Fairies by the Brook
Fairies by the Brook is an oil on canvas created by Maximilian Pirner in 1895. The work measures 99 cm in height and 61 cm in width, presenting a vertical composition that emphasizes the depth of the wooded setting.
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Volgens de visie van de galerie is het beroemdste schilderij van Maximilian Pirner Fairies by the Brook (1895), waarvan het origineel in het National Gallery Prague in Praag hangt. Funeral of a Fairy (1888) en Self-Portrait (1890) maken het trio compleet dat elk oog herkent. Van de 11 werken van Maximilian Pirner in onze catalogus presenteert de galerie hieronder de 11 bekendste werken, elk een origineel met de jaartal, het museum en wat het uniek maakt.
Fairies by the Brook is an oil on canvas created by Maximilian Pirner in 1895. The work measures 99 cm in height and 61 cm in width, presenting a vertical composition that emphasizes the depth of the wooded setting.
Maximilian Pirner produced the work titled Somnambulant in 1878. The artist, who was born in Sušice, Czech Republic, developed his technical approach through formal training at the Academy of Fine Arts in Prague and the Academy of Fine Arts in Vienna. His career spanned several decades until his death in Prague in 1924.
Het museum met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Maximilian Pirner | Schilderijen uit deze lijst |
|---|---|---|---|
| Praag | 7 | Fairies by the Brook, Self-Portrait, Fragment of a Painting from the Triptych Life, Love, Hatred and Death |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Maximilian Pirner produced the work titled Somnambulant in 1878. The artist, who was born in Sušice, Czech Republic, developed his technical approach through formal training at the Academy of Fine Arts in Prague and the Academy of Fine Arts in Vienna. His career spanned several decades until his death in Prague in 1924.
Fairies by the Brook is an oil on canvas created by Maximilian Pirner in 1895. The work measures 99 cm in height and 61 cm in width, presenting a vertical composition that emphasizes the depth of the wooded setting.
Fairies by the Brook (1895), National Gallery Prague, Praag. Funeral of a Fairy (1888) en Self-Portrait (1890) volgen.
41 jaar oud: Fairies by the Brook dateert uit 1895, en Maximilian Pirner werd geboren in 1854.
Fairies by the Brook, Funeral of a Fairy, Self-Portrait, Fragment of a Painting from the Triptych Life, Love, Hatred and Death, Death, Černá Káča, Diogenes, Somnambulant, Flow en Hekate. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 11 werken van Maximilian Pirner, daterend van 1878 tot 1903.
Voornamelijk in National Gallery Prague (Praag). De bovenstaande museumtabel bevat een volledig overzicht.
In 1890s: 4 van de 11 werken op deze pagina werden toen gemaakt, waaronder Fairies by the Brook.
Op deze pagina is het vroegste Somnambulant (1878) en het laatste Flow (1903).
Fairies by the Brook, Self-Portrait en Fragment of a Painting from the Triptych Life, Love, Hatred and Death: het National Gallery Prague, Praag herbergt 7 van de werken op deze pagina.
Maximilian Pirner (Czech: Maxmilián Pirner; February 13, 1853 – April 2, 1924) was a Czech painter who emerged from the Bohemian landscape to become a prominent figure in Viennese Symbolism and the Vienna Secession. His artistic vision—characterized by haunting beauty intertwined with unsettling themes—continues to fascinate scholars and collectors alike.
Born in Sušice, Bohemia (now Šüttenhofen), Pirner’s early life was marked by a fascination for classical mythology and an inclination towards melancholic contemplation. He pursued formal artistic training diligently, enrolling at the Academy of Fine Arts, Prague, followed by studies at the Academy of Fine Arts, Vienna, where he honed his skills under Josef Matyáš Trenkwald.
Pirner's distinctive style—often termed “Vienna Symbolism”—is instantly recognizable for its evocative use of color and form. He excelled in depicting scenes from Greek mythology, particularly those imbued with erotic undertones juxtaposed against the inevitability of death. His paintings frequently feature female figures rendered with sensual grace yet shadowed by an aura of sorrow and vulnerability.
Pirner’s legacy extends beyond his individual artworks. He served as a teacher at the Academy of Fine Arts, Prague, nurturing generations of aspiring artists and shaping the artistic landscape of Bohemia. His unwavering commitment to exploring the darker facets of human experience cemented his place among the foremost Symbolist painters of his era.
Pirner’s work continues to resonate with audiences today, prompting contemplation on themes of mortality, desire, and the sublime beauty found within decay. He remains a testament to the power of art to grapple with existential questions and capture the elusive essence of human emotion—a true heir to the traditions of Romanticism and Symbolism.