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Mathew Brady Studio Meest populaire schilderijen

The 7 artworks by Mathew Brady Studio our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 7 artworks Each artwork painted to order
Linnen canvas · Certificaat van echtheid · Wereldwijd verzonden

Clara Barton

1865 · National Portrait Gallery, Londen · original 6 x 10 cm

A captivating black and white portrait of Clara Barton captures her elegant smile and 1865 era beauty through the lens of Mathew Brady Studio, offering a rare glimpse into history for collectors to cherish.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 1 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20025 × 40 cm Commission this artwork

Mary Todd Lincoln

1861 · National Portrait Gallery, Londen · original 5 x 8 cm

A striking 1861 vintage portrait of Mary Todd Lincoln in a festive white lace gown by Mathew Brady Studio captures the elegance of the Civil War era and invites you to explore this piece of American history.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 2 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20025 × 40 cm Commission this artwork

Edwin Booth and his daughter Edwina

1864 · George Eastman Museum, Rochester · original 5 x 8 cm

A poignant black and white vintage photograph by Mathew Brady Studio capturing the intimate 1864 portrait of actor Edwin Booth and his daughter Edwina, offering a rare glimpse into history for your private collection.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 3 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20025 × 41 cm Commission this artwork

Victoria Claflin Woodhull

1870 · National Portrait Gallery, Londen · original 10 x 15 cm

A striking 1870 black and white portrait of the revolutionary Victoria Claflin Woodhull by Mathew Brady Studio captures a powerful moment in American history, inviting you to explore this piece of photographic legacy.

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 4 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20026 × 39 cm Commission this artwork

Thomas Edison, Charles Batchelor and Uriah Painter with Edison

The Henry Ford, Dearborn Heights

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 5 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20028 × 35 cm Commission this artwork

Robert E. Lee

1865 · National Portrait Gallery, Londen · original 15 x 20 cm

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 6 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20028 × 35 cm Commission this artwork

Back view of Colonel Benson

George Eastman Museum, Rochester · original 35 x 26 cm

Techniek: Met de hand geschilderd olieverf op linnen canvas
Gemaakt door: Op bestelling, door een professioneel kunstenaar
Popularity: No. 7 of 7 artworks by Mathew Brady Studio
Levering: Wereldwijd ongeveer 5 weken

from$20037 × 27 cm Commission this artwork

The artist

Mathew Brady Studio

Snelle feiten

Room fitoffice
Top 3 worksClara Barton, Mary Todd Lincoln, Edwin Booth and his daughter Edwina
Color intensitybalanced, monochromatic
Works on APS7
Emotional tonenostalgic
Also known asBrady Studio, Matthew B. Brady Studio, M.B. Brady & Co., BradyS National Photographic Portrait Gallery, Brady And Roney
Typical colorsearthy, neutrals
Copyright statusUnder copyright

Biography

The Enduring Legacy of Mathew Brady Studio: Capturing a Nation in Transition

Mathew Brady, more than simply a photographer, was an architect of American memory. Born in Warren County, New York, in 1823, his journey to becoming the most celebrated visual chronicler of the 19th century began not with a lens, but with an ambition for artistry. Initially drawn to landscape painting and the burgeoning world of daguerreotypy, Brady quickly recognized the power of photography to transcend artistic interpretation and deliver unvarnished reality. He established his New York studio in 1844, rapidly gaining prominence through meticulously crafted portraits of prominent figures – a testament to his technical skill and keen understanding of public image. However, it was the seismic event of the Civil War that would irrevocably define Brady’s legacy and cement his place in history.

Witnessing History: The Civil War Photographs

With the outbreak of hostilities in 1861, Brady embarked on a monumental undertaking: to document the entirety of the conflict. He didn't wield the camera himself at every battle; instead, he assembled and financed a team of photographers – Alexander Gardner, Timothy H. O’Sullivan, George N. Barnard among them – who ventured onto the front lines, braving danger to capture the brutal realities of war. Brady’s vision was comprehensive: not just grand landscapes of battlefields like Antietam and Gettysburg, but also intimate portraits of soldiers, camp life, and the devastating aftermath of conflict. The resulting collection, numbering in the thousands, presented a starkly different portrayal of war than anything previously seen by the American public. These weren’t romanticized depictions of heroism; they were unflinching glimpses into the carnage, suffering, and sheer scale of destruction.

Technique and Innovation: Beyond Portraiture

Brady's studio wasn’t merely a place for taking pictures; it was an early adopter of photographic innovation. He moved beyond the limitations of daguerreotypes to embrace the collodion wet-plate process, which allowed for greater detail and reproducibility – crucial for creating multiple prints from each negative. This technical shift enabled wider dissemination of his images through publications like *Harper’s Weekly* and *Leslie's Illustrated Newspaper*, bringing the war directly into American homes. The logistical challenges were immense. The wet-plate method required a portable darkroom, immediate development of negatives after exposure, and careful handling of fragile materials in often harsh conditions. Brady’s team pioneered techniques for capturing movement and depth, laying the groundwork for future generations of photojournalists. His commitment to documenting the war wasn't driven by profit; he initially funded the project himself, believing it was a vital historical record.

A Lasting Impact: Shaping Public Perception

The impact of Brady’s Civil War photographs extended far beyond their immediate publication. They shattered prevailing illusions about the glory of war and forced Americans to confront its horrific cost. While initially met with mixed reactions – some found the images too graphic, others dismissed them as staged – they gradually gained recognition for their authenticity and power. These photographs fundamentally altered public perception of conflict, paving the way for a more critical and informed understanding of warfare. Brady’s work also established photography as a legitimate form of historical documentation, influencing subsequent generations of war correspondents and documentary photographers.

Beyond the Battlefield: Legacy and Remembrance

Though financially ruined by his investment in the Civil War project – he received little financial support from the government or public for years – Mathew Brady’s legacy remains undiminished. He continued to photograph prominent figures after the war, but it is his wartime work that continues to resonate most powerfully. The collection amassed by the studio became a cornerstone of American visual history, preserved and studied by scholars and artists alike.

Brady's photographs are now considered essential primary sources for understanding the Civil War.
His team’s work established many of the conventions of war photography still used today.
The studio’s commitment to documenting reality helped shape public opinion and foster a more critical awareness of conflict.

Mathew Brady died in 1896, but his vision – to capture the truth of a nation at war – continues to endure, reminding us of the sacrifices made and the enduring power of visual storytelling.

Vraag en antwoord

Waar kan ik het kleurprofiel van het oeuvre van Mathew Brady Studio bekijken?

De Kleurenpalet van de kunstenaar van Mathew Brady Studio presenteert het kleurprofiel van het oeuvre van de kunstenaar.

Kan ik de werken van Mathew Brady Studio verkennen op basis van het kleurenspectrum?

De Sorteren op kleur van Mathew Brady Studio biedt een overzicht van de kunstwerken van de kunstenaar, georganiseerd op kleur.

Hoe kan ik het werk van Mathew Brady Studio chronologisch volgen?

De kunstwerken van Mathew Brady Studio zijn in chronologische volgorde te bekijken op de Chronologie kunstwerken pagina van de kunstenaar.

Door de redactie van OriginalUniqueArt.com Bijgewerkt op 26 september 2026

één U kiest de afmeting

Standaardformaten of elke gewenste afmeting, afgestemd op de verhoudingen van het origineel.

twee We schilderen en sturen een preview

Een foto van het voltooide canvas ter goedkeuring voordat het wordt verzonden.

drie Geleverd, gecertificeerd

Opgerold, opgespannen of ingelijst, verzekerd, met een echtheidscertificaat.

Bestel uw Mathew Brady Studio

Every artwork by Mathew Brady Studio in our catalog can be painted to order, in the size that suits the room.

Alle kunstwerken van Mathew Brady Studio