life and Legacy of Michele Marieschi

In the golden age of the Venetian Rococo, few artists captured the ephemeral magic of the Serenissima with as much vitality as Michele Giovanni Marieschi. Born in Venice in 1710, Marieschi emerged from a lineage of craftsmanship, being the son of a woodcarver—a background that likely instilled in him a profound respect for structure, texture, and the physical essence of the objects he depicted. While his life was relatively brief, spanning only until his death in early 1744, his impact on the veduta tradition remains indelible. He did not merely document the architecture of Venice; he breathed life into its stone and water, transforming static cityscapes into breathing, luminous narratives of light and movement.

The development of Marieschi’s unique style was deeply rooted in the artistic currents flowing through 18th-century Italy. Scholars often point to the influence of masters such as Gaspare Diziani and the legendary Canaletto, whose works provided a blueprint for capturing the grandeur of urban environments. However, where Canaletto sought a certain topographical precision and a more restrained, classical clarity, Marieschi found his voice in a bolder, more emotive approach. He embraced a palette that pulsed with color and a brushwork that felt spontaneous and energetic. This stylistic distinction allowed him to move beyond mere architectural recording, infusing his landscapes with a sense of theatricality and atmosphere that suggested the very pulse of Venetian life.

Mastery of Light and the Veduta Tradition

Marieschi’s contribution to the veduta—the genre of highly detailed, large-scale topographical paintings—is characterized by an extraordinary command of perspective and light. His works often feature iconic landmarks such as the Grand Canal, the Salute, and various majestic palaces, yet they are far from being mere postcards of the era. Instead, he utilized a technique that blended meticulous detail with imaginative embellishment, creating scenes that felt both real and dreamlike. Through his eyes, the water of the canals becomes a mirror for the shifting sky, and the shadows cast by ancient churches become vessels for mystery and depth.

His technical prowess is perhaps most evident in his ability to manipulate light to evoke specific moods:

  • Atmospheric Perspective: The use of soft, hazy tones to create a sense of immense distance and scale within his cityscapes.
  • Dynamic Brushwork: A lively application of paint that captures the shimmering reflections on the Venetian lagoons.
  • Architectural Grandeur: A profound understanding of structural geometry, allowing him to render complex facades with both accuracy and elegance.

Historical Significance and Artistic Resonance

The historical significance of Michele Marieschi lies in his ability to bridge the gap between the rigid documentation of the early 18th century and the more expressive, emotive landscapes that would follow. He was a pivotal figure in transitioning the Venetian view from a purely observational medium into an art form capable of conveying profound emotional resonance. His work serves as a vital window into a vanished world, preserving the splendor of Venice before the seismic shifts of the late 18th century altered its social and political landscape forever.

Today, Marieschi’s canvases continue to captivate collectors and historians alike. Whether it is the breathtaking view of the Grand Canal near the Salute or his more intimate architectural studies, his paintings remain masterclasses in the Rococo spirit. He remains a celebrated figure for those seeking to experience the vibrant energy, the luminous light, and the enduring elegance of a Venice that continues to haunt the collective imagination of the art world.